{"title":"Digital","description":"","products":[{"product_id":"jb-captian-sometimes","title":"Sometimes Up Is The Only Direction","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eFinest In Italian Metal Pt. 1\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eNYC Is Trying To Kill Me\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eAlex\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eSkeletons\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eBrutal Path Of Destruction\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eDowntime\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eWarn the Duke!\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eEverybody's Doing It\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/captain-vs-crew-finest-in-italian-metal-pt-2\/s-17izr\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan style=\"line-height: 1.5;\"\u003eFinest in Italian Metal Pt. 2\u003c\/span\u003e\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eStandyby Maneuver\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eUnder The Rock Rock\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eStrawberries of Spain\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e6\/18\/2002\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003eDealing with the inevitable approach of conceptual adulthood, the foursome choose to stuff the stress and absurdity of everyday living into songs described as \"twitchy punk rock,\" \"Replacements-like …and Sonic Youth-ish,\" and \"punk rock quelque part entre Sebadoh\" by the press, prompting one reviewer to posit the question \"what if Gang of Four did nothing but cover the Dead Kennedys?\" As one might assume, Captain Vs. Crew drives down a rollicking road of punk rock and noise, but with a decidedly undecided direction. This album fuses some of the past brash silliness that sparked the beginning of Captain Vs. Crew, and witnesses the path into an inevitable maturation that comes from a life spent frolicking in a town full of hard-driving rock friendships.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Captain Vs. Crew","offers":[{"title":"CD","offer_id":810693949,"sku":"","price":5.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":810693953,"sku":"","price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB044.jpeg?v=1429679753"},{"product_id":"various-1","title":"Anatomy of a…","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eSide A\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003cstrong\u003eElectric Eye\u003c\/strong\u003e \/ \u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/electric-eye-jim-shooter\/s-LxMp5\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eJim Shooter\u003c\/a\u003e\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003e\u003cstrong\u003eCaptain vs. Crew\u003c\/strong\u003e \/ Cut The Pocket\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eSide B\u003c\/h3\u003e\n\u003col start=\"3\"\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003e\u003cstrong\u003eThe Triggers\u003c\/strong\u003e \/ Trigger Finger\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003e\u003cstrong\u003eThe Hunches\u003c\/strong\u003e \/ Razor Eyes\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e10\/22\/2002\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003eBringing the people together by combining the rockin' minds of these 4 great PDX labels and these 4 great PDX bands into one rockin' 7\". Did I happen to mention ROCK!?!?!  \u003c\/p\u003e\n\u003cp class=\"p1\" align=\"justify\"\u003e\u003cstrong\u003eVinyl Warning\u003c\/strong\u003e gives us \u003cem\u003eJim Shooter\u003c\/em\u003e by the AC\/DC \u0026amp; The Stooges inspired \u003cstrong\u003eElectric Eye.  \u003c\/strong\u003e\u003cstrong\u003eJBR \u003c\/strong\u003ethrows our hat in the ring with \u003cem\u003eCut The Pocket\u003c\/em\u003e by indy rock Fugaziers \u003cstrong\u003eCaptain Vs. Crew\u003c\/strong\u003e.  \u003cstrong\u003eJohnny Cat Records\u003c\/strong\u003e brings \u003cstrong\u003eThe Triggers\u003c\/strong\u003e \u003cem\u003eTrigger Finger\u003c\/em\u003e to the table and \u003cstrong\u003eExtra Ball\u003c\/strong\u003e brings us home with garage rock naturals \u003cstrong\u003eThe Hunches \u003c\/strong\u003eand their rocker \u003cem\u003eRazor Eyes\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" align=\"justify\"\u003e* Garage rave-ups! Indie spaz! Trashy punk! Ye-Haw! *\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Various","offers":[{"title":"7\"","offer_id":845582741,"sku":"","price":6.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":845583829,"sku":"","price":3.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB043.jpeg?v=1433221687"},{"product_id":"wow-flutter","title":"Elements","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eSide A\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/wow-flutter-elements\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan style=\"line-height: 1.5;\"\u003eElements\u003c\/span\u003e\u003c\/a\u003e \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eSide B\u003c\/h3\u003e\n\u003col start=\"2\"\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eLeave It Alone\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eDigital only\u003c\/h3\u003e\n\u003col start=\"3\"\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eThe \"I\" In Team\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e11\/28\/2006\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003eWow \u0026amp; Flutter trim their line up down to a 3 piece and cast off the shackles of their previous slo-core musings. Gone are the cello and shimmery guitars, their replacements... the fall of the mighty rock n' roll! Fully embracing their sonic roots, they bring forth the cure to the complacent post rock movement. Bauhaus artties beware, they have turned these tones on their tails!\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Wow \u0026 Flutter","offers":[{"title":"7\"","offer_id":845675461,"sku":"","price":3.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":845691673,"sku":"","price":2.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB054.jpeg?v=1429670857"},{"product_id":"tractor-operator","title":"Evil Will Hand You Boredom","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eSide A\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eBullets\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/tractor-operator-close-the-door\/s-czGJG\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan style=\"line-height: 1.5;\"\u003eClose The Door\u003c\/span\u003e\u003c\/a\u003e \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eSide B\u003c\/h3\u003e\n\u003col start=\"3\"\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eBlood\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eThe Glow\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e12\/14\/2006\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003eJust ahead were headlights and the sound of a horn. Not a car horn, but rather, the deep loud swelling sound of a semi horn. I was still moving sideways. I slammed on the gas and got the fuck out of the way of a semi truck carrying a bunch of pigs. Thankfully, the engine hadn't stalled. I made it back through the median and over to the westbound lane. The car was pretty messed up, it was shaking badly, smelled like fuel and every light in the dashboard relating to maintenance was lit up like a party. I wasn't hurt, but I had to stop in Bismarck for the night and call the insurance company and rent a motel room. None of the airbags deployed which is fortunate. I had breakfast at a diner in downtown Bismarck while I waited for the car. The french toast was amazing; firm and a little bit crispy on the outside and all soft and creamy in the middle. I was full but thought about ordering more just because it was so good.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Tractor Operator","offers":[{"title":"7\"","offer_id":845698917,"sku":"","price":4.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":845699553,"sku":"","price":3.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB057.jpeg?v=1429670790"},{"product_id":"oswald-five-o","title":"Nothing To Prove","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eA Love Supreme\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eCrush Proof\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eWaiting\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eChristmas\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eHeart Punch\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eEraser\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eFelony Flats\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eSong For Bob Forrest\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eUnderstanding\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/oswald-five-0-heavy-shoes\/s-aGjAl\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan style=\"line-height: 1.5;\"\u003eHeavy Shoes\u003c\/span\u003e\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eLovers Understand\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eTony Gets Wasted In Pedro\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eNo Name\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eMy Way\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eBred In The Bone\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003ePunishment Farm\/Our Secret\/World I Never Made\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eAloha Steve \u0026amp; Dan-O\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eBlue T.V.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003e10 Days Off\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eEraser '95\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e11\/7\/2006\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003eA collection of singles, compilation tracks, and studio outtakes. This is some of the finest material of this Northwest bands sprawling career. Unpredictable but never boring. When they played things broke and sometimes people bled. Despite snapped strings, crackling amps, and splintered drumsticks, the band always played on--and the shows where everything fell apart were often their best. Their signatures were Nick and Diane’s harmonies (again the sweet and the sour), Nick’s spine-chilling deconstructed guitar solos, and the way Robert beat the hell out of his drum-kit. And, of course, there was also Robert’s brilliant songwriting.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Oswald Five-O","offers":[{"title":"Digital","offer_id":845707669,"sku":"","price":5.0,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":845707369,"sku":"","price":5.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB059.jpeg?v=1429670155"},{"product_id":"tractor-operator-1","title":"Bleeding Hearts \u0026 Severed Legs","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eSide A\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eYou Should Have Kept Your Mouth Shut, But You Didn't\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eRusty Nails\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eBlessed Semen\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eCaves\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eTennessee\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eSmoke\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eElectric vs. Steam\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eMarch, 30th 1958\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eStreets\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eThe Night\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eBusdriver\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eFucking Vampires\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eCheap and Easy\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eApril Twenty One\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e9\/25\/2007\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003eTractor Operator is the vehicle for one Eric Jensen. On this, his sophomore effort he turns things up a notch or two, taking his quiet, lo-fi folk-pop and adding to it some strong rock tinkerings. The guitars jut out of the space created by his playful circular lyrical constructions. Drums crash around the melodic structures, pushing you through the narrative, you are there. Then the volume comes down and you are at home on the couch, waking up to the static of the television after a few too many beers, groggy, but ready to head for the comfort of bed. \"Tractor Operator made me, strangely, feel like everything might be okay, or, rather, he helped me understand that it's okay when everything isn't.\"\u003c\/p\u003e\n\u003cp class=\"p1\" align=\"justify\"\u003e\u003cem\u003e– Amy McCullough, Willamette Week\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Tractor Operator","offers":[{"title":"CD","offer_id":867783217,"sku":"","price":5.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":867783221,"sku":"","price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB062.jpeg?v=1429671060"},{"product_id":"beltline","title":"The Narrative","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eDigital Album\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/beltline-the-narrative\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan style=\"line-height: 1.5;\"\u003eThe Narrative\u003c\/span\u003e\u003c\/a\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eFire In Cairo\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eBugs In Nevada\u003c\/span\u003e \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e12\/19\/2007\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003eNo. 2 in what's turning out to be a series of hand lathe cut singles for Beltline, currently limited to 31 copies. This time we have an original in The Narrative and takes on the Cure classic Fire In Cairo and Bugs In Nevada, originally by the Eugene band Adickdid. Derek played the drums and mallets, Tony played the bass, Eric played the drums and some guitars, Jeff played the piano, Adam also played piano and sang some, Rob played and sang the rest. Recorded at The Library, The Foundry and at home by Rob, Chad and Adam.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Beltline","offers":[{"title":"Lathe Cut 7\"","offer_id":868541513,"sku":"","price":10.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":868541517,"sku":"","price":3.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB063.jpeg?v=1429679844"},{"product_id":"kaia","title":"Godmakesmonkeys","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e1,000 Wells\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eLogical List Of Confidences\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eDogs\/Trucks\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/kaia-matter-molecules-thrills\/s-WOQMt\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan style=\"line-height: 1.5;\"\u003eMatter\/Molecules\/Thrills\u003c\/span\u003e\u003c\/a\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eThe Most Beautiful Thing\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eMontana\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eThe Rings\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eSystems\/Theory\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eThe Great Ice Storm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eEverything\/Everywhere\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eI Got You\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eBreaks The Bowl\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eGirl In A Suit Made Out Of Clay\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eGet The Ball Snackie!\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e5\/13\/2008\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003eLovely. Sparse. Melodic. Intimate. Secrets. The Girl. The Long Drive. Subtle. Hushed. Enveloping. Movement. Building. Cathartic. This is the record I have been wanting to put out since I was 20 years old. All of the emotion and spirit that made you fall in love with The Butchies and Team Dresch, hushed and distilled down into this collection of 14 songs. It's the narrative of a girl being in love with a girl. Never hitting you over the head, merely giving you enough to imagine the rest of the story. It's presented to us on deceptively simple acoustic guitars, a few electric guitars, some keyboards and beautiful building vocal harmonies. Acoustic pop songs, country ballads, atmospheric anthems. The mood is up and then down, sly then serious, confessional then playful. Kaia has been telling us about various aspects of her life for about 15 years now, creating a long string of stunning vignettes. This is closest she's gotten to writing a complete novel, and it was well worth the wait.\u003c\/p\u003e\n\u003cp\u003e“Kaia Wilson is both a musician and activist who manages to operate within the dominant music culture as a truly underground artist who is able to maximize her power.”\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e- Ann Powers–New York Times\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Kaia","offers":[{"title":"CD","offer_id":868552569,"sku":"","price":10.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":868552573,"sku":"","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB066.jpeg?v=1429670723"},{"product_id":"the-valiant-arms","title":"Blue Skies And A Clean Getaway","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eDizzy\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/the-valiant-arms-20-years\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan style=\"line-height: 1.5;\"\u003e20 Years\u003c\/span\u003e\u003c\/a\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eThe Archivist\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eTurning Black\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eThe Flowers of Danang\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eSecond Chances\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eThe Devil Who Walks So Unkindley Along\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eThe Gospel\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eVictoria\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eTest The Waters, Stem The Tide\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eThe Night They Drove Old Dixie Down\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eHidden Heaven\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eSurrender\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e8\/1\/2008\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003eThe first collection of original tunes from this NW power trio. They've thrown in some Cheap Trick and a little Band just so you know where they're coming from. The 90's are back with a vengence and they've brought with them all the trappings of the 80's and the 00's that were worth holding onto. Inspired girl\/guy vocals over often blistering pop leaning guitar rock. These lucky 13 songs will take you around the block and back with their inspired and rocking rockness. ROCK!