{"title":"Vinyl","description":"","products":[{"product_id":"various-1","title":"Anatomy of a…","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eSide A\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003cstrong\u003eElectric Eye\u003c\/strong\u003e \/ \u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/electric-eye-jim-shooter\/s-LxMp5\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eJim Shooter\u003c\/a\u003e\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003e\u003cstrong\u003eCaptain vs. Crew\u003c\/strong\u003e \/ Cut The Pocket\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eSide B\u003c\/h3\u003e\n\u003col start=\"3\"\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003e\u003cstrong\u003eThe Triggers\u003c\/strong\u003e \/ Trigger Finger\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003e\u003cstrong\u003eThe Hunches\u003c\/strong\u003e \/ Razor Eyes\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e10\/22\/2002\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003eBringing the people together by combining the rockin' minds of these 4 great PDX labels and these 4 great PDX bands into one rockin' 7\". Did I happen to mention ROCK!?!?!  \u003c\/p\u003e\n\u003cp class=\"p1\" align=\"justify\"\u003e\u003cstrong\u003eVinyl Warning\u003c\/strong\u003e gives us \u003cem\u003eJim Shooter\u003c\/em\u003e by the AC\/DC \u0026amp; The Stooges inspired \u003cstrong\u003eElectric Eye.  \u003c\/strong\u003e\u003cstrong\u003eJBR \u003c\/strong\u003ethrows our hat in the ring with \u003cem\u003eCut The Pocket\u003c\/em\u003e by indy rock Fugaziers \u003cstrong\u003eCaptain Vs. Crew\u003c\/strong\u003e.  \u003cstrong\u003eJohnny Cat Records\u003c\/strong\u003e brings \u003cstrong\u003eThe Triggers\u003c\/strong\u003e \u003cem\u003eTrigger Finger\u003c\/em\u003e to the table and \u003cstrong\u003eExtra Ball\u003c\/strong\u003e brings us home with garage rock naturals \u003cstrong\u003eThe Hunches \u003c\/strong\u003eand their rocker \u003cem\u003eRazor Eyes\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" align=\"justify\"\u003e* Garage rave-ups! Indie spaz! Trashy punk! Ye-Haw! *\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Various","offers":[{"title":"7\"","offer_id":845582741,"sku":"","price":6.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":845583829,"sku":"","price":3.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB043.jpeg?v=1433221687"},{"product_id":"the-decemberists-1","title":"The Tain b\/w 5 Songs","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eSide A\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eThe Tain (I-V)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eSide B\u003c\/h3\u003e\n\u003col start=\"2\"\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eOceanside\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eShiny\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eMy Mother Was a Chinese Trapeze Artist\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eAngel, Won't You Call Me?\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eI Don't Mind\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eApology Song\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e3\/4\/2004\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003eThis release is a combination of new and old. Where the Decemberists have been and where they are headed.\u003c\/p\u003e\n\u003cp\u003eThe A side is made up of the new, a short form concept record called \u003cem\u003eThe Tain\u003c\/em\u003e. This piece is based on what most consider the Illiad of Irish myth,\u003cem\u003e The Tain\u003c\/em\u003e. While keeping the signature Decemberists sound intact, the band gives a significant nod to such 70’s progressive rockers as Deep Purple and Iron Butterfly. \u003cem\u003eThe Tain\u003c\/em\u003e was recorded in an intensive 4-day period in which the band actually slept on the floor of the recording studio. It was captured and brought to light with the help of Christopher Walla (Death Cab For Cutie) at the venerable Hall of Justice in Seattle, WA.\u003c\/p\u003e\n\u003cp\u003eThe B side is a vinyl release of the bands 1st EP \u003cem\u003e5 Songs\u003c\/em\u003e. It is simpler, less adorned, but still a marvelous collection of characters trapped in song, clawing and cooing their way out. Think of these pieces as bookends to the last 2 full-length Decemberists releases.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"The Decemberists","offers":[{"title":"LP","offer_id":845617477,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB047.jpeg?v=1429679885"},{"product_id":"wow-flutter","title":"Elements","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eSide A\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/wow-flutter-elements\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan style=\"line-height: 1.5;\"\u003eElements\u003c\/span\u003e\u003c\/a\u003e \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eSide B\u003c\/h3\u003e\n\u003col start=\"2\"\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eLeave It Alone\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eDigital only\u003c\/h3\u003e\n\u003col start=\"3\"\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eThe \"I\" In Team\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e11\/28\/2006\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003eWow \u0026amp; Flutter trim their line up down to a 3 piece and cast off the shackles of their previous slo-core musings. Gone are the cello and shimmery guitars, their replacements... the fall of the mighty rock n' roll! Fully embracing their sonic roots, they bring forth the cure to the complacent post rock movement. Bauhaus artties beware, they have turned these tones on their tails!