\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"The Valiant Arms","offers":[{"title":"CD","offer_id":869429825,"sku":"","price":5.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":869429829,"sku":"","price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB069.jpeg?v=1429671033"},{"product_id":"wow-flutter-1","title":"Golden Touch","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eSide A\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eRed Face\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/wow-flutter-car-crash\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan style=\"line-height: 1.5;\"\u003eCar Crash\u003c\/span\u003e\u003c\/a\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eSolar\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eEclipse\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eA Little Help\u003c\/span\u003e \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3 class=\"p1\"\u003eSide B\u003c\/h3\u003e\n\u003col start=\"6\"\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eHeaven\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eFlat White\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eSugarbush\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eAM\/FM\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eA Fine Line\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e11\/11\/2008\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003eIn Greek mythology, Midas was the king of the Phrygian city Pessinus. Because of his generosity to a drunken satyr, he was given the power to turn all he touched into gold, which proved to be--at best--a mixed blessing. The story was later adapted by Midnight Star in the 1986 hit \"Midas Touch,\" which made it to #7 on the R\u0026amp;B Singles chart and #42 on the US Top 100. (It was the last Midnight Star single to make the top 100, though their next single \"Don't Rock the Boat\" climbed to the #3 R\u0026amp;B spot in 1988.)\u003c\/p\u003e\n\u003cp\u003eCarrying on it the glorious tradition of Midnight Star and drunken satyrs, Wow \u0026amp; Flutter have seen fit to evoke the story of Midas in the title to their latest album Golden Touch, a collection of Phrygian mode jams, drones and ditties. Wow \u0026amp; Flutter have avoided \"difficult-sixth-album-syndrome\" by splintering and regrouping repeatedly since the last LP back in 2003. After coalescing as a three-piece hot-shit rock combo, with founder\/treasurer Cord Amato on vocals\/guitars\/organ and stalwart multi-threat Jack Houston taking over drum duties, the lineup found its current form with the addition of bass player Ryan Matheson (following recent tour of duty recording and touring with Kind of Like Spitting), replacing Amy Turner, who left the band following the Fluts' last release, 2006's \"Elements\" single.\u003c\/p\u003e\n\u003cp\u003eOpening track \"Red Face\" is a taut-n-fuzzy rock blast which highlights the three-piece's loud-fast-simple side. \"Car Crash\" opts for a more restrained approach--until all hell breaks loose with the de(con)struction of the titular event. \"Solar\" follows, with a simple chord pattern repeating for three minutes under a coat of beautiful shimmer. This leads into \"Eclipse,\" because where else are you going to put a track called \"Eclipse\" if there's also a track called \"Solar\" on your album? \"A Little Help\" expands the sonic palette with banjo and glockenspiel and a mass choir.\u003c\/p\u003e\n\u003cp\u003e\"Heaven\" opens side B; a Morricone-influenced intro complete with trumpet and melodica gives way to a religious screed, which gives way to a drunken klezmer coda. \"Flat White\" intertwines sparse riffs over click-clack percussion along with Amato's ruminations on betrayal. Synthetic slow-jam \"Sugarbush\" seduces with snake charmer guitar lines and earworm bass groove. Texture sampler \"AM\/FM\" and drone epic \"A Fine Line\" close out the album. (As an added incentive to those who prefer their music in 12\" format, the band is excited to pioneer the title-track-only-available-as-mp3-download-with-purchase-of-vinyl concept.)\u003c\/p\u003e\n\u003cp\u003eGolden Touch was recorded intermittently over several months by John Askew (Tracker) at Type Foundry in industrial North Portland. Guest musicians include Victor Nash (Point Juncture, WA) on trumpet, Hiram Lucke (Harvey Girls) on sax and Melissa Rodenbeek (Harvey Girls) on backing vocals. Askew mixed it, then Matheson edited out the superfluous bits, then the band almost decided to call the album \"Dong,\" but was talked out of it.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Wow \u0026 Flutter","offers":[{"title":"LP","offer_id":869451165,"sku":"","price":5.0,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":869451169,"sku":"","price":5.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":869451173,"sku":"","price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB071.jpeg?v=1429670702"},{"product_id":"carcrashlander","title":"Mountains On Our Backs","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eMountains On Our Backs\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eDollar Store Halo\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/carcrashlander-capillary-webs\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan style=\"line-height: 1.5;\"\u003eCapillary Webs\u003c\/span\u003e\u003c\/a\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eKillingsworth Frost\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eQuoting Dead Comedians\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eDriveway\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eCoast To Coast\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eBone Noose\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eWarm Behind The Walls\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e11\/11\/2008\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003eThe band has arrived. The tunes are epic. The guitars are loud and chaotic. They rise and fall, poke and prod, swirling around driving piano chords, impeccably paced bass lines and the precisely persistent drumming that make up the back bone of this album. Cory's deep, inscrutable voice leads us through his little world, at times comforting us and then casting haunting visions. The pop moments of the album effortlessly give way to the longer more sprawling adventures, blending everything together in one cohesive journey.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Carcrashlander","offers":[{"title":"CD","offer_id":869464485,"sku":"","price":5.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":869464489,"sku":"","price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB073.jpeg?v=1429670233"},{"product_id":"laura-gibson","title":"Beasts Of Season","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eSide A\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eShadows On Parade\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eCome By Storm\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eSpirited\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003ePostures Bent\u003c\/span\u003e \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eSide B\u003c\/h3\u003e\n\u003col start=\"5\"\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/laura-gibson-funeral-songs\/s-5CvOf\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan style=\"line-height: 1.5;\"\u003eFuneral Song\u003c\/span\u003e\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eWhere Have All The Good Words Gone?\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eSleeper\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eSweet Deception\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eGlory\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e2\/25\/2009\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003eBeast of Seasons opens with a hum and drone, a veil of fog conjuring a sense of atmosphere not unlike the Pacific Northwest coastal timber town where Laura Gibson was raised. A plaintive strum emerges with a voice in tow; a candle, a tender and flickering wisp of a voice suffusing the space with a warm glow. This voice, registering as little more than a whisper, rises above the subtle and evocative instrumentation with uncommon intimacy. Coos and cracks, chirps and slurs, clucks and purrs all come into focus with perceptive musicality.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Laura Gibson","offers":[{"title":"LP","offer_id":869478589,"sku":"","price":18.0,"currency_code":"USD","in_stock":false},{"title":"Digital","offer_id":3079494017,"sku":"","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB077.jpeg?v=1429671117"},{"product_id":"dr-frank","title":"Andromeda Klein","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eSide A\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/dr-frank-andromeda-klein\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan style=\"line-height: 1.5;\"\u003eAndromeda Klein\u003c\/span\u003e\u003c\/a\u003e \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eSide B\u003c\/h3\u003e\n\u003col start=\"2\"\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eBethlehem\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e9\/15\/2009\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003efter conquering the book world with his iconic novel, KING DORK, punk rock legend Dr. Frank (of the Mr. T Experience) returns to rock and roll with his first new full-band recordings in five years. Recorded by engineering genius Justin Perkins (Yesterday's Kids, Obsoletes, Screeching Weasel), and with cover art by award-winning illustrator, Lane Smith, the good Doctor serves up two songs (inspired by his new book) that take his trademark quirky hook-laden punkish guitar-pop bubble-glam sound to new heights.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Dr. Frank","offers":[{"title":"7\"","offer_id":870399393,"sku":"","price":6.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":870399397,"sku":"","price":2.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB081.jpeg?v=1429671135"},{"product_id":"the-new-bad-things","title":"Freewheel","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eSide A\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/new-bad-things-ephedrine\/s-G8BHp\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan style=\"line-height: 1.5;\"\u003eEphedrine\u003c\/span\u003e\u003c\/a\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eKnott St.\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eJosh Has A Crush On A Femme From Reed\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e28 Second Squid\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eCamp 18\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eLet's Everyone Do It\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eFreemason Love Triangle\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eGoethe's Letter To Vic Chesnutt\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eConcrete\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eThe I Suck\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eMexico Siren\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eKrankenhaus\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eClique Town\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eDetective\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eSerious Cat\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eMontgomery!\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eProduct\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eMovie Cop Soundtrack\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e7\/13\/2010\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003eYou'd be hard pressed to find a better chunk of bizarro-pop entertainment value than this inspired oddity from Portland's \u003cstrong\u003eNew Bad Things\u003c\/strong\u003e. Not only do they cram 18 songs into a little over 40 minutes of disc, but each and every tune is in turn crammped with a disturbed headful of wriggling squiggling sound. Guitar parts fornicate while trumpets spasm, vocals drift in and out like peculiar odors, and the whole thing ends up sounding like actual songs.\u003c\/p\u003e\n\u003cp class=\"p1\" align=\"justify\"\u003eThe New Bad Things aren't the first or only band to be gleefully distorting bubblegum-simple pop constructions with a funhouse mirror approach to soundcraft, but \u003cem\u003eFreewheel\u003c\/em\u003e proves they're exceptionally good at it. \"Let's Everyone Do it,\" skips along like a cocktail hour party tune from the deck of a Bermuda Triangle crusie ship, while \"Freemason\" evokes the reverbed atmospherics of a Sergio Leone nightmare. \"Krankenhaus\" is the best scary hospital song this side of Wildman Fisher, and \"Camp\" lurchingly boogies along like a Twilight Zone version of \"Soulfinger\".\"\u003c\/p\u003e\n\u003cp class=\"p1\" align=\"justify\"\u003eThe songs are frequently very funny, but then band never pushes it's jokey side too hard. Most impressively, despite tweaks and twists, these quirky blasts actually deliver the sweet thrill of bona fide pop satisfaction.\u003c\/p\u003e\n\u003cp class=\"p1\" align=\"justify\"\u003e\u003cem\u003e- Chuck Crisafulli, Option\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"The New Bad Things","offers":[{"title":"Digital","offer_id":870678797,"sku":"","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB083.jpeg?v=1429670770"},{"product_id":"the-new-bad-things-1","title":"Society","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eDigital Album\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eNov. 25th\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eSociety\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eOur Modern King\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eFiberglass\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eCrabby\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eTickets\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eLet's Get High\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eDiphenhydramine\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eSissy Meant\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003ePositivity\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eInsomnia\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eSmoking Porch\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003ePersonal Ads\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/new-bad-things-californegeddon\/s-Vg401\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan style=\"line-height: 1.5;\"\u003eCalifornegeddon\u003c\/span\u003e\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eBoy With The Band\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eChess In The Park\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eFMLN\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eNo Pass \/ No Fail\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eThe Dirge\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e7\/13\/2010\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003eThis is the second full length from Portland, OR, band \u003cstrong\u003eNew Bad Things\u003c\/strong\u003e. There are enough false starts, lazily whispered voacals, loosely strung, off-key instrumentals and bang-a-can rhythems to keep things interesting throughout. What makes the New Bad Things-well-new bad things is their very real ear for melody: clear, memorable, at times Beatle-worthy melodies that rise above the wobbly instrumentals and mumbled vocals like a drug-fed pheonix staggering out of the ashes.\u003c\/p\u003e\n\u003cp\u003eMaybe this is what Sqt. Peppers would have sounded like if producer George Martin had been gobbling down acid in the studio along with the musicians. The considerable highlights include, \"FMLN,\" a soft muted elegy for \"all the young punk rockers,\" and the rude, syncopated slap at new age self-reliance on \"Positivity,\" complete with a funky trumpet and wah-wah guitar.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e- David Shirley, Option\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"The New Bad Things","offers":[{"title":"Digital","offer_id":870686689,"sku":"","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB084.jpeg?v=1429679706"},{"product_id":"various","title":"From The Land Of Ice And Snow: The Songs of Led Zeppelin","description":"\u003cp\u003eIt started out as a fantasy.  Rob (Jealous Butcher), Matt (Ward) and John (King) were sitting around the basement in the evening working on cover art for a project, espousing their love and respect for Led Zeppelin in their formative musical years. And wouldn't it be nice to put together a tribute release featuring friends both near and afar, not being a \"who's who\" sort of tribute, but rather a \"community\" inspired collection of Zeppelin songs.  One thing led to another and before he knew it, Rob was sending out a missive through his network, calling for submissions, wondering if anyone would even be interested. At the outset there was no real concern for pedigree, or professionalism, in the traditional manner, the only stipulation was that the tracks had to be good.  Fast-forward 6 years, 50 tracks, countless hours of recording, tracking, editing, mastering, talking, drinking, and thinking about all things Led Zeppelin. We now present you, dear reader, with the body of work. \u003cstrong\u003e\u003cem\u003eFrom The Land Of Ice And Snow: The Songs Of Led Zeppelin\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3 class=\"p1\"\u003eDISC 1\u003c\/h3\u003e\n\u003cp\u003eGood Times Bad Times :: \u003cstrong\u003eKind Of Like Spitting\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBabe I’m Gonna Leave You ::\u003cstrong\u003e The Clampitt Family\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDazed And Confused :: \u003cstrong\u003ePortland Cello Project featuring Laura Gibson And John Moen\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/nick-jaina-your-time-is-gonna\/s-UaLIW\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eYour Time Is Gonna Come\u003c\/a\u003e :: \u003cstrong\u003eNick Jaina\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhole Lotta Love :: \u003cstrong\u003eFukd’uptight\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePoor Tom :: \u003cstrong\u003eAdam Selzer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNobody‘s Fault But Mine :: \u003cstrong\u003eCarcrashlander\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFool In The Rain :: \u003cstrong\u003eKaia\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThank You :: \u003cstrong\u003eDan Jones\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHeartbreaker :: \u003cstrong\u003eLackthereof featuring Pete Mccracken\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMoby Dick :: \u003cstrong\u003eKnock Knock\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOut On The Tiles :: \u003cstrong\u003eSuper XX Man\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/amy-annelle-friends\/s-Tvl5t\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eFriends\u003c\/a\u003e :: \u003cstrong\u003eAmy Annelle \u0026amp; The Shishi Valley Boys\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTangerine :: \u003cstrong\u003eJeff London\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBron-y-aur-stomp :: \u003cstrong\u003eArch Cape\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHey Hey What Can I Do :: \u003cstrong\u003eWeinland\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/chris-walla-in-the-evening\/s-0uct1\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eIn The Evening\u003c\/a\u003e :: \u003cstrong\u003eChris Walla\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3 class=\"p1\"\u003eDISC 2\u003c\/h3\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/lana-rebel-black-dog\/s-7dM24\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eBlack Dog\u003c\/a\u003e :: \u003cstrong\u003eLana Rebel\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRock And Roll :: \u003cstrong\u003ePellet Gun\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Battle Of Evermore :: \u003cstrong\u003eTu Fawning\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eStairway To Heaven :: \u003cstrong\u003eKelly Blair Bauman\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/buelton-misty-mountain-hop\/s-5LXKX\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eMisty Mountain Hop\u003c\/a\u003e :: \u003cstrong\u003eBuellton\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFour Sticks :: \u003cstrong\u003eRebecca Gates And The Consortium\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOver The Hills And Far Away :: \u003cstrong\u003eJohanna Kunin \u0026amp; Yikes Mountain\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNo Quarter :: \u003cstrong\u003eTestface\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/laura-veirs-mount-analog-the\/s-tBRSM\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eThe Ocean\u003c\/a\u003e :: \u003cstrong\u003eLaura Veirs \u0026amp; Mount Analog\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHouses Of The Holy :: \u003cstrong\u003eBeltline\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eKashmir :: \u003cstrong\u003eLoch Lomond\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/the-long-winters-in-the-light\/s-8seEy\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eIn The Light\u003c\/a\u003e ::\u003cstrong\u003e The Long Winters\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBron-yr-aur :: \u003cstrong\u003eM. Ward\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDown By The Seaside :: \u003cstrong\u003ePower Of County\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAll My Love ::\u003cstrong\u003e Parks \u0026amp; Recreation\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eI’m Gonna Crawl :: \u003cstrong\u003eDavid Depper\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3 class=\"p1\"\u003eDIGITAL ONLY TRACKS\u003c\/h3\u003e\n\u003cp\u003eCommunication Breakdown ::\u003cstrong\u003e Captain Vs. Crew\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHeartbreaker ::\u003cstrong\u003e Wow \u0026amp; Flutter\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRamble On :: \u003cstrong\u003eThe Little Betters\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eImmigrant Song :: \u003cstrong\u003eLeigh Marble\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThat's The Way ::\u003cstrong\u003e This Busy Monster\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRock and Roll ::\u003cstrong\u003e Tractor Operator\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eGoing To California ::\u003cstrong\u003e The Valiant Arms\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhen the Levee Breaks ::\u003cstrong\u003e Larry Crane\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Rain Song :: \u003cstrong\u003eAntlerand\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOver The Hills and Far Away ::\u003cstrong\u003e The Mighty Ghosts Of Heaven\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/miss-murgatroid-dancing-days\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eDancing Days\u003c\/a\u003e ::\u003cstrong\u003e Miss Murgatroid And The Queens Of Heart\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eD'yer Mak'er ::\u003cstrong\u003e Chad Crouch\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/remote-tree-children-wanton\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eThe Wanton Song\u003c\/a\u003e ::\u003cstrong\u003e Remote Tree Children\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNobodys Fault But Mine V.1 ::\u003cstrong\u003e Carcrashlander\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eGoing To California ::\u003cstrong\u003e Cool Sumner featuring Lisa Schonberg, Katy Davidson \u0026amp; Tara Jane O'neil\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTea For One :: \u003cstrong\u003eLKN\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHot Dog :: \u003cstrong\u003eThe Big River Band\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e10\/12\/2010\u003c\/p\u003e\n\u003cmeta content=\"text\/html; charset=UTF-8\" http-equiv=\"Content-Type\"\u003e\u003cmeta content=\"text\/css\" http-equiv=\"Content-Style-Type\"\u003e\u003cmeta name=\"Generator\" content=\"Cocoa HTML Writer\"\u003e\u003cmeta name=\"CocoaVersion\" content=\"1265.21\"\u003e\u003cstyle type=\"text\/css\"\u003e\u003c!--\np.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 10.1px Verdana}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Various","offers":[{"title":"CD","offer_id":870696753,"sku":"","price":15.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":870696757,"sku":"","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB089.jpeg?v=1429670751"},{"product_id":"calamity-jane","title":"Martha Jane Cannary","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eDigital album\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/calamity-jane-miss-hell\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan style=\"line-height: 1.5;\"\u003eMiss Hell\u003c\/span\u003e\u003c\/a\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eMy Spit*\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eCar \/ You Got It Rough\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eHang Up\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eShark\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eOlympia\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eLittle Girl\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eMean Song\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eA lot O' Blood\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eSay It\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eNo Mirror\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e2\/15\/2011\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003eRecorded by Brad Wood @ Reciprocal, Seattle, WA \u0026amp; Idful Music, Chicago, IL October 1990-March 1991. Calamity Jane was a punk band before punk broke, before grunge made it's way onto the cover of Time and before Riot Grrl made it cool to be an all girl band. They were 3 ladies making music in Olympia, Washington who got on stage and told you how they really felt, and it was not pretty. This is from a time when rock was still dangerous, when the only paths to follow were dark and murky, and this music reflects that perfectly. In 1989 they moved to Portland, OR and for the next 3 years they proceeded to blow the doors off every venue in town. They toured with Fugazi and impressed Kurt Cobain so much that he invited them to open for Nirvana in Argentina. They put out a steady series of singles, and in 1991 the band recorded a landmark album of Northwest fuzz, \u003cem\u003eMartha Jane Cannary\u003c\/em\u003e. Out of print for many years, we are proud to present it here in digital form for the first time. *\u003cem\u003eMy Spit\u003c\/em\u003e was originally intended to be part of this album but was left off at the last minute as it was to be the A side of a Sympathy For The Record Industry 7\". We restored it to it's original location on the album and have given the record a few sonic tweaks to make it all fit together quite nicely.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Calamity Jane","offers":[{"title":"Digital","offer_id":870724561,"sku":"","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB090.jpeg?v=1429670277"},{"product_id":"alialujah-choir","title":"The Alialujah Choir","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eLaundry Song\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eBones Crackin' In\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eLooking For A Gesture\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eA House, A House\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eWay Too Soon\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/alialujah-choir-i-swear-i-saw-you\/s-thIcl\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan style=\"line-height: 1.5;\"\u003eI Swear I Saw You\u003c\/span\u003e\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003ePlay Phone\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eCloser Than I Should\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eThe Trouble I'm In\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eFinally Home\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e2\/14\/2012\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eVinyl edition is a Series 33 release, limited to 33 copies.\u003c\/em\u003e\u003c\/strong\u003e  \u003cstrong\u003e*VINYL SOLD OUT*\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe album echos the sincerity of the the band’s origin. Shearer, Selzer and Farah began writing and recording songs at Portland’s Type Foundry with no commercial ambitions. They simply wanted to take shelter from the chaos of touring and make music together. Ensconced by friendship and solitude, the trio’s shared sensibility to embrace their love for roots folk music has created a beautiful and compelling album. The flowing harmonies of Shearer, Selzer and Farah elevate melody to a suspended state. It is the result of how the shape, range and movement of their voices compliment each other. That dynamic shines bright on every track. On songs like ‘A House a Home’, ‘I Swear I Saw You’ and ‘Closer Than I Should’, the band creates rich layers of sound with sparse instrumentation. The capacity to actualize such lush, voluminous, sound can likely be traced to Selzer’s skill as a producer and sound engineer. It is refreshing to hear an album that has no trace of affectation or a single moment of self-indulgence. A passion for music and making music is the motive behind Alialujah Choir’s debut. Shearer, Selzer and Farah achieve songs that brim with humanity and an openness that may have closed had their ambitions been anything other than the joy of writing and creating beautiful music.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Alialujah Choir","offers":[{"title":"CD","offer_id":870728889,"sku":"","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Digital - MP3","offer_id":870728893,"sku":"","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB091.jpeg?v=1429679794"},{"product_id":"the-golden-bears","title":"Write It Like You Find It","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eSide A\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eAlive\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eOh, The Lightning\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eCome To Be\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eDo You See It?\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eWe\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eWine \u0026amp; Want\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eHow Good\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eSide B\u003c\/h3\u003e\n\u003col start=\"8\"\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eAll The Birds\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eThe Rushes\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eGoodbye\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eMist As Me\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eLiberation Day\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e3\/20\/2012\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003eThe Golden Bears are Julianna Bright and Seth Lorinczi, housemates, partners, parents and band. Their second full-length album, \u003cem\u003eWrite It Like You Find It\u003c\/em\u003e, is a love poem to their daughter, to one another and to the bands and music that rescued them from despair along their way. Songs full of the dewy-eyed wonder inspired by new life bump up against hungrier ones, songs bursting with longing for sleep, for sex, for rock and roll. All 12 songs weave together to tell the story of what you lose and find when your life is no longer simply yours. Contributions include the honeyed voices and gorgeous backing vocal arrangements of Dave Depper (Ram Project, Loch Lomond) and John Moen (Decembrists, Stephen Malkmus and the Jicks, Dharma Bums). Other performers include Shelley Short, Sara Lund (Corin Tucker Band, Hungry Ghost, Unwound), and Kate Obrien-Clarke (Ages \u0026amp; Ages).\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"The Golden Bears","offers":[{"title":"LP","offer_id":870735765,"sku":"","price":10.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":870735769,"sku":"","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB092.jpeg?v=1429680074"},{"product_id":"laura-gibson-1","title":"La Grande (single)","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eSide A\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eLa Grande\u003c\/span\u003e \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eSide B\u003c\/h3\u003e\n\u003col start=\"2\"\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/laura-gibson-in-the-pines\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan style=\"line-height: 1.5;\"\u003eIn The Pines\u003c\/span\u003e\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3 class=\"p1\"\u003eDigital Only\u003c\/h3\u003e\n\u003col start=\"3\"\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eLa Grande (acoustic)\u003c\/span\u003e \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e12\/27\/2011\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003eA precursor to her forthcoming full length, this 7\" showcases the title track of said album, \u003cem\u003eLa Grande\u003c\/em\u003e. The single includes a non-album track on it's b-side, a haunting rendition of the Leadbelly classic \u003cem\u003eIn The Pines\u003c\/em\u003e. Those that purchase the 7\" will find an additional track comes with the digital download, an acoustic rendition of the title track, \u003cem\u003eLa Grande\u003c\/em\u003e, which is a stark contrast to the full band version found on the A-Side.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Laura Gibson","offers":[{"title":"7\"","offer_id":870747277,"sku":"","price":3.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":870747281,"sku":"","price":2.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB093.jpeg?v=1429670491"},{"product_id":"wow-flutter-2","title":"Double Deuce","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eDigital album\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/wow-flutter-big-guns\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan style=\"line-height: 1.5;\"\u003eBig Guns\u003c\/span\u003e\u003c\/a\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eTired of Waiting\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eLittle Red Scooter\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eNothing Lasts Forever\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eBlack River\u003c\/span\u003e \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e3\/13\/2012\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003eThe first beer release we've undertaken. This \"record\" is available in the Portland metro area in your local beer isle as a 22oz Imperial Ale, with a wax dipped top that houses a download code for the music contained on the EP. This is limited to 1500 \"copies\", which in record world is not so limited, but in beer world, well, snatch one up while you can!\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Wow \u0026 Flutter","offers":[{"title":"Digital","offer_id":870767481,"sku":"","price":4.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB094.jpeg?v=1429670920"},{"product_id":"fruit-bats","title":"Echolocation","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eSide A\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eThe Old Black Hole\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eGlass In Your Feet\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eBuffalo \u0026amp; Dear\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eNeed It Just A Little\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eBlack Bells (Make Me Ok)\u003c\/span\u003e \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eSide B\u003c\/h3\u003e\n\u003col start=\"6\"\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/fruit-bats-strange-little-neck-of-the-woods\/s-u7dhM\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan style=\"line-height: 1.5;\"\u003eStrange Little Neck Of The Woods\u003c\/span\u003e\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eEcholocation Stomp\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eCoal Age\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eFilthy Water\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eDragon Ships\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eBlue Parachute\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e1\/3\/2012\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003eRecorded in Chicago in 2001 with producer Brian Deck (Modest Mouse, Iron \u0026amp; Wine), Echolocation is the first in the long string of amazing and varied records made by leader Eric D. Johnson. This is the starting point, the songs that had been kicking around looking for a suitable home, and they found it here. With backing from many of the members of Califone, Johnson made a lush and understated record that has stood the test of the 10 years it’s been around. This is it’s first release on vinyl and it’s a perfect marriage of sound and format, with vinyl’s inherent pop’s and crackles only enhancing the back porch at sunset vibe that permeates these songs. \"It's that spontaneous trip to the cabin. Sitting by the lake, wrapped in gentle mountain weather. No one else around but those few close friends. Watching deer graze nearby. Every star is exposed. Skinny-dipping in the lake. Crickets whispering to each other. Your marshmellow just fell in the fire. Heavenly and delectable. For the escapist in all of us.\" - R. Colton. 10 year anniversary edition, limited to 500 copies, hand-screened covers with new album artwork.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Fruit Bats","offers":[{"title":"LP","offer_id":870776405,"sku":"","price":20.