\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Wow \u0026 Flutter","offers":[{"title":"7\"","offer_id":845675461,"sku":"","price":3.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":845691673,"sku":"","price":2.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB054.jpeg?v=1429670857"},{"product_id":"norfolk-western","title":"A Gilded Age","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eSide A\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003ePorch Destruction\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eA Gilded Age\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eWatch The Days Slowly Fade\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eThere Are No Places Left For Us\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eMinor Daughter\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eBorder Oklahoma\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eSide B\u003c\/h3\u003e\n\u003col start=\"7\"\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eClyde \u0026amp; New Orleans\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eWe Were All Saints\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eSeven Seas\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eMaire\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eA Voice Through The Wall\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e4\/14\/2006\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eA Gilded Age\u003c\/em\u003e\u003c\/strong\u003e signals the dawning of a new era for Norfolk. Recorded at the legendary Type Foundry Studio, Selzer (who produced and engineered the record himself) has long demonstrated the ability to craft exquisitely defined, sonically arresting, folk-tinted songs, but with \u003cem\u003eA Gilded Age\u003c\/em\u003e he leads Norfolk and Western to flex their songwriting and arranging muscle with dramatic, singular results.\u003c\/p\u003e\n\u003cp\u003eNever before has the band so defied the usual descriptors, and comparisons. The songs cascade dynamically and unrelentingly--elevating the long-form EP format to new heights-- beginning with the trademark Victrola and string swell opening of Porch Destruction to the positively invigorating (not a word usually associated with the band's recorded work) overdriven guitar and banjo attack of the title track. Each song serves the whole, adding layers of depth, drama, and subtlety to an undeniable tapestry of music. The songs are immanently accessible, borrowing from pop motifs more than past collections with the well honed rhythm section of Blumberg and bassist hit man Dave Depper (Blanket Music, The Village Green), but they also challenge the listener with terrific bursts of texture from Selzer's thick guitar, Amanda Lawrence's romantic viola, Cory Gray's (Desert City Soundtrack, Graves) hellish, equestrian trumpet squalls, and Tony Moreno's multi-instrumental savvy. Moreover, Selzer is in rare form as a lyricist, exercising restraint and letting the arrangements elucidate the moral dilemmas of his taught song narratives.\u003c\/p\u003e\n\u003cp\u003eClyde \u0026amp; New Orleans may be the centerpiece of Selzer's provocative juxtapositions, calling on current events (Hurricane Katrina, The Edgar Ray Killen trial) to forge a work of short fiction set in the sixties, riffing on the human drama unfolding in contemporary America. The \"wrath of God\" is captured in an instrumental bridge, sending the snappy waltz time off the rails in an unholy, sinister, gut wrenching cacophony. This dramatic effect--interplay of light and dark, loud and soft--is expertly realized by Norfolk and Western throughout duration of the LP.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e- Chad Crouch, HUSH Records\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe LP release of \"A Gilded Age\" features 3 tracks not to be found on its digital companion. 2 covers, \u003c\/span\u003e\u003cem\u003eSeven Seas\u003c\/em\u003e\u003cspan\u003e by Echo \u0026amp; The Bunnymen and \u003c\/span\u003e\u003cem\u003eMarie\u003c\/em\u003e\u003cspan\u003e by Towns Van Sandt plus a remake of Border, Oklahoma, originally off the \"Centralia\" record, hand picked by the JBR staff.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Norfolk \u0026 Western","offers":[{"title":"LP","offer_id":845695861,"sku":"","price":15.0,"currency_code":"USD","in_stock":true},{"title":"Digital - MP3","offer_id":13707867553901,"sku":"","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB055.jpeg?v=1429665154"},{"product_id":"tractor-operator","title":"Evil Will Hand You Boredom","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eSide A\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eBullets\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/tractor-operator-close-the-door\/s-czGJG\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan style=\"line-height: 1.5;\"\u003eClose The Door\u003c\/span\u003e\u003c\/a\u003e \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eSide B\u003c\/h3\u003e\n\u003col start=\"3\"\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eBlood\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eThe Glow\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e12\/14\/2006\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003eJust ahead were headlights and the sound of a horn. Not a car horn, but rather, the deep loud swelling sound of a semi horn. I was still moving sideways. I slammed on the gas and got the fuck out of the way of a semi truck carrying a bunch of pigs. Thankfully, the engine hadn't stalled. I made it back through the median and over to the westbound lane. The car was pretty messed up, it was shaking badly, smelled like fuel and every light in the dashboard relating to maintenance was lit up like a party. I wasn't hurt, but I had to stop in Bismarck for the night and call the insurance company and rent a motel room. None of the airbags deployed which is fortunate. I had breakfast at a diner in downtown Bismarck while I waited for the car. The french toast was amazing; firm and a little bit crispy on the outside and all soft and creamy in the middle. I was full but thought about ordering more just because it was so good.