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":3082011201,"sku":"","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB095_29be5c82-e44d-4617-a9b2-fdbdd945dd67.jpg?v=1480195692"},{"product_id":"pellet-gun","title":"Great Divide","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eSide A\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eAll Your Hearts Are Shaped Like Stars\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eFeed A Dead Egg\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eKnapsack\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eHeavy Eastern Slopes\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eFree Advice\u003c\/span\u003e \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3 class=\"p1\"\u003eSide B\u003c\/h3\u003e\n\u003col start=\"6\"\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eBilly’s Lament\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/pellet-gun-bad-map\/s-p7y12\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan style=\"line-height: 1.5;\"\u003eBad Map #1\u003c\/span\u003e\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eOvulate Breath\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eNorth\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eHeld The Hand\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e5\/1\/2012\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003ePellet Gun, a trio from Portland, OR, consists of Dave Snider, Brian Gardiner and Eric Jensen. Their first record, Every Time I Yawn I Cry A Little was recorded at Jackpot Studios in 2002. 10 years, nearly 2 bachelor's degrees, a master's degree and a PhD later, they've returned with blistering new material for their sophomore effort, Great Divide, on Jealous Butcher Records. Recorded at Type Foundry with Adam Selzer, Great Divide is the story of an errant thought traversing a hazy dystopia. Rolling hills collide with asphalt while buckling steel curls upon itself, chasing dusty, swirling mirages. Tongue in cheek at times, Pellet Gun strides comfortably between psychedelic freak fests and bombastic, noise pop. Heavier than their previous effort, Great Divide is angular and experimental; it's big cars, road trips, wanderlust and locomotives. It is collections of lists and affirmations, memories and escape plans, proverbs and fables. The music is chaotic, nostalgic and party hard, without taking itself too seriously. The initial run of this LP is limited to 300 copies pressed on a soothing lime green vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Pellet Gun","offers":[{"title":"LP","offer_id":870793229,"sku":"","price":15.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":870793233,"sku":"","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB098.jpeg?v=1429670684"},{"product_id":"califone","title":"Sometimes Good Weather Follows Bad People","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eSide A\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eOn The Steeple With The Shakes (X-mas Tigers)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eSilvermine Pictures\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003ePastry Sharp\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eTo Hush A Sick Transmission\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3 class=\"p1\"\u003eSide B\u003c\/h3\u003e\n\u003col start=\"5\"\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eRed Food Old Heat\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eDown Eisenhower Sun Up With Mule\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eTo Hush A Sick Transmission [Unedit]\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eWhen The Snakehandler Slips\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3 class=\"p1\"\u003eSide C\u003c\/h3\u003e\n\u003col start=\"9\"\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/califone-electric-fence\/s-rmsJD\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan style=\"line-height: 1.5;\"\u003eElectric Fence\u003c\/span\u003e\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eSt. Martha Let It Fold\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eBeneath The Yachtsman\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eDon't Let Me Die Nervous\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eDock Boggs\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3 class=\"p1\"\u003eSide D\u003c\/h3\u003e\n\u003col start=\"14\"\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eBathwater\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eJune Rat\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003ePastry Sharp\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eA Horse-sized Pill\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e11\/6\/2012\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003eThis double LP is an expanded edition of a CD of the same name. That disc collected Califone’s first two EPs (on Perishable and Road Cone), plus two new songs. For this vinyl reissue we have located four more songs – unreleased outtakes from the final Red Red Meat recording sessions — to complete the package. It’s all you need when it comes to the genesis of this well-regarded Chicago-based group. Califone started as the solo project of singer\/ guitarist Tim Rutili in the late 1990s, after the dissolution of his band Red Red Meat. Soon enough, Red Red Meat members Ben Massarella and Tim Hurley joined the group, who recorded with RRM’s Brian Deck as well as at their own space and with Warren Defever in Livonia, MI. “On the first two Califone EPs, we were definitely trying to allow some deep change and possibility into what we were doing, and the door was always wide open to accidental music and automatic writing,” Rutili explains. “We built a lot of this music on accidents and chance occurrences. Some of the songs are really good; some of it sounds like an expedition that got lost in the woods. I was still playing with toy drum machines, cheap or borrowed synths and a cassette 4track, trying to make songs out of all these insane sounds.”\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Califone","offers":[{"title":"Double LP","offer_id":870804097,"sku":"","price":25.0,"currency_code":"USD","in_stock":true},{"title":"Digital - MP3","offer_id":870804101,"sku":"","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Digital - FLAC","offer_id":34815304391,"sku":"","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB100.jpeg?v=1429679726"},{"product_id":"kaia-1","title":"Two Adult Women In Love","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eSide A\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eCanopy\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/kaia-when-my-hair-was-long\/s-u4Fj0\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan style=\"line-height: 1.5;\"\u003eWhen My Hair Was Long\u003c\/span\u003e\u003c\/a\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eThe Rogue\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eA Clade Called Cetartiodactyla\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eField Guide\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eWe Once Were Dogs\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eLove Like Light\u003c\/span\u003e \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eSide B\u003c\/h3\u003e\n\u003col start=\"8\"\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eThe Night Was On To Me\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eAnts And Crickets\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eThe Children's Arboretum\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eIce Lake\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eRegeneration\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eThe Cabin\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eBeholden\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e5\/22\/2012\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003eDon't let the title throw you off. It's not meant to be funny, or even ironic, it is meant \"as is\", a frank statement of fact, though you can interpret it however you'd like of course. This is Kaia Wilson's 5th solo album, and it contains her most mature (adult) songwriting to date, along with some incredibly thoughtful production by Seth Lorinczi (The Corin Tucker Band\/Golden Bears) and Rob Jones (Jealous Butcher Records). There is nothing slick (and by slick read sterile\/perfected) in these recordings; they were done very much one at a time, over a very long period of time, and in different settings (kitchens, basements, bedrooms, studios). Each song was delicately handled as it's own unique creature, never straying from what the composition itself wants. On this album you will find that the songs sound very unique from one to the next, and yet there is still an intrinsic cohesion to them - the heart of the song being fed by the arteries of the engineering\/production. TAWIL features guest musicians Jody Bleyle \u0026amp; Marci Martinez (Team Dresch) on bass\/drums, Amanda Lawrence (Norfolk and Western) on viola\/cello, and Seth Lorinczi (Golden Bears\/The Corin Tucker Band) on organ and castanets (!).\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Kaia","offers":[{"title":"LP","offer_id":870810869,"sku":"","price":20.0,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":870810873,"sku":"","price":10.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":870810877,"sku":"","price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB101.jpeg?v=1429679974"},{"product_id":"pellet-gun-1","title":"Everytime I Yawn I Cry A Little","description":"\u003ctable width=\"766\" height=\"258\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd width=\"30%\" valign=\"top\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3 class=\"p1\"\u003eDigital Album\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/pellet-gun-convenience-store\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan style=\"line-height: 1.2; font-size: 14px;\"\u003eConvenience Store 1986\u003c\/span\u003e\u003c\/a\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.2; font-size: 14px;\"\u003eIdaho\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.2; font-size: 14px;\"\u003eElectric vs Steam\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.2; font-size: 14px;\"\u003eFarewell Fine Diners\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.2; font-size: 14px;\"\u003eThree at a Time\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.2; font-size: 14px;\"\u003eDinosaurs for Friends\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.2; font-size: 14px;\"\u003eCharge\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.2; font-size: 14px;\"\u003eStepped on a Crack\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.2; font-size: 14px;\"\u003eDishwasher\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.2; font-size: 14px;\"\u003eLast Night's Blunder\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.2; font-size: 14px;\"\u003eArcheologist\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.2; font-size: 14px;\"\u003ePaté Lengua\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e5\/1\/2012\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"top\"\u003e\n\u003cdiv\u003e\u003cmeta content=\"text\/html; charset=UTF-8\" http-equiv=\"Content-Type\"\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cmeta content=\"text\/css\" http-equiv=\"Content-Style-Type\"\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cmeta name=\"Generator\" content=\"Cocoa HTML Writer\"\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cmeta name=\"CocoaVersion\" content=\"1265.21\"\u003e\u003c\/div\u003e\n\u003cp class=\"p1\" align=\"justify\"\u003eA northwest classic. 12 tracks of open spaces, sparse yet bombastic drummning and perfect guitar tone.\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Pellet Gun","offers":[{"title":"Digital","offer_id":870813157,"sku":"","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB102.jpeg?v=1429670815"},{"product_id":"alialujah-choir-1","title":"A House, A Home","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eDigital Album\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eA House, A Home \u003c\/span\u003e\u003cspan\u003e(Featuring Portland Cello Project)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/alialujah-choir-little-wing\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan style=\"line-height: 1.5;\"\u003eLittle Wing\u003c\/span\u003e\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e4\/10\/2012\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003eLead single from their self titled debut. This is the version used in the video for the song, featuring frequent collaborators the Portland Cello Project. Includes their stunning cover the Neil Young classic Little Wing.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Alialujah Choir","offers":[{"title":"Digital - MP3","offer_id":870814929,"sku":"","price":2.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB103.jpeg?v=1429665183"},{"product_id":"the-golden-bears-1","title":"Wall To Wall","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eSide A\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eTall Ships\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eCoda\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eThis Golden Afternoon\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eWall To Wall\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eOur Progress\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eRoad To Your House\u003c\/span\u003e \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eSide B\u003c\/h3\u003e\n\u003col start=\"7\"\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eRoots Beneath\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eWe Choose\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eGeography\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eFuther Progress\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eTracery Of Branches\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eYou And All The Other Humans Like You\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e5\/29\/2012\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003eDebut album from Portland's Golden Bears. Stunning vocals, brilliantly heartfelt lyrics and lovely melodies.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"The Golden Bears","offers":[{"title":"Digital","offer_id":870816937,"sku":"","price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB104.jpeg?v=1429680056"},{"product_id":"perhapst","title":"Revise Your Maps","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eSide A\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eBirds Off A Wire\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eWillamette Valley Ballad\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eRamble\/Scramble\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eRevise Your Maps\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/perhaps-sorrow-shame\/s-Ogfcr\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan style=\"line-height: 1.5;\"\u003eSorrow \u0026amp; Shame\u003c\/span\u003e\u003c\/a\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eTrue Sparrow\u003c\/span\u003e \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eSide B\u003c\/h3\u003e\n\u003col start=\"7\"\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eFind Me\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eOffering The Blues\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eSill (Mt. Zero)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eThousand Words\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eQueen Mary\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eHighlife\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eLightlow Nightowl\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e6\/25\/2013\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003eJohn Moen - drummer and harmony right-hand for the Decemberists, Stephen Malkmus \u0026amp; the Jicks and Boston Spaceships, and former front man of Portland’s legendary Maroons - will be releasing his second album of gorgeously crafted pop-rock tunes \u003cem\u003eRevise Your Maps\u003c\/em\u003e under the name Perhapst on Jealous Butcher Records. Recorded and produced by Jonathan Drews, Revise Your Maps 12 songs are imbued with sweetness, sass and melancholy.\u003c\/p\u003e\n\u003cp\u003eThe record kicks off with \u003cem\u003eBirds off a Wire\u003c\/em\u003e, the perfect introduction to Moen’s impossibly keen melodic sense. A peerless falsetto coaxes through the verses while the choruses dissolve into saturated guitars. It’s pop music with satisfying, jangly corners, and this theme carries through \u003cem\u003eRevise Your Maps.\u003c\/em\u003e With \u003cem\u003eBirds off a Wire\u003c\/em\u003e one is reminded of The Notorious Byrd Brothers and then two songs later on \u003cem\u003eRamble\/Scramble\u003c\/em\u003e, you’re tapping along with a shuffling boogie that’s all Squeeze. The title song - perhaps the most wistful of the lot - tugs on the heart with a refrain that’s equal parts teary and hopeful. \u003cem\u003eSorrow \u0026amp; Shame’s\u003c\/em\u003e chorus may take you self-deprecatingly to despair, but it somehow stomps and struts like Freddie Mercury all the while. Songs call out to a bonnie-haired beloved, broadcast from a moored ship that used to go places, stay up late to bemoan an old sadness.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Perhapst","offers":[{"title":"LP","offer_id":870821821,"sku":"","price":15.0,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":870821825,"sku":"","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":870821829,"sku":"","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB106.jpeg?v=1429679630"},{"product_id":"1939-ensemble","title":"Howl \u0026 Bite","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eSide A\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eUnification\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eEsperer\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eSad French Song\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eBlossom Bell\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eWait!\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eBlades\u003c\/span\u003e \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eSide B\u003c\/h3\u003e\n\u003col start=\"7\"\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/sabotage\/s-pL0qs\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan style=\"line-height: 1.5;\"\u003eSabotage\u003c\/span\u003e\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eRoshambo\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eWildcard\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eBumps\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eThe First\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eBig Sleep\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e4\/16\/2013\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003e“Metal and wood. Drums and vibes. Beats and melody. Random precision through noise.” 1939 Ensemble is a instrumental duo made up of percussionists Jose Medeles (The Breeders) and David Coniglio in Portland, OR. When describing the kind of music of 1939 Ensemble, it’s best to either keep it simple, or talk about it as an analogy.Think about great cities like Chicago and New York, then daydream about what those cities sound like. The history.  The pavement.  The sounds that are ambient and the sounds you can’t avoid. Music is a disruption.  A moment when time is taken and folded in on itself to form what people call a measure, or a bar. Once you have a bar, you can live in it, you can cross over it, be behind it or in front of it. It is not the start of one line, or the end of another. It is a fully formed space that can be entered or exited according to a player’s desire. In this space music is not only a disruption, it becomes for the performer and the listener, freedom. Freedom though, has exacting standards. It’s about purposeful direction, not anarchy. The arch of 1939 Ensemble is an evolution towards those exacting standards that started in pure improvisation, and have shaped themselves at the hands of Jose and David. 1939 Ensemble doesn’t just cross genres, they both embrace and exploit them, inviting each listener in though the familiar, and then leaving them with something new to explore.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"1939 Ensemble","offers":[{"title":"LP","offer_id":870824477,"sku":"","price":18.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":870824481,"sku":"","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB107.jpeg?v=1429670573"},{"product_id":"loftus","title":"Loftus","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eSide A\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eRaisin\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eEmma’s Rubber Leg\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eHaywine\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eStolen From A Rifle Clean Brothel\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eKing Carp In A Dan Ryan Ditch\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eTheme From Loftus Nine\u003c\/span\u003e \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3 class=\"p1\"\u003eSide B\u003c\/h3\u003e\n\u003col start=\"7\"\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eNervous\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/loftus-bell-and-hammer\/s-sRKPU\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan style=\"line-height: 1.5;\"\u003eBell And Hammer\u003c\/span\u003e\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003ePenguin Boy’s Love Story\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eWhen The Electricity Goes Out In The Submarine\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eMarlon Perkins\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eCake\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eBlind\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e7\/9\/2013\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003eLoftus finds the members of two bands—Rex and Red Red Meat—collaborating with a dude from Tortoise. It is a wonderful record that tears various genres apart with glee. For the first time ever, this underknown classic of experimental 1990s indie-rock is being released on vinyl. “Red Red Meat had done a few tours with Rex and the Grifters; co-mingling during the shows led to the idea to record,” Massarella says. “We recorded this at Ben's truck stop—still the filthiest place I've ever been,” Rutili relates. “It was a real truck stop; people weighed trucks and cleaned the blood out of meat trucks right there. Ben's dad used to do a radio show in one of the office rooms.” The record was a real collaboration. “Bundy put all our names into a hat; he'd pick three names and we'd improvise,” Rutili says. “When he flicked the lights on and off it was time to stop. We built these pieces into songs.” It may be hard to wrap your head around now, but this gloriously weird thing was originally going to be issued by a major label. Massarella adds that “I don't know why we got signed, but we did. We made the Loftus record and the label immediately folded.” The jackets for this release are silkscreened, with a sandpaper jawbone affixed to the covers, replicating the orignal CD release.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Loftus","offers":[{"title":"LP","offer_id":870826841,"sku":"","price":25.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":870826845,"sku":"","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB108.jpeg?v=1429670446"},{"product_id":"carcrashlander-1","title":"A Plan To Tell The Future","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eSide A\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eWalls Of The World\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eAll My Light Begins To Dissipate\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eCall In Sick To Work\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eWalls Of A Cave\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eOne Shot Charlie\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/carcrashlander-a-plan-to-tell\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan style=\"line-height: 1.5;\"\u003eA Plan To Tell The Future\u003c\/span\u003e\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eSide B\u003c\/h3\u003e\n\u003col start=\"7\"\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eInterstate Prelude\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eSpit Off The Bridge\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eWhen The New Line Finds You\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eLife-sized Head Of Yourself\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eBuild A View\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eNothing More Than Something\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eFollow The Trail\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e1\/13\/2014\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003eLimited pressing of 100 numbered copies on black vinyl.\u003c\/p\u003e\n\u003cp\u003eThis record was made during a residency in 2012 at a studio in SW Portland’s Goose Hollow called Scenic Burrows. (Literally, I rented out a flat above the studio that was an old dentist office.) These recordings were all started from seed in the studio, no rehearsals or demos, and features mostly friends that would happen to stop by. During this time I was producing records for Grand Hallway (Winter Creatures), and Raymond Byron and The White Freighter, and these songs were recorded on the off-days or nights after sessions. The studio, nestled next to the freeway, was below ground level but with floor to ceiling windows looking out into a little foliage perimeter frequented by homeless people, rats, and the occasional crack smoker. Next door was a high-rise apartment complex where you would often witness things such as multi-floor beer bongs, giant underwear drying on the line, and a naked korean guy lifting weights in the window. Studio breaks were spent either at a dive bar called The Commodore (rip) or at the underground egyptian-themed gem called Mummy’s. With this project I was trying to avoid conceptualizing any particular style, or entertaining thoughts about accessibility. I was mainly interested in experimenting with sounds and recording techniques, and embracing whatever natural tendencies both toward melody and dissonance. At the time i seemed to be listening to a lot of different stuff, including Sun Ra, Capt Beefheart, Ornette Coleman, William Onyeabor, Lee Hazelwood, Harry Nilsson, Gram Parsons and maybe even a little Nick Cave. \u003cem\u003e- Cory Gray, December 2013\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Carcrashlander","offers":[{"title":"LP","offer_id":870830813,"sku":"","price":15.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":870830817,"sku":"","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB110.jpeg?v=1429671250"},{"product_id":"shelley-short-the-sure-shots","title":"Wake The Dreamers","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eSide A\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/shelley-short-the-sure-shots\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan style=\"line-height: 1.5;\"\u003eWish Someone Would Care\u003c\/span\u003e\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eIn The Garden\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eThe Little White Cloud\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eI Am Free\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eWhat A Little Moonlight Can Do\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eLooking Out The Window\u003c\/span\u003e \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eSide B\u003c\/h3\u003e\n\u003col start=\"7\"\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eWorld So Full Of Love\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eDark In My Heart\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eThe Long Way Home\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eHonest I Do\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eYou Make Me\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e11\/5\/2013\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003eAs of 11\/5\/16 we've got 60 more copies of this lovely gem on vinyl! Surely they will not hang around long, so grab your now!\u003c\/p\u003e\n\u003cp\u003eThe one thing we knew from the outset was that we wanted it done fast and live, like the old days. I’ve recorded Shelley more than a few times over the years, and I have yet to hear anything but pure elegance and grace come through the studio monitors. I knew if we got a good band together, performing the songs live-in-the-studio was going to be a ficile endeavor, easily achieved in one or two takes of each song. Contrary to most records these days, this wasn’t going to be pieced together with endless takes, overdubs, punch-ins and editing. We corralled a group of amazing musician friends and even without rehearsing prior to entering the studio, Shelley and the band needed just a few run throughs to work out an arrangement before I was able to let the 2\" tape roll.\u003c\/p\u003e\n\u003cp\u003eWhen Shelley sings, it sounds like what she was born to do. She’s a musician with innate talent. As a youngster, she took piano lessons but faked her way through them by using her ear and keen sensibility. Growing up, there was a ceaseless stream of music filling the house (and in the car, often with family sing-alongs). Her dad, Joe, listened to everything - Nina Rota, Bobby Bare, Thelonious Monk, and of course, Bob Dylan. At age 19 Shelly set out on a cross country journey through the south that led her to the Jimmy Rogers museum and Hank Williams’ grave. Not your typical 19 year-old destination spots. It’s not that she was immune to modern music, in fact, she has an ongoing fascination with Ween. Still, Shelley has always been enthralled with the sounds of yesterday.\u003c\/p\u003e\n\u003cp\u003eWanting to make a record with these sounds in mind, Shelley asked her dad for help in compiling a list of songs. Joe thought of Oregon’s own Johnny Ray and his rendition of \u003cem\u003eThe Little White Cloud\u003c\/em\u003e. He was an outcast who cried when he sang and Joe thought Shelley could personify his spirit. Peggy Lee’s \u003cem\u003eI’m Looking Out the Window\u003c\/em\u003e is sophisticated and naive at the same time, a contrast Shelley exemplifies so well here. Shelley also enlisted suggestions from her longtime friend Eric Isaacson, founder of Misissippi Records. Eric made her a cassette tape of contenders including songs by Michael Hurly, Irma Thomas and Lee Hazelwood. \u003cem\u003eWake The Dreamers\u003c\/em\u003e is an eclectic collection for sure, but the band's unparalleled creativity and Shelley's captivating voice gives the album a cohesion that makes it sound as if the songs were always meant to be together, even if on two separate sides of a record.  \u003cem\u003e- Adam Selzer, 2013, Portland, Ore.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Shelley Short \u0026 The Sure Shots","offers":[{"title":"LP","offer_id":870875181,"sku":"","price":20.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":870876529,"sku":"","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB111.jpeg?v=1429680033"},{"product_id":"motrik","title":"Motrik","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eTrack Listing\u003c\/h3\u003e\n\u003col\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eCircuit Breaker\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eAutølok\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eWølf\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/motrik-modularin\/s-Om4v7\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan style=\"line-height: 1.5;\"\u003eMødularen\u003c\/span\u003e\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eTrajectør\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eStunt Triple\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e4\/15\/2014\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003eNeue Rückfall Kult-Quartett aus Portland. Der Beat ist vier mal vier, unten von Bass pochen, Gesicht schmelzenden Gitarre und pochende synthscapes gesperrt. Das ist nicht der Kinderspiele. Das ist \"Prog Ear, Pro Attitude.\" Das ist MØTRIK.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Motrik","offers":[{"title":"CD","offer_id":870891653,"sku":"","price":15.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":870893805,"sku":"","price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB113.jpeg?v=1429670253"},{"product_id":"eyelids","title":"854","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eSide A\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eSeagulls Into Submission\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003e\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/eyelids-psych-1\/s-yamLG\" target=\"_blank\" rel=\"noopener noreferrer\"\u003ePsych #1\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eForget About Tomorrow\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eFrame We Filled\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003e854\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eMile To Wave\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eAbby’s Friends\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eSide B\u003c\/h3\u003e\n\u003col start=\"8\"\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eEverybody\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eInto The Sun\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eYou Are Your Own\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eFloating Underground\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eFrom A Distance\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e10\/14\/2014\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003e\u003cstrong\u003e \u003cem\u003eFor a limited time we're offering a specially priced bundle of Eyelids colored wax - 854 LP (red vinyl) - 12\" EP (blue vinyl) - Slow it Goes 7\" (green vinyl) - 20 songs in all - now just $30 for all 3!\u003c\/em\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEYELIDS have a collective history of creating music for some of the most legendary indie songwriters. These longtime Portland, Oregon collaborators were not only the principal instrumentalists for Robert Pollard's post Guided By Voices band Boston Spaceships for over eight releases, but they have also worked with Stephen Malkmus, The Decemberists, Elliott Smith, Sam Coomes of Quasi, Black Prairie, Jason Lytle of Grandaddy, Loch Lomond, Damien Jurado and Peter Buck (who is producing their upcoming EP this Fall).\u003c\/p\u003e\n\u003cp\u003ePrincipal songwriters John Moen and Chris Slusarenko have turned inwards to their loves of New Zealand\/Flying Nun guitar buzz, their teenage L.A. Paisley Underground obsessions, haunts of early Athens and all things beautiful, lopsided and rock. Along with members Jonathan Drews (guitar), Jim Talstra (bass) and Paulie Pulvirenti (drums) they push and pull against each other's songwriting, in a beautiful tension that just works. Their critically celebrated debut 7” SEAGULLS INTO SUBMISSION got airplay everywhere from BBC Radio to WFMU and was also included in MOJO Magazine's Editors Picks of The Month. This single, as well as the accompanying video, is just a hint of what EYELIDS are all about.\u003c\/p\u003e\n\u003cp\u003eWith 13 songs, most of them clocking in at less than 2 1\/2 minutes, their debut album ‘854’ is full of what EYELIDS describes as “sweet melodies and bummer vibes”. ‘854’ makes us remember when our favorite songs were both melancholy and buoyant—those same songs that could make you feel justifiably sad and later make you feel incredibly happy and empowered. That’s what these guys are onto. And, although they are on their own trip, they’ve been compared to Love, Dinosaur Jr., Big Star, and even early R.E.M. Good company. This is the spirit that comes alive in EYELIDS songs: the Beatles meets Television jangle of “Psych #1,” the wistful pleas of “Abby’s Friends,” the beat-your-head-on-the-dashboard croon of “Forget About Tomorrow” and the deserted desperate cries that propel “Say It's Alright”. And as you listen, you will soon find out that Eyelids’ music is seriously catchy, haunting and uniquely their own.\u003c\/p\u003e\n\u003cp\u003eProduced by Chris Slusarenko Engineered by Jonathan Drews Recorded with Adam Selzer (The Gossip, The Breeders, Red Fang) and mastered by Carl Saff (Merge, SubPop).\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Eyelids","offers":[{"title":"LP","offer_id":901480085,"sku":"","price":25.0,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":901481045,"sku":"","price":15.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":901481617,"sku":"","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB116.jpeg?v=1429665123"},{"product_id":"hook-anchor","title":"Hook \u0026 Anchor","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eSide A\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/hook-anchor-famously-easy\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan style=\"line-height: 1.5;\"\u003eFamously Easy\u003c\/span\u003e \u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eWild Wind \u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eConcerning Spectral Pinching\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eLight Of The Moon\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eNo, It’s Not\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eHammer\u003c\/span\u003e \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eSide B\u003c\/h3\u003e\n\u003col start=\"7\"\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eTomorrow Night\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eHard Times\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eHazel Dell\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eBlackbird\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eThe Fine Old Times\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e7\/22\/2014\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003eLP is limited to 259 coke bottle clear vinyl copies.