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Tractor Operator","offers":[{"title":"7\"","offer_id":845698917,"sku":"","price":4.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":845699553,"sku":"","price":3.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB057.jpeg?v=1429670790"},{"product_id":"norfolk-western-1","title":"The Unsung Colony","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eSide A\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eThe Longest Stare\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eThe Shortest Stare\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eBarrels On Fire\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eHow To Reel In\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eThe New Rise Of Labor\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eRehearsing La Dolce Vita\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eSide B\u003c\/h3\u003e\n\u003col start=\"7\"\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eArrangements Made\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eDrifter\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eBanish All Rock\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eAtget Waltz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eFrom The Interests Of Few\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eThe Longest Stare (reprise)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e10\/24\/2006\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003eOpening with the sound of film threading into a projector, \"The Longest Stare\" announces the record with a resounding and intimate descending chord progression. It draws the listener into the melody and story, carrying them along an accelerating river to the thunderous finale. The verses are turned out like scenes, with close-ups, cuts, and deft pacing, eventually unfolding into a panorama, if only for a moment, before too much information is revealed. From embers to wildfire, from a drip to a deluge, Norfolk \u0026amp; Western is telling a story of metamorphosis: both fictive and biographical. The musical spectrum is wide and enthralling. It's intimate and challenging. - Chad Crouch\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Norfolk \u0026 Western","offers":[{"title":"LP","offer_id":845702809,"sku":"","price":15.0,"currency_code":"USD","in_stock":true},{"title":"Digital - MP3","offer_id":13707884789869,"sku":"","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB058.jpeg?v=1429679908"},{"product_id":"beltline","title":"The Narrative","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eDigital Album\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/beltline-the-narrative\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan style=\"line-height: 1.5;\"\u003eThe Narrative\u003c\/span\u003e\u003c\/a\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eFire In Cairo\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eBugs In Nevada\u003c\/span\u003e \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e12\/19\/2007\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003eNo. 2 in what's turning out to be a series of hand lathe cut singles for Beltline, currently limited to 31 copies. This time we have an original in The Narrative and takes on the Cure classic Fire In Cairo and Bugs In Nevada, originally by the Eugene band Adickdid. Derek played the drums and mallets, Tony played the bass, Eric played the drums and some guitars, Jeff played the piano, Adam also played piano and sang some, Rob played and sang the rest. Recorded at The Library, The Foundry and at home by Rob, Chad and Adam.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Beltline","offers":[{"title":"Lathe Cut 7\"","offer_id":868541513,"sku":"","price":10.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":868541517,"sku":"","price":3.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB063.jpeg?v=1429679844"},{"product_id":"stiff-wiff","title":"UN","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eSide A\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eFor The Brothers, For The Sisters\u003c\/span\u003e \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eSide B\u003c\/h3\u003e\n\u003col start=\"2\"\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/stiff-wiff-smells-pretty-in\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan style=\"line-height: 1.5;\"\u003eSmells Pretty In Hear\u003c\/span\u003e\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eTail Of Two Drummers\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eMy Favorite Kruch\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e11\/25\/2008\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003eInspired groove based improvistaions, intricately layered and textured jams, traveling from one relm to another with the ease of sonic perfection. Wonderfully psychedelic in all the best ways. Stoney man...