\u003c\/p\u003e\n\u003cp\u003eHook \u0026amp; Anchor is a story of lost songs finding a home. After a busy five years of touring with Portland-based band Blind Pilot, Kati Claborn was sitting on a steadily growing pile of tunes. As chance would have it, long-time friend and collaborator Erik Clampitt was looking for material and musicians to play a handful of gigs culminating in a show at the San Francisco Old-time and Bluegrass Festival. Songs were dusted off, friends were gathered, and the music that emerged had a voice and cohesion that immediately resonated with audiences and demanded to be more than a mere one-off. The project quickly became a vessel for other member's back-pocket tunes, giving the music breadth and variety. The band consists of Claborn (banjo, guitar), Clampitt (electric guitar, pedal steel), old-time music veteran Gabrielle Macrae (fiddle, banjo, guitar), and fellow Blind Piloters Luke Ydstie (bass, piano), and Ryan Dobrowski (drums).\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Hook \u0026 Anchor","offers":[{"title":"LP","offer_id":901480821,"sku":"","price":20.0,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":901481569,"sku":"","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":901481577,"sku":"","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB115.jpeg?v=1429670594"},{"product_id":"a-can-of-moles","title":"A Can Of Moles","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eSide A\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eThe Phoenix Foundation\u003cbr\u003eI WANT MORE\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eSide B\u003c\/h3\u003e\n\u003col start=\"2\"\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eEyelids\u003cbr\u003e\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/eyelids-bury-me-happy\/s-KDSzL\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eBURY ME HAPPY\u003c\/a\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e04\/18\/2015\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003eWe originally released this as a 7\" for Record Store Day 2015 and completely sold out!  We're now offering the tracks as a digital download for your listening enjoyment.\u003c\/p\u003e\n\u003cp\u003ePortland, Oregon and Wellington, New Zealand—unsurprising “sister” cities even despite those 7,125 miles that separates them.  Both are small “big” cities with a bustling music scene.  This hand-silkscreened limited edition 7” is the product of two bands from these cities—The Phoenix Foundation and Eyelids—and their mutual appreciation for music that is slightly melted in the center and currently running down the sides of your turntable.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEyelids guitarist Jonathan Drews: \u003c\/span\u003e “About 10 years ago, I stumbled across a random video of a band from Wellington called The Phoenix Foundation.  As to be expected from a New Zealand based musical group, these guys were good.  Really good.  They quickly became a favorite of ours.  It only made sense, then, that we should establish some sort of connection with our distant neighbors.”\u003c\/p\u003e\n\u003cp\u003eThe two bands became fast friends and the notion was suggested to do some spirited covers from two of their all time favorite bands (The victims: Australia’s best kept secret The Moles and the legendary German band Can).  Peter Buck from R.E.M. produced Eyelids side of the 7” (and even played some acoustic guitar on it), while The Phoenix Foundation recorded with Brett Stanton at the band’s home base,The Car Club.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSamuel Flynn Scott of The Phoenix Foundation: \u003c\/span\u003e \"I think they’re quite enchanted by New Zealand’s musical history and from where we are in the world Portland seems like this magical wonderland where all our favourite US bands end up moving to. Covering Can almost seems like this obviously hip move but they are so great and that song is just infectious.”\u003c\/p\u003e\n\u003cp\u003e“It’s definitely surreal to be hooking up with people who’ve played with Stephen Malkmus, Jason Lytle, Robert Pollard, The Decemberists and so on, and now Peter Buck is working on their next record and they want us to put out a 7” with them, I love that. New Zealand can be quite isolating so this is like some weird magic. And the Eyelids cover of The Moles is just great. Ha, I guess I sound pretty stoked.”\u003c\/p\u003e\n\u003cp\u003eSo there you are: Two bands, two sides, two covers, two corners of the world.  When they will get to shake hands remains to be seen but the proof is already in the pudding.  There is already a joy to this 7” that sounds as if they have been having drinks and laughs together for years.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Eyelids | The Phoenix Foundation","offers":[{"title":"Digital","offer_id":1112822693,"sku":"","price":2.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB122.jpeg?v=1429665085"},{"product_id":"ep","title":"EP","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eSide A\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/01-bound-to-let-you-down\/s-f5fLk?in=jbrecords\/sets\/eyelids\/s-v8Vqq\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eBound To Let You Down\u003c\/a\u003e \u003c\/li\u003e\n\u003cli\u003eBroken Continue \u003c\/li\u003e\n\u003cli\u003eOnly Time Will Tell \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eSide B\u003c\/h3\u003e\n\u003col start=\"4\"\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 14px; line-height: 16px;\"\u003eHalloween\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e06\/23\/2015\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003eThe EP features two new songs, the hyperactively beautiful \u003cem\u003eBound to Let You Down\u003c\/em\u003e and \u003cem\u003eBroken Continue\u003c\/em\u003e. The originals are paired with two songs the band has been performing live: \u003cem\u003eOnly Time Will Tell\u003c\/em\u003e, originally from the John Cale album \u003cem\u003eSabotage Live\u003c\/em\u003e, and \u003cem\u003eHalloween\u003c\/em\u003e, from legendary paisley underground band Dream Syndicate’s Debut EP. \u003cem\u003eHalloween\u003c\/em\u003e takes a whole album side and comes with a crazy surprise at the end for listeners (and vinyl collectors). Peter Buck stepped in on guitar on this track as well to create what turned into a four guitar attack.\u003c\/p\u003e\n\u003cp\u003e“John and I wrote a bunch of songs quite feverishly after our last tour and we wanted to get into the studio right away,” says Chris, joined by members Jonathan Drews (guitar), Jim Talstra (bass), Paulie Pulvirenti (drums) and guitarist John Moen.\u003c\/p\u003e\n\u003cp\u003e\"Working with Peter on the Eyelids songs is such a dream come true,” says Moen. “His guitar playing undoubtedly influenced me more than any other single guitarist. Through the years he always seemed to know where the best meeting point between 'unusual' and 'just-plain-catchy' was, and then play it incredibly well. He thinks a lot about music without over-analyzing it - things stay informed, yet fresh.\"\u003c\/p\u003e\n\u003cp\u003eLimited edition of 500 on blue vinyl • Download card that includes all songs from the EP as well as 3 live videos (including a version of \u003cem\u003eHey Joe\u003c\/em\u003e with Stephen Malkmus joining in the slop) • Digital booklet, bragging rights and instant karma. • Produced by Mr. Peter Buck of R.E.M.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Eyelids","offers":[{"title":"CD","offer_id":6553515713,"sku":"","price":5.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":1112823989,"sku":"","price":5.0,"currency_code":"USD","in_stock":true},{"title":"12\" EP","offer_id":1112823977,"sku":"","price":12.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB123.jpeg?v=1473693394"},{"product_id":"the-number-9","title":"The Number 8","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eSide A\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/annalisa-tornfelt-scared-your\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan style=\"line-height: 1.5;\"\u003eScared You’re Gonna Leave\u003c\/span\u003e\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eAfterlife\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003ePlay A Game\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eTake Care Of You\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eFound A Song\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eNothingness To Me\u0026lt;\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eStarlighting\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eSide B\u003c\/h3\u003e\n\u003col start=\"8\"\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eOne Heart At A Time\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eKnow The Answer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eJust For A Day\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eTired Of Saying Sorry\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eRiddle Me This\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eRules Of My Heart\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eLove Song To Myself\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eJune, June, Hot Air Balloon\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e3\/10\/2015\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003eAnnalisa Tornfelt, the Alaska-raised musician best known as the singer and fiddle player for Black Prairie, grabbed her “Black Beauty” Arch Kraft guitar and an analog 8-track to record her unadorned, front porch solo album, The Number 8 (March 10 \/ Woodphone Records \u0026amp; Jealous Butcher Records).\u003c\/p\u003e\n\u003cp\u003e“I asked Annalisa to play a few fiddle tunes with me, which soon flipped to her picking up a guitar and singing Hank Williams,” says her Black Prairie bandmate, Chris Funk. “It was simple, but it was stunning. It's those moments when she grabs the all to familiar guitar and sings a song that you realize your bandmate and friend has the unique gift and power to make the weight of the world lift for three minutes.”\u003c\/p\u003e\n\u003cp\u003e“In Alaska, I was raised on classical music, Disney, and Chuck Mangione's Children of Sanchez,” says Annalisa, who began playing bluegrass decades ago. She recently discovered rock and roll, when Black Prairie asked her to sing “The Song Remains the Same” (for Laura Veirs’ New Year’s Eve show, “Two Beers Veirs.”) Some of the songs on The Number 8 go back 10 years, and the mysterious third instrument on there is the nyckelharpa, a Swedish harp formerly owned by Peter Buck. He gave it to Annalisa after hearing her play. “The sounds she coaxed from the wood and strings seemed to put her in a trance,” adds Scott McCaughey of the Minus 5. “She even taught us how to spell it.”\u003c\/p\u003e\n\u003cp\u003e“Don't be fooled by this angel you see, lest you miss out on the compelling darkness just beneath the surface of her music,” adds Nate Query (Black Prairie).\u003c\/p\u003e\n\u003cp\u003eIn addition to the regular channels, The Number 8 will be distributed through Annalisa’s original plan: mail a letter and check to her PO Box and she’ll respond with a postcard, vinyl or CD and, inspired by a framed Patsy Cline promo pic in the violin studio that smiles down on her, a signed, glossy 8x10.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Annalisa Tornfelt","offers":[{"title":"LP","offer_id":3086693569,"sku":"","price":25.0,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":3086816705,"sku":"","price":15.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":3086693633,"sku":"","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB120_72eb88e0-1890-4121-9d74-6ebc8c1bbf28.jpeg?v=1432852889"},{"product_id":"what-you-have-come-for-is-death","title":"What You Have Come For Is Death","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eSide A\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003e\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/hired-hand-vol-2-nevada-boys\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eNevada Boys\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eSummer Of '74\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eLeviathan\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eBattle Mountain\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eSide B\u003c\/h3\u003e\n\u003col start=\"5\"\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eNoth Idaho\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eUnsettling Dreams\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eRick's Theme\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eHeavy Snow\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eThe Book Of The Dead\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eDigital download includes\u003c\/h3\u003e\n\u003col start=\"11\"\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eThe Breech\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eGrace \u0026amp; Jude\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eLander County\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003e\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/hired-hand-vol-2-golden\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eGolden Unknowable Futures\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eVan Halen (Between Trailers)\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003e\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/hired-hand-vol-2-when-morning\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eWhen Morning Came\u003c\/a\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e3\/24\/2015\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003e\u003cspan\u003eLimited pressing of 260 numbered copies on black vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAs a musician, Christian Kiefer has always been interested in narrative as a vehicle for sonic material. Whether working with songs—as evidenced by Dogs \u0026amp; Donkeys and Of Great and Mortal Men—or with instrumentals—such as Czar Nicholas Is Dead and The Darkened Mirror—Kiefer has used narrative as a vehicle to propel the idea of sound into new territories.\u003c\/p\u003e\n\u003cp\u003eAs a novelist, Kiefer presents quietly contemplative narratives filled with sweeping landscapes and introspective characters. It is work resonant of the films of Andrei Tarkovsky and Ingmar Bergman, filmmakers Kiefer adores, and so is perfectly in tune with his musical output.\u003c\/p\u003e\n\u003cp\u003eWhat You Have Come for Is Death is the first sentence of Kiefer’s new novel, The Animals (Liveright). The novel is about, in broad strokes, wildlife rehabilitator Bill Reed, a man who lives a quiet life in rural North Idaho. He hopes to marry the local veterinarian and build a future with her and her young son. However, Bill has a dangerous, criminal past that he has kept hidden and when it resurfaces it threatens to destroy everything he has built in the Idaho forests.\u003c\/p\u003e\n\u003cp\u003eThe idea to make a soundtrack album for the book arose soon after the final draft had been completed. Kiefer produced a lengthy visual “score” for the book—mostly a collection of texts and images that he hoped would inspire the musicians involved, (a score available as a digital download with this release). This material was uploaded to the cloud along with sound samples, instructions, and ideas. He then invited various musicians to look through those materials. Tracks were flown into and out of the cloud and Kiefer set to assembling the project in his home studio in Northern California, recording more material, overdubbing, mixing, and mastering.\u003c\/p\u003e\n\u003cp\u003eKiefer’s projects often include collaborators, some of them quite well known. He has worked with Alan Sparhawk and Mimi Parker of Low, Wilco’s Nels Cline, The Band’s Garth Hudson, Smog’s Bill Callahan, Califone, Rosie Thomas, Mark Kozelek of Red House Painters and Sun Kil Moon, Will Johnson of Centro-Matic, and many others.\u003c\/p\u003e\n\u003cp\u003eThe musicians who stepped forward to work with Kiefer on What You Have Come for Is Death are some of the greatest working today. Kiefer’s longtime collaborator, experimental guitarist and songwriter Jefferson Pitcher, is present here, as are Tetuzi Akiyama, Tom Carter (of Charalambides), and Kevin Corcoran, all of whom have worked with Kiefer on previous instrumental projects. Scott Leftridge and Jason Roberts, long members of Kiefer’s live band, contribute parts as well. Newcomers to Kiefer’s work here include violinist Caridwen Irvine-Spatz, novelist and guitarist Louis B. Jones, and guitarists Patrick Hargon and Ross Hammond. A longtime fan of instrumental masters Boxhead Ensemble, Kiefer also enlisted Boxhead’s Michael Krassner and frequent Boxhead collaborator Fred Lonberg-Holm.\u003c\/p\u003e\n\u003cp\u003eThe result is a finely textured sonic experience, moving from thick drone-based pieces to country-tinged melodies rooted in rhythm. The project is divided into two landscapes, that of North Idaho, where Bill Reed is trying to build his new life, and Northern Nevada, where his dangerous past resides. The listening experience is meant to resonate with the text itself, to be listened to separately or alongside.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Christian Kiefer","offers":[{"title":"LP","offer_id":3168346689,"sku":"","price":20.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":3168346753,"sku":"","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/HH002.jpeg?v=1433032456"},{"product_id":"the-unseen-hand-music-for-documentary-film","title":"The Unseen Hand: Music For Documentary Film","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eSide A\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eWestern Wishes Intro\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eJustin’s Theme\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eThe Strip\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eThe Arena\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eMike’s Theme\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eGone Too Far\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eSide B\u003c\/h3\u003e\n\u003col start=\"7\"\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eA Simple Prayer\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eEight Seconds\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eAdriano's Theme\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003e\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/hired-hand-vol-1-rank\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eRank\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eWestern Wishes Outro\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eDigital download includes\u003c\/h3\u003e\n\u003col start=\"12\"\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eRanch Life\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eBleeder\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eOrgan Piece\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e9\/9\/2014\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003eLimited pressing of 330 numbered copies on black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSESSION 1: THE WAREHOUSE - LONG BEACH\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThere wasn't much of movie to speak of at that point so Wil, Tim and I headed into Hollywood to John’s apartment and watched some raw footage of cowboys getting tossed around by bulls. We didn't get much direction on what to do, only what not to do. Our first job was to give John some music to cut to. So we started on what would be the first of three sessions.\u003c\/p\u003e\n\u003cp\u003eMy friend John Haskell's dad had a warehouse down at the docks in Long Beach to house his boats and ancient cars. It was a big open space with high ceilings and wooden beams hanging above us. We also made records in there. There where a few pianos, a hammond b3, a bunch of guitar amps and a coffee maker. The office became the control room. I remember a couple of fax machines.\u003c\/p\u003e\n\u003cp\u003eThe very first thing we did was check the levels on the piano. I sent Wil to play something on the baby grand and he proceeded to perform what would become the basic theme for the entire movie. I'm still not sure where that came from. We where off to a good start. After a while Tim threw a microphone inside the piano and set up his pedal board and connected it to one of the amplifiers. Tim's natural inclination is to continually turn things inside out and destroy. That was a long time ago but I remember recording a lot of good stuff those couple of days. The last thing we did was an organ duo. I remember playing a couple of chords over and over while Wil sat next me and voiced the chords higher and higher on the keyboard. That piece would eventually become the intro piece to the movie.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSESSION 2: EAGLE ROCK\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAs the film progressed, I knew we where going to need something a little more traditional for certain parts of the film. The Wild expansive music we made in Long Beach would lose its impact if we didn't have something to ground it. I remember seeing a photograph somewhere of Neil Young recording some acoustic instruments with the musicians sitting in a circle around a few mics. I was inspired to try that approach.\u003c\/p\u003e\n\u003cp\u003eMy friend Eric Heywood had a beautiful little house on top of hill overlooking Eagle Rock California. Lots of light and beautiful white washed wood floors. We set up in the circle, this time with Eric on his pedal steel and a bunch of guitars. I always loved the sound of multiple guitars intertwining. We went around the circle with each of us starting a little idea while letting the piece slowly develop into whatever it would become. We went around a couple of times and that was it. I have a lot of fond memories of that neighborhood and those days. I was engineering for producer David Trumfio back then and when things where slow we'd hit this Mexican food place at the base of the hill and sit there for hours drinking margaritas getting nothing done.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSESSION 3: THE ICE HOUSE - PHOENIX, ARIZONA\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWe now had the completed film and needed one last session to fill some of the gaps. We needed something with a big space to fill the expansive feel of the bull riding ring. John had to recreate the sound from scratch during the competition scenes.\u003c\/p\u003e\n\u003cp\u003eThere is this great building in Phoenix called the Ice House. Back before refrigeration the ice would be delivered via train and stored in one central location. The room we recorded basically looked like an airplane hanger with elevated arched ceilings. Since we had a finished cut I was able to project the film onto one of the walls There is this great building in Phoenix called the Ice House. Back before refrigeration the ice would be delivered via train and stored in one central location. The room we recorded basically looked like an airplane hanger with elevated arched ceilings. Since we had a finished cut I was able to project the film onto one of the walls creating a very cinematic atmosphere. We added percussion and relied on our electric guitars for the last session. At one point we started the film and had the drummer Rob Moore improvise over its entirety. I don't think any of that ended up in the film but i wish it did, it was probably the best stuff.\u003c\/p\u003e\n\u003cp\u003eJohn and his editors came out for the sessions and I'm not sure what happened the night before but they basically slept on the concrete floor most of the session. I think they just wanted to to get out of LA for a few days. \u003cem\u003e- Michael Krassner, Spring 2014\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eTHE PLAYERS:\u003cbr\u003eWIL HENDRICKS\u003cbr\u003eERIC HEYWOOD\u003cbr\u003eMICHAEL KRASSNER\u003cbr\u003eBRUCE LICHER\u003cbr\u003eROB MOORE\u003cbr\u003eTIM RUTILI\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Boxhead Ensemble","offers":[{"title":"LP","offer_id":3168702337,"sku":"","price":20.0,"currency_code":"USD","in_stock":true},{"title":"Digital - MP3","offer_id":3168702401,"sku":"","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Digital - FLAC","offer_id":34814637639,"sku":"","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/HH001.jpeg?v=1433033161"},{"product_id":"nailed-to-the-stars","title":"Nailed To The Stars","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eSide A\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003e\u003cstrong\u003eThe Ex-hustlers\u003c\/strong\u003e \/ \u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/01-iagos-coat\/s-VZYtr\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eIago’s Coat\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003e\u003cstrong\u003eThe Ex-hustlers\u003c\/strong\u003e \/ Lixx of Lite\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003e\u003cstrong\u003eThe Power Jack\u003c\/strong\u003e \/ Sanchez\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003e\u003cstrong\u003eThe Power Jack\u003c\/strong\u003e \/ Calibrate\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003e\u003cstrong\u003eKind of Like Spitting\u003c\/strong\u003e \/ Welcome To The Working Week\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003e\u003cstrong\u003eKind of Like Spitting\u003c\/strong\u003e \/ \u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/08-february-18th-1996\/s-uiaTO\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eFebruary 18th, 1996\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003e\u003cstrong\u003eTwo-bit Tragic\u003c\/strong\u003e \/ Quasar\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003e\u003cstrong\u003eTwo-bit Tragic\u003c\/strong\u003e \/ Concussion\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003e\u003cstrong\u003e22 Sparkling Smiles\u003c\/strong\u003e \/ Everyday\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003e\u003cstrong\u003e22 Sparkling Smiles\u003c\/strong\u003e \/ \u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/12-sea-of-heartbreak\/s-Lc0nJ\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eSea of Heartbreak\u003c\/a\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eSide B\u003c\/h3\u003e\n\u003col start=\"11\"\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003e\u003cstrong\u003eButter\u003c\/strong\u003e \/ Stop Go\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003e\u003cstrong\u003eButter\u003c\/strong\u003e \/ \u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/14-utah\/s-4GL5d\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eUtah\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003e\u003cstrong\u003eBossa Nova 2600\u003c\/strong\u003e \/ \u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/15-choke\/s-pyOKx\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eChoke\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003e\u003cstrong\u003eBossa Nova 2600\u003c\/strong\u003e \/ Donde es maria, ora?\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003e\u003cstrong\u003eRally Boy\u003c\/strong\u003e \/ House Guest\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003e\u003cstrong\u003eRally Boy\u003c\/strong\u003e \/ France In Colorado\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003e\u003cstrong\u003ePete \u0026amp; Amy\u003c\/strong\u003e \/ Too Good To Be True\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003e\u003cstrong\u003ePete \u0026amp; Amy\u003c\/strong\u003e \/ How Long Has This Been Going On?\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003e\u003cstrong\u003eKpants\u003c\/strong\u003e \/ My Strong Back Legs\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003e\u003cstrong\u003eKpants\u003c\/strong\u003e \/ \u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/23-vampire-girl\/s-kZle6\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eVampire Girl\u003c\/a\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eDigital download includes\u003c\/h3\u003e\n\u003col start=\"21\"\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003e\u003cstrong\u003eThe Ex-hustlers\u003c\/strong\u003e \/ Stella In Need\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003e\u003cstrong\u003eKind of Like Spitting\u003c\/strong\u003e \/ Time and How To Waste It\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003e\u003cstrong\u003eRally Boy\u003c\/strong\u003e \/ Shad Virus\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003eFall 1996\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003eThis one was the big one. Our first LP. Another comp, but with bands that were going places. I swore we’d need at least 1000 copies. I’m so glad Mike talked me into 500. Lesson learned this go around, dark ink silkscreened on dark paper does not show up very well, even with sparkles. Packaging has long been something that has intrigued me. This is our first stab at something other than folded paper and plastic. It’s got my favorite bits: silkscreen, odd shapes, and those red tassle twisty things, mmm... good. There are 2 extra bands on this format, I thought that meant it needed a different catalog number. It didn’t. Oh well. Mostly recorded at the 28th street house on the 8-track. Some of my very favorite recording sessions.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“my teeth they grow long and sharp, and I have strong back legs.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThe LP is out of print at this point, but we still have some of the original cassettes, as well as a digital download of all the tracks from the LP \u0026amp; cassette.  \u003cstrong\u003e22 Sparkling Smiles\u003c\/strong\u003e is Jonn \u0026amp; Lisa from \u003cstrong\u003eThe Crabs\u003c\/strong\u003e, along with Diane from \u003cstrong\u003eOswald Five-0 \u003c\/strong\u003eand\u003cstrong\u003e Valiant Arms\u003c\/strong\u003e.  This comp also features the very first \u003cstrong\u003eKind of Like Spitting\u003c\/strong\u003e songs released, along with a slew of amazing mid-90's Eugene, Ore. rock and roll.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Various","offers":[{"title":"Digital","offer_id":3175041793,"sku":"","price":5.0,"currency_code":"USD","in_stock":true},{"title":"Cassette","offer_id":3175311297,"sku":"","price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB010.jpeg?v=1433222085"},{"product_id":"swallow-the-sea-the-songs-of-the-crabs","title":"Swallow The Sea: The Songs of The Crabs","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eSide A\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003e\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/the-valiant-arms-swallow-the\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eSwallow The Sea\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eIron Curtain\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eSore\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eRiptide\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eSide B\u003c\/h3\u003e\n\u003col start=\"5\"\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eAngeline\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eConfess\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eDebutant\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eShe Is A Titan\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003eSpring 2007\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003eLathe cut 10\" - Limited to 51 numbered copies.\u003c\/p\u003e\n\u003cp\u003eThese are 8 \u003cstrong\u003eCrabs\u003c\/strong\u003e covers recorded by a bunch of pals that somehow turned into an actual band. Thanks to Jonn and Lisa for their approval and their awesome songs! The lathe cut 10\" is limited to 51 copies, the CD to 100 or so, your call. Perfect pop songs broken down and rebuilt with a vast aray of instrumentation. From twee pop to country balladrey, indie rock to classic punk. This record is at once all over the place and a straight narrative all told by the voices of Diane, Rob \u0026amp; Rachel.\u003c\/p\u003e\n\u003cp\u003eRecorded by Adam, Rob and Chad at the Library, Diane's house, Tony's house, Rob's house and Typefoundry.\u003c\/p\u003e\n\u003cp\u003ePerformed by:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDiane Rios\u003c\/strong\u003e - Vocals, Bass \/ \u003cstrong\u003eRob Jones\u003c\/strong\u003e - Vocals, Guitars, Mandolin \/ \u003cstrong\u003eRachel Blumberg\u003c\/strong\u003e - Vocals, Drums, Piano, Synth Strings \/ \u003cstrong\u003eKevin Walters\u003c\/strong\u003e - Guitars \/ \u003cstrong\u003eTony Moreno\u003c\/strong\u003e - Bass, Banjo \/ \u003cstrong\u003eDerek Trost\u003c\/strong\u003e - Drums, Accordian \/ \u003cstrong\u003eCora Rios\u003c\/strong\u003e - Hand claps \/ \u003cstrong\u003eCassidy Rios Kane\u003c\/strong\u003e - Hand claps \/ \u003cstrong\u003eCory Gray\u003c\/strong\u003e - Trumpets \/ \u003cstrong\u003eEric Clampitt\u003c\/strong\u003e - Pedal Steel \/ \u003cstrong\u003eAdam Selzer\u003c\/strong\u003e - Mandolin\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"The Valiant Arms","offers":[{"title":"Lathe Cut 10\"","offer_id":3176124353,"sku":"","price":15.0,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":3176138241,"sku":"","price":5.0,"currency_code":"USD","in_stock":false},{"title":"Digital","offer_id":3176138305,"sku":"","price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB060.jpeg?v=1433056658"},{"product_id":"you-secretly-want-me-dead","title":"You Secretly Want Me Dead","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003e\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/kind-of-like-spitting-who-cares-how-much\/s-K7RzH\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eWho Cares How Much\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eCatch the Redeye Out of Girlfriend Land\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eYour Favorite Actor\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eWe Got as Far as Minnesota\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eDo You Need Him Here to Say (Elsa)\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eHappy?\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eMaybe We Should Get Married\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eA Thought from the Kitchen Floor\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eMotor Boat\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003ePlease Don't Sweat the Afterlife\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eSlow Me Down\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eSomething in the Air\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003ePlease Don't Let it End Like This\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eI've realized that things...\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eStaring at Your Toy Collection\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eAfraid of Crushes\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e1997\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003eMore beautiful sad songs. The calculations are greater, the instrumentation is stronger, this is the album that was meant to come out, these are songs that need to be heard. (a la palace vs. sea and cake, braid vs. smog). NEWLY REMASTERED, the CD has three extra songs on it, now including an early version of the song \"Afraid of Crushes\".\u003c\/p\u003e\n\u003cp\u003eplayers:\u003c\/p\u003e\n\u003cp\u003eMark Wallace: drums\u003cbr\u003eAmanda Rau: violin\u003cbr\u003eBen: other things\u003c\/p\u003e\n\u003cp\u003erecorded by:\u003c\/p\u003e\n\u003cp\u003eEric Mast: 1,4,6,10,13 \u003cbr\u003eRob Jones: 2,3,5,7,8,9,11,12,16 \u003cbr\u003eChad Crouch: 14,15\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Kind of Like Spitting","offers":[{"title":"CD","offer_id":3263039745,"sku":"","price":10.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":3263047873,"sku":"","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB017.jpeg?v=1433255703"},{"product_id":"eraser-b-w-felony-flats","title":"Eraser b\/w Felony Flats","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eEraser\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003e\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/beltline-felony-flats\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eFelony Flats\u003c\/a\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003eFall 2004\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003eThe first REAL band I ever saw, Oswald Five-O. What can I say, there was a midget with devil horns and an SG, the next night I sold my soul and bought this 7\"... I've been wanting to do this for years, thanks to Ryan, Rachel, Adam and Bruson I finally have. Limited (at this point) to 30 lathe cut copies, clear vinyl glory. Oh, we took liberties with the A side, and we held true on the flip. Dig it!\u003c\/p\u003e\n\u003cp\u003eI would also like to point out that everyone who plays on this record has spent time, if not grown up, in Eugene, OR, and that we all share the undying love of the O50.\u003c\/p\u003e\n\u003cp\u003ePlayers:\u003c\/p\u003e\n\u003cp\u003eRob Jones - guitars, vocals\u003cbr\u003eRyan Matheson - bass, percussion, vocals\u003cbr\u003eRachel Blumberg - drums, piano, vocals\u003cbr\u003eBrunson Moody - cello\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThis record is dedicated to Diane, Nick and Robert\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Beltline","offers":[{"title":"Digital","offer_id":3263066369,"sku":"","price":2.