\u003c\/p\u003e\n\u003cp\u003eAll songs recorded live in one day on July 26, 2007 at Type Foundry, Portland, Ore. by John Askew. All overdubs mixing and editing at Scenic Burrows and Flora Portland, Ore. by John Askew. Except \u003cem\u003eTail of Two Drummers\u003c\/em\u003e mixing, editing and overdubs by The Kelly Bauman Random Mobile Unit throughout Portland Ore.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Stiff Wiff","offers":[{"title":"LP","offer_id":868556861,"sku":"","price":5.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":3085799041,"sku":"","price":4.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB068.jpeg?v=1429680006"},{"product_id":"wow-flutter-1","title":"Golden Touch","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eSide A\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eRed Face\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/wow-flutter-car-crash\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan style=\"line-height: 1.5;\"\u003eCar Crash\u003c\/span\u003e\u003c\/a\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eSolar\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eEclipse\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eA Little Help\u003c\/span\u003e \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3 class=\"p1\"\u003eSide B\u003c\/h3\u003e\n\u003col start=\"6\"\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eHeaven\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eFlat White\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eSugarbush\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eAM\/FM\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eA Fine Line\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e11\/11\/2008\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003eIn Greek mythology, Midas was the king of the Phrygian city Pessinus. Because of his generosity to a drunken satyr, he was given the power to turn all he touched into gold, which proved to be--at best--a mixed blessing. The story was later adapted by Midnight Star in the 1986 hit \"Midas Touch,\" which made it to #7 on the R\u0026amp;B Singles chart and #42 on the US Top 100. (It was the last Midnight Star single to make the top 100, though their next single \"Don't Rock the Boat\" climbed to the #3 R\u0026amp;B spot in 1988.)\u003c\/p\u003e\n\u003cp\u003eCarrying on it the glorious tradition of Midnight Star and drunken satyrs, Wow \u0026amp; Flutter have seen fit to evoke the story of Midas in the title to their latest album Golden Touch, a collection of Phrygian mode jams, drones and ditties. Wow \u0026amp; Flutter have avoided \"difficult-sixth-album-syndrome\" by splintering and regrouping repeatedly since the last LP back in 2003. After coalescing as a three-piece hot-shit rock combo, with founder\/treasurer Cord Amato on vocals\/guitars\/organ and stalwart multi-threat Jack Houston taking over drum duties, the lineup found its current form with the addition of bass player Ryan Matheson (following recent tour of duty recording and touring with Kind of Like Spitting), replacing Amy Turner, who left the band following the Fluts' last release, 2006's \"Elements\" single.\u003c\/p\u003e\n\u003cp\u003eOpening track \"Red Face\" is a taut-n-fuzzy rock blast which highlights the three-piece's loud-fast-simple side. \"Car Crash\" opts for a more restrained approach--until all hell breaks loose with the de(con)struction of the titular event. \"Solar\" follows, with a simple chord pattern repeating for three minutes under a coat of beautiful shimmer. This leads into \"Eclipse,\" because where else are you going to put a track called \"Eclipse\" if there's also a track called \"Solar\" on your album? \"A Little Help\" expands the sonic palette with banjo and glockenspiel and a mass choir.\u003c\/p\u003e\n\u003cp\u003e\"Heaven\" opens side B; a Morricone-influenced intro complete with trumpet and melodica gives way to a religious screed, which gives way to a drunken klezmer coda. \"Flat White\" intertwines sparse riffs over click-clack percussion along with Amato's ruminations on betrayal. Synthetic slow-jam \"Sugarbush\" seduces with snake charmer guitar lines and earworm bass groove. Texture sampler \"AM\/FM\" and drone epic \"A Fine Line\" close out the album. (As an added incentive to those who prefer their music in 12\" format, the band is excited to pioneer the title-track-only-available-as-mp3-download-with-purchase-of-vinyl concept.)\u003c\/p\u003e\n\u003cp\u003eGolden Touch was recorded intermittently over several months by John Askew (Tracker) at Type Foundry in industrial North Portland. Guest musicians include Victor Nash (Point Juncture, WA) on trumpet, Hiram Lucke (Harvey Girls) on sax and Melissa Rodenbeek (Harvey Girls) on backing vocals. Askew mixed it, then Matheson edited out the superfluous bits, then the band almost decided to call the album \"Dong,\" but was talked out of it.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Wow \u0026 Flutter","offers":[{"title":"LP","offer_id":869451165,"sku":"","price":5.0,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":869451169,"sku":"","price":5.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":869451173,"sku":"","price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB071.jpeg?v=1429670702"},{"product_id":"nick-jaina","title":"A Narrow Way","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eSide A\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eA Narrow Way\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eWalking Into A Burning House\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eThat's The Kind Of Fruit That You Leave On The Vine\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/nick-jaina-battleground\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan style=\"line-height: 1.5;\"\u003eBattleground\u003c\/span\u003e\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eEleanor\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eWindingsheet\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eSide B\u003c\/h3\u003e\n\u003col start=\"7\"\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eI Forget My Name\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eThat Tired Tired Lie\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eSinging The Devil's Tune\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003ePlanters Field\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eI Know I'm Your Man\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e10\/7\/2008\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003eA full-band album featuring agressively memorable songs recorded in a unique way to capitalize on the energy of the live performance skills of Nick's band. This album was played entirely by ten musicians in the same room at the same time, all mixed live to 1\/4\" analog tape. If one person out of the ten missed a note or played the wrong part, the whole take had to be done over. This lack of a safety net gave the recordings a heightened sense of focus and purpose. It was similar to the way that albums were recorded in the fities and sixties, before the Beatles inspired everyone to overthink everything. On A Narrow Way, every instrument leaps off the tape with immediacy and humanity. Meanwhile, the lyrics of the songs deal with the narrow path that people must take to do right in the world. There is fear all around; fear of being different, fear of being the same--and in the middle is the narrow way, a small path that is hard to stay on, but which leads to very good things.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Nick Jaina","offers":[{"title":"LP","offer_id":869458353,"sku":"","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB072.jpeg?v=1429665209"},{"product_id":"laura-gibson","title":"Beasts Of Season","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eSide A\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eShadows On Parade\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eCome By Storm\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eSpirited\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003ePostures Bent\u003c\/span\u003e \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eSide B\u003c\/h3\u003e\n\u003col start=\"5\"\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/laura-gibson-funeral-songs\/s-5CvOf\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan style=\"line-height: 1.5;\"\u003eFuneral Song\u003c\/span\u003e\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eWhere Have All The Good Words Gone?\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eSleeper\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eSweet Deception\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eGlory\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e2\/25\/2009\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003eBeast of Seasons opens with a hum and drone, a veil of fog conjuring a sense of atmosphere not unlike the Pacific Northwest coastal timber town where Laura Gibson was raised. A plaintive strum emerges with a voice in tow; a candle, a tender and flickering wisp of a voice suffusing the space with a warm glow. This voice, registering as little more than a whisper, rises above the subtle and evocative instrumentation with uncommon intimacy. Coos and cracks, chirps and slurs, clucks and purrs all come into focus with perceptive musicality.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Laura Gibson","offers":[{"title":"LP","offer_id":869478589,"sku":"","price":18.0,"currency_code":"USD","in_stock":false},{"title":"Digital","offer_id":3079494017,"sku":"","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB077.jpeg?v=1429671117"},{"product_id":"blue-giant","title":"Target Heart","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eSide A\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/blue-giant-target-heart\/s-bgrdE\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan style=\"line-height: 1.5;\"\u003eTarget Heart\u003c\/span\u003e\u003c\/a\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eBlue Sunshine\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eLonely Girl\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eWasn't Born To Follow\u003c\/span\u003e \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eSide B\u003c\/h3\u003e\n\u003col start=\"5\"\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eClean The Clock\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eGone For Good\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eHell Or High Water\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eGot To Be Free\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e4\/14\/2009\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003eThe debut recording from this new Portland Super Group. On our usual 180 audiophile quality vinyl, this pressing is limited to 500 copies and contains 2 bonus tracks not to be found on the CD, nor the digital download. \u003cem\u003eWasn't Born to Follow\u003c\/em\u003e, a Goffin\/King tune made popular by \u003cstrong\u003eThe Byrds\u003c\/strong\u003e and \u003cstrong\u003eThe Kinks\u003c\/strong\u003e \u003cem\u003eGot To Be Free\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eThis is what you get when you take the songwriters behind \u003cstrong\u003eViva Voce\u003c\/strong\u003e and give them an actual band of folks to play with. It's Rural-Psch Rock at it's best. The joys of love and the bitterness of loss, cloaked in the shroud of country twang, heavy drums, psycadelic guitars and some wicked slide work. To do a little horn tooting we've got Corin Tucker from \u003cstrong\u003eSleater Kinney\u003c\/strong\u003e doing some vocals, along with Chris Funk of \u003cstrong\u003eThe Decemberists\u003c\/strong\u003e, Evan Railton from the Swords and Seth Lorinczi from Circus Lupus lending their considerable talents to the endeavor as well.