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB049.jpeg?v=1433254506"},{"product_id":"jb126","title":"French Kayaking Music","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eSide A\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003e\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/01-french-echo-accordion\/s-sRCNj\" target=\"_blank\"\u003eFrench Echo (Accordion)\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eArrivals\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eTraveling\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eHappy Stars\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eThe Sign\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eThe Rag\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eThe Canyon\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003e\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/08-lake-powell\/s-LtivU\" target=\"_blank\"\u003eLake Powell\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eFrench Echo (Piano)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eSide B\u003c\/h3\u003e\n\u003col start=\"8\"\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eNostalgia (Accordion)\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eRapids\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eAdventure\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eMelon Stand\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eSong For Bernard (Traveling)\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eGenevieve’s Theme\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eBack In France\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eNostalgia (Piano)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e11\/03\/2015\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003eThe set of instrumental pieces entitled \u003cem\u003e\u003cstrong\u003eFrench Kayaking Music\u003c\/strong\u003e\u003c\/em\u003e was written for and inspired by the film \u003cstrong\u003e\u003cem\u003eVoyagers Without Trace\u003c\/em\u003e\u003c\/strong\u003e; a documentary about a French trio who kayaked the Green and Colorado rivers in 1938. When Conlee heard that the film’s director\u003cstrong\u003e Ian McCluskey\u003c\/strong\u003e was looking for original music with a French flavor, a creative relationship was begun. Conlee, currently a member of bands \u003cstrong\u003eThe Decemberists\u003c\/strong\u003e and \u003cstrong\u003eBlack Prairie\u003c\/strong\u003e, was at this time delving deep into French accordion music. She was listening to old recordings and learning the style from books of French Musettes. French Musette music evolved in Paris in the mid-1800’s as melting pot of styles played on the accordion that was popular for dancing in the café’s. Conlee was quickly falling in love with this romantic music. The “\u003cem\u003eVoyagers…\u003c\/em\u003e” soundtrack project was the perfect opportunity for Jenny to put to paper some original pieces inspired by the genre. \u003cstrong\u003eSteve Drizos\u003c\/strong\u003e, drummer for \u003cstrong\u003eJerry Joseph and the Jackmormons\u003c\/strong\u003e and Conlee’s husband and musical collaborator, was brought in as recording engineer and then as producer and composer as well.\u003c\/p\u003e\n\u003cp\u003eWhile McCluskey was sending over scenes to be composed to, the pair realized the need to expand the musical palette. On top of the collection of Musette inspired waltzes there was a need to express the feeling of the old west and the river itself. Conlee added piano pieces that are both somber and whimsical. Drizos then layered drum and percussion tracks and the addition of \u003cstrong\u003eJill Coykendall\u003c\/strong\u003e on clarinet adds to the feeling of loneliness and space. Other musicians on the album are \u003cstrong\u003eJesse Emerson\u003c\/strong\u003e on upright bass and \u003cstrong\u003eKyleen King\u003c\/strong\u003e on viola and violin, fleshing out the main musical theme of the film, the track \u003cem\u003eTraveling\u003c\/em\u003e. Drizos also composed two ambient guitar pieces that beautifully reflect the splendor of the canyon to round out the collection.\u003c\/p\u003e\n\u003cp\u003eConlee and Drizos have also collaborated on a soundtrack for the short film\u003cem\u003e\u003cstrong\u003e The Kid\u003c\/strong\u003e\u003c\/em\u003e, directed by \u003cstrong\u003eJeff Winograd\u003c\/strong\u003e, which premiered at the Portland International Film Festival in 2014.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Jenny Conlee with Steve Drizos","offers":[{"title":"LP","offer_id":6010669569,"sku":"","price":25.0,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":6010669633,"sku":"","price":15.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":6010669697,"sku":"","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB126_12in_SQ.jpg?v=1672529274"},{"product_id":"collected-essential-works","title":"Collected Essential Works","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eSide A\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eInto The River\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eWorking On The Lines\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eTiny Fire\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003e\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/luke-ydstie-odd-one-out\/s-QyAex\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eOdd One Out\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eI Told You\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eSide B\u003c\/h3\u003e\n\u003col start=\"6\"\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eA Bigger Mark\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eShine\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eDeer Stranglers\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eAlways Looking\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eJamie\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e10\/09\/15\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eVinyl edition is a Series 33 release, limited to 33 copies.\u003c\/em\u003e\u003c\/strong\u003e  \u003cstrong\u003e*VINYL SOLD OUT*\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIt doesn’t happen often, but every once in awhile I run into a musician in the studio who is equally skilled as a session player and a songwriter. When I first met \u003cstrong\u003eLuke Ydstie\u003c\/strong\u003e in 2011, he was the upright bass player for \u003cstrong\u003eBlind Pilot\u003c\/strong\u003e when we were recording \u003cem\u003e\u003cstrong\u003eWe Are The Tide\u003c\/strong\u003e\u003c\/em\u003e. Two years later, we were back in the studio with his other band, \u003cstrong\u003eHook \u0026amp; Anchor\u003c\/strong\u003e, anchored by his longtime collaborator and muse \u003cstrong\u003eKati Claborn\u003c\/strong\u003e. With this band, I saw Luke’s talents brought more to the forefront, taking a more integral role with arranging and singing as well as penning his own song, \u003cem\u003eWild Wind\u003c\/em\u003e. Another two years later, he was back in the studio, this time as the sole songwriter for an unnamed project with no aspirations other than documenting a group of songs that left me flabbergasted. After recording artists for almost 20 years, I can’t stress how rare it is to find someone so gifted as both a player and a songwriter. I could name names here but that’s not necessary. What is necessary is to understand Luke’s ability to come across as such a consummate songwriter, all the while humbly showing his understanding and mastery of melody and restraint. His vocal delivery is something to behold; he somehow manages to deliver in a style that is simultaneously delicate and boastful, a gift that will draw you in even if you enter a room unaware of what is on the hi-fi.\u003c\/p\u003e\n\u003cp\u003eAs we all know, talking about music is truly a difficult task, an impossible task you could say, but we still try. And I attempt to convince you that these songs are beautiful in their simplicity and their honesty. \u003cstrong\u003e\u003cem\u003eCollected Essential Works\u003c\/em\u003e\u003c\/strong\u003e is an heartfelt record - even to the point where Luke \u0026amp; Kati’s newborn appears, crying out for who-knows-what, straped to Luke’s chest while tracking bass. She needed to be held, that’s what happened while he was tracking, so that’s what’s there. That is the spirit of this record, it’s purity and elegance. \u003cstrong\u003eKati Claborn\u003c\/strong\u003e provides beguiling harmonies and banjo (to see them play live as a duo is a true treat and her harmonies can be powerful and delicate from one line to the next) and \u003cstrong\u003eRyan Dobrowski\u003c\/strong\u003e plays drums in a manner that take the songs away from your typical singer-songwriter arrangements. 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You ever wonder how great it would sound if your favorite bands played their favorite Townes Van Zandt songs?\u003c\/p\u003e\n\u003cp\u003eIt could’ve dried up like so many one ‘what ifs’ but a plan was hatched, time and talent was donated and a record was made. Everyone was stoked, nobody got paid… they all did it for the sake of the song. Hope you dig it.\u003c\/p\u003e\n\u003cp\u003e21 artists with strong ties to the Pacific Northwest pay tribute to Townes Van Zandt. Featuring Blitzen Trapper, Sallie Ford, Jolie Holland, Michael Hurley, Blind Pilot, The Minus 5 and many others!\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/thejwf.org\/%E2%80%8B\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cstrong\u003eTHE JEREMY WILSON FOUNDATION​\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eThe Jeremy Wilson Foundation is a 501(c)(3) nonprofit musicians’ service organization dedicated to providing emergency financial assistance in times of medical crisis and to improving the overall well-being of individual musicians and their families. This unique service provides a safety net for musicians in times of medical crisis. Musicians are independent contractors and are either self-employed or rarely offered health insurance through the record company that employs them.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.sistersfolkfestival.org\/festival-info\/americana-project\/%20%E2%80%8B\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cstrong\u003eTHE AMERICANA PROJECT\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eAt its core, The Americana Project is a public school curriculum that was developed to inspire the creativity of young people, and to demonstrate the cultural and historical significance of American roots music and cultural expression. Now in its 1​2​th year, the Americana Project has had a positive impact on the lives of hundreds of students who have participated in learning to play guitar, write songs, record and perform in the daily classes.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Various","offers":[{"title":"LP","offer_id":6010928193,"sku":"","price":20.0,"currency_code":"USD","in_stock":false},{"title":"Digital","offer_id":6010928129,"sku":"","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB124.jpeg?v=1440482707"},{"product_id":"search-zero","title":"Search Zero","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eSide A\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eAdore\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eA Soft Place To Land\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eHomeward Bound\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eJackson\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003ePale Blue Eyes\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eSide B\u003c\/h3\u003e\n\u003col start=\"6\"\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eSomeday Soon\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eSara Smile\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003e\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/08-the-back-of-your-hand-dwight-yoakam\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eBack Of Your Hand\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eCold Pillows, Dark Nights\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eDenali\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eThe Rose\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e10\/23\/15\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eVinyl edition is a Series 33 release, limited to 33 copies.\u003c\/em\u003e\u003c\/strong\u003e  \u003cstrong\u003e*VINYL SOLD OUT*\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAnnalisa Tornfelt, the Portland musician best known as the singer and fiddle player for \u003cstrong\u003eBlack Prairie\u003c\/strong\u003e, offered “A Cover Song of Your Choice” as an incentive to be a part of her fundraising campaign for the release of her solo album The Number 8 in March of 2015. Eleven songs were requested by family, friends and fans to make her second release a covers album \u003cem\u003e\u003cstrong\u003eSEARCH ZERO\u003c\/strong\u003e\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003e“Mike played the drums downstairs while I tracked my vocals \u0026amp; guitar in the attic. I ran the tape machine so he could stay at the drums. You push the “SEARCH ZERO” button to rewind back to the beginning and when you’re listening to the tape rewind, there is this long moment to decide if you’re going to record over what you did - or give it a listen.”\u003c\/p\u003e\n\u003cp\u003eRequests include covers by Hall \u0026amp; Oates, Velvet Underground, Johnny Cash \u0026amp; June Carter, Ian \u0026amp; Sylvia, as well as Annalisa’s childhood friend from Alaska, Matt Hopper.\u003c\/p\u003e\n\u003cp\u003eIn line with Annalisa’s initial idea to release \u003cstrong\u003e\u003cem\u003eThe Number 8\u003c\/em\u003e\u003c\/strong\u003e via her P.O. Box, she will be releasing \u003cem\u003eSearch Zero\u003c\/em\u003e as digital download codes stickered on the back of polaroid pictures she has taken. “Each picture is different, and there isn’t another one in the world like yours. I think that’s really special.”\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Annalisa Tornfelt","offers":[{"title":"Digital","offer_id":7545508993,"sku":"","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Polaroid w\/ DL","offer_id":7545508929,"sku":"","price":20.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB129.jpeg?v=1445519544"},{"product_id":"charity-binge","title":"Charity Binge","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003e﻿TRACKS\u003c\/h2\u003e\n\u003ch3\u003eSide A\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eRun, Run Away\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eSinging to the Deaf\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eOf Another\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eLily, I can See\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eFever Dream\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eSide B\u003c\/h3\u003e\n\u003col start=\"6\"\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003e\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/slow-moses-oh-bembaya\" target=\"_blank\" title=\"Oh, Bembeya\" rel=\"noopener noreferrer\"\u003eOh, Bembeya\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003e\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/slow-moses-teenage-sun-part-2\" target=\"_blank\" title=\"Teenage Sun (part 2)\" rel=\"noopener noreferrer\"\u003eTeenage Sun (part 2)\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eSavage Grass\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eAmen\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eCupped Palm\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eDigital download includes\u003c\/h3\u003e\n\u003col start=\"12\"\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eTeenage Sun (part 1)\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eThe Glories and the Follies of all the Melancholies\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eI Know Your Trick\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e09\/30\/2016\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003e**This pressing comes on dark blue vinyl!**\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp style=\"text-align: left;\"\u003e“Any suckers for eclectic musical unions will have no trouble sinking their teeth into \u003cstrong\u003eSlow Moses’\u003c\/strong\u003e newest release, \u003cstrong\u003eCharity Binge\u003c\/strong\u003e. The Phoenix-based quintet have somehow fused the convoluted melodic structures of psychedelic rock with the driving polyrhythms of West African highlife; add to this the sober judgement of pop sensibility, and the end result proves an original and surprisingly coherent sound.” - Jonathan Duffey, 2016\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eDowntown Phoenix can be a strange and dark place. The heat, sucked in and stored by the asphalt, emanates upward from the streets, mostly empty save the few dazed and bruised strangers who wander them. Even in the middle of the night, long after the sun has set to the distant west, the heat remains. Downtown Phoenix is the site of the \u003cstrong\u003eDressing Room\u003c\/strong\u003e, the DIY performance space\/studio where \u003cstrong\u003eSlow Moses\u003c\/strong\u003e, an eclectic collective of four or five (give or take) musicians led by \u003cstrong\u003eWally Boudway\u003c\/strong\u003e and \u003cstrong\u003eRoss Andrews\u003c\/strong\u003e, recorded their Jealous Butcher Records debut \u003cstrong\u003e\u003cem\u003eCharity Binge\u003c\/em\u003e\u003c\/strong\u003e. Now decommissioned, it was a permeable space, with frequent comers and goers, folks wandering in from the nearby mental ward to listen to the strange sounds bouncing out onto Roosevelt St.\u003c\/p\u003e\n\u003cp\u003e“It was an open door policy,” Boudway explains. Things quickly went south. Gear got busted and stolen, people got confused, and the experiment in maximal egalitarianism was subject to gritty, even deranged, factors. Things broke down — “demolition in motion,” Boudway says — and \u003cem\u003eCharity Binge\u003c\/em\u003e manages to reflect some of that process, gloriously beat up and curiously joyful at its state.\u003c\/p\u003e\n\u003cp\u003eThe hot, woozy quality of the record is rooted in those Sonoran surroundings — “All the billboards keep one eye, on the teenage sun in the Phoenix sky,” the lyrics of the two-part epic “Teenage Sun” goes — but Slow Moses’ sound is borderless by nature, incorporating the sounds of African highlife (see the polyrhythmic and impressionistic “Oh Bembaya,” an ode to the late Demba Camara, leader of Bembeya Jazz National), creeping psychedelia (hear “Fever Dream,” its slide guitars swaying like thin reeds in the monsoon breeze) and dismantled rock \u0026amp; roll swagger (try “Run, Run Away”). There are moments of delirious pop, like “Amen,” with its pulsing, motorik drums and the strutting “Of Another,” but the songs sound elastic, capable of withstanding vigorous tugging at both edges, stretched out like silly putty.\u003c\/p\u003e\n\u003cp\u003e“Songs want to speed up and slow down,” Boudway says. “Songs want to have a temporality to them.”\u003c\/p\u003e\n\u003cp\u003eLike \u003cstrong\u003eCalifone\u003c\/strong\u003e, which counts Boudway and guitarist Ross Andrews among its amorphous roster, Charity Binge is the result of thorough deconstruction and assemblage: guitars and vocals smooshed and pulled, rhythm sections twisted, manipulated, looped, the makeshift recording studio serving as an instrument, the raw recordings subject to transformative demands by Boudway and Andrews, who fixate on and accentuate each stray note or slippery guitar line, always looking to build the foundations of the record’s songs on distinctly organic and human moments.\u003c\/p\u003e\n\u003cp\u003e“Often, we’re playing with song ideas and recording before we know where they’re going,” Boudway says.\u003c\/p\u003e\n\u003cp\u003eUtilizing surprise tactics, like recording performers unaware they’re being recorded, Boudway listens for elements which have an “offness” to them, a shaky humanity to the grooves that will be built into songs. 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