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Blue Giant","offers":[{"title":"LP","offer_id":869484185,"sku":"","price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB078.jpeg?v=1429679775"},{"product_id":"dr-frank","title":"Andromeda Klein","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eSide A\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/dr-frank-andromeda-klein\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan style=\"line-height: 1.5;\"\u003eAndromeda Klein\u003c\/span\u003e\u003c\/a\u003e \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eSide B\u003c\/h3\u003e\n\u003col start=\"2\"\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eBethlehem\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e9\/15\/2009\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003efter conquering the book world with his iconic novel, KING DORK, punk rock legend Dr. Frank (of the Mr. T Experience) returns to rock and roll with his first new full-band recordings in five years. Recorded by engineering genius Justin Perkins (Yesterday's Kids, Obsoletes, Screeching Weasel), and with cover art by award-winning illustrator, Lane Smith, the good Doctor serves up two songs (inspired by his new book) that take his trademark quirky hook-laden punkish guitar-pop bubble-glam sound to new heights.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Dr. Frank","offers":[{"title":"7\"","offer_id":870399393,"sku":"","price":6.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":870399397,"sku":"","price":2.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB081.jpeg?v=1429671135"},{"product_id":"laura-gibson-1","title":"La Grande (single)","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eSide A\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eLa Grande\u003c\/span\u003e \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eSide B\u003c\/h3\u003e\n\u003col start=\"2\"\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/laura-gibson-in-the-pines\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan style=\"line-height: 1.5;\"\u003eIn The Pines\u003c\/span\u003e\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3 class=\"p1\"\u003eDigital Only\u003c\/h3\u003e\n\u003col start=\"3\"\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eLa Grande (acoustic)\u003c\/span\u003e \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e12\/27\/2011\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003eA precursor to her forthcoming full length, this 7\" showcases the title track of said album, \u003cem\u003eLa Grande\u003c\/em\u003e. The single includes a non-album track on it's b-side, a haunting rendition of the Leadbelly classic \u003cem\u003eIn The Pines\u003c\/em\u003e. Those that purchase the 7\" will find an additional track comes with the digital download, an acoustic rendition of the title track, \u003cem\u003eLa Grande\u003c\/em\u003e, which is a stark contrast to the full band version found on the A-Side.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Laura Gibson","offers":[{"title":"7\"","offer_id":870747277,"sku":"","price":3.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":870747281,"sku":"","price":2.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB093.jpeg?v=1429670491"},{"product_id":"fruit-bats","title":"Echolocation","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eSide A\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eThe Old Black Hole\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eGlass In Your Feet\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eBuffalo \u0026amp; Dear\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eNeed It Just A Little\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eBlack Bells (Make Me Ok)\u003c\/span\u003e \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eSide B\u003c\/h3\u003e\n\u003col start=\"6\"\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/fruit-bats-strange-little-neck-of-the-woods\/s-u7dhM\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan style=\"line-height: 1.5;\"\u003eStrange Little Neck Of The Woods\u003c\/span\u003e\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eEcholocation Stomp\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eCoal Age\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eFilthy Water\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eDragon Ships\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eBlue Parachute\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e1\/3\/2012\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003eRecorded in Chicago in 2001 with producer Brian Deck (Modest Mouse, Iron \u0026amp; Wine), Echolocation is the first in the long string of amazing and varied records made by leader Eric D. Johnson. This is the starting point, the songs that had been kicking around looking for a suitable home, and they found it here. With backing from many of the members of Califone, Johnson made a lush and understated record that has stood the test of the 10 years it’s been around. This is it’s first release on vinyl and it’s a perfect marriage of sound and format, with vinyl’s inherent pop’s and crackles only enhancing the back porch at sunset vibe that permeates these songs. \"It's that spontaneous trip to the cabin. Sitting by the lake, wrapped in gentle mountain weather. No one else around but those few close friends. Watching deer graze nearby. Every star is exposed. Skinny-dipping in the lake. Crickets whispering to each other. Your marshmellow just fell in the fire. Heavenly and delectable. For the escapist in all of us.\" - R. Colton. 10 year anniversary edition, limited to 500 copies, hand-screened covers with new album artwork.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Fruit Bats","offers":[{"title":"LP","offer_id":870776405,"sku":"","price":20.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":3082011201,"sku":"","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB095_29be5c82-e44d-4617-a9b2-fdbdd945dd67.jpg?v=1480195692"},{"product_id":"laura-gibson-2","title":"La Grande","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eSide A\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eLa Grande\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eMilk-heavy, Pollen-eyed\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eLion\/Lamb\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eSkin, Warming Skin\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eThe Rushing Dark\u003c\/span\u003e \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eSide B\u003c\/h3\u003e\n\u003col start=\"6\"\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eRed Moon\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eCrow\/Swallow\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/laura-gibson-the-fire\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan style=\"line-height: 1.5;\"\u003eThe Fire\u003c\/span\u003e\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eTime Is Not\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eFeather Lungs\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e1\/24\/2012\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003eLa Grande (pronounced in the way of the American West, without any hint of French inflection – “luh grand”) is a town just east of the Wallowa Valley in northeastern Oregon where native Oregonian Laura Gibson found inspiration while writing the songs that would become her new album of the same name. Gibson describes La Grande as a place that “people usually pass through on their way to somewhere else, but which contains a certain gravity, a curious energy.” The energy of the title track kicks off the record with a battering ram beat, hitting the ground like a herd of galloping horses. With the Tropicalia pulse, dirt-kicking distortion, whimsical woodwinds and heart murmur hooks on “Lion\/Lamb,” and rail-jumping rhythms, majestic melodies and beyond-the-grave broadcasting of “The Rushing Dark,” La Grande plays like an imaginary film score. It’s an album about strength and confidence – about the tension between wildness and domesticity and the courage required to embark upon either path, about asserting one’s will rather than submitting – and it’s a significant departure from Beasts’ subtle meditations on frailty.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Laura Gibson","offers":[{"title":"LP","offer_id":870781417,"sku":"","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB096.jpeg?v=1429670507"},{"product_id":"portland-cello-project","title":"Homage","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eSide A\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eShe Will\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eLollipop\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/portland-cello-project-thats\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan style=\"line-height: 1.5;\"\u003eThat”s My Bitch\u003c\/span\u003e\u003c\/a\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eAll Of The Lights\u003c\/span\u003e \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eSide B\u003c\/h3\u003e\n\u003col start=\"5\"\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eH*A*M*\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eHey Ya!\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eMonster\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eGet By\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eLua Descolorida\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e4\/21\/2012\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003eThe Portland Cello Project continue to take the cello to new musical landscapes with \"Homage.\" The record pays unique homage to everyone from contemporary hip hop artists, to contemporary classical composers, and even baroque styles of music, in every mixture imaginable. From lush, orchestral covers of Lil' Wayne's \"She Will\" and Talib Kweil's \"Get By\" with thundering percussion, to an arrangement of music by contemporary composer Osvaldo Golijov, to Kanye West's \"Monster\" turned into a baroque-style fugue, this record is a mind-bending roller coaster of musical styles and cultural reflection. Since the group's inception in late 2007, the Portland Cello Project (or, PCP, as their fans affectionately call them), has wowed audiences all over the country with extravagant performances, mixing genres and blurring musical lines and perceptions wherever they go. No two shows are alike, with a repertoire now numbering over 800 pieces of music you wouldn't normally hear coming out of a cello. The Cello Project's stage setup ranges from the very simple (4-6 cellos), to the all out epic (which has included 12 cellos playing with full choirs, winds, brass, and numerous percussionists).\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Portland Cello Project","offers":[{"title":"LP","offer_id":870787357,"sku":"","price":15.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":3084342081,"sku":"","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB097.jpeg?v=1429670618"},{"product_id":"pellet-gun","title":"Great Divide","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eSide A\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eAll Your Hearts Are Shaped Like Stars\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eFeed A Dead Egg\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eKnapsack\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eHeavy Eastern Slopes\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eFree Advice\u003c\/span\u003e \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3 class=\"p1\"\u003eSide B\u003c\/h3\u003e\n\u003col start=\"6\"\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eBilly’s Lament\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/pellet-gun-bad-map\/s-p7y12\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan style=\"line-height: 1.5;\"\u003eBad Map #1\u003c\/span\u003e\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eOvulate Breath\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eNorth\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eHeld The Hand\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e5\/1\/2012\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003ePellet Gun, a trio from Portland, OR, consists of Dave Snider, Brian Gardiner and Eric Jensen. Their first record, Every Time I Yawn I Cry A Little was recorded at Jackpot Studios in 2002. 10 years, nearly 2 bachelor's degrees, a master's degree and a PhD later, they've returned with blistering new material for their sophomore effort, Great Divide, on Jealous Butcher Records. Recorded at Type Foundry with Adam Selzer, Great Divide is the story of an errant thought traversing a hazy dystopia. Rolling hills collide with asphalt while buckling steel curls upon itself, chasing dusty, swirling mirages. Tongue in cheek at times, Pellet Gun strides comfortably between psychedelic freak fests and bombastic, noise pop. Heavier than their previous effort, Great Divide is angular and experimental; it's big cars, road trips, wanderlust and locomotives. It is collections of lists and affirmations, memories and escape plans, proverbs and fables. The music is chaotic, nostalgic and party hard, without taking itself too seriously. The initial run of this LP is limited to 300 copies pressed on a soothing lime green vinyl\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Pellet Gun","offers":[{"title":"LP","offer_id":870793229,"sku":"","price":15.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":870793233,"sku":"","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB098.jpeg?v=1429670684"},{"product_id":"califone","title":"Sometimes Good Weather Follows Bad People","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eSide A\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eOn The Steeple With The Shakes (X-mas Tigers)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eSilvermine Pictures\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003ePastry Sharp\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eTo Hush A Sick Transmission\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3 class=\"p1\"\u003eSide B\u003c\/h3\u003e\n\u003col start=\"5\"\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eRed Food Old Heat\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eDown Eisenhower Sun Up With Mule\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eTo Hush A Sick Transmission [Unedit]\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eWhen The Snakehandler Slips\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3 class=\"p1\"\u003eSide C\u003c\/h3\u003e\n\u003col start=\"9\"\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/califone-electric-fence\/s-rmsJD\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan style=\"line-height: 1.5;\"\u003eElectric Fence\u003c\/span\u003e\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eSt. Martha Let It Fold\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eBeneath The Yachtsman\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eDon't Let Me Die Nervous\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eDock Boggs\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3 class=\"p1\"\u003eSide D\u003c\/h3\u003e\n\u003col start=\"14\"\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eBathwater\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eJune Rat\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003ePastry Sharp\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eA Horse-sized Pill\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e11\/6\/2012\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003eThis double LP is an expanded edition of a CD of the same name. That disc collected Califone’s first two EPs (on Perishable and Road Cone), plus two new songs. For this vinyl reissue we have located four more songs – unreleased outtakes from the final Red Red Meat recording sessions — to complete the package. It’s all you need when it comes to the genesis of this well-regarded Chicago-based group. Califone started as the solo project of singer\/ guitarist Tim Rutili in the late 1990s, after the dissolution of his band Red Red Meat. Soon enough, Red Red Meat members Ben Massarella and Tim Hurley joined the group, who recorded with RRM’s Brian Deck as well as at their own space and with Warren Defever in Livonia, MI. “On the first two Califone EPs, we were definitely trying to allow some deep change and possibility into what we were doing, and the door was always wide open to accidental music and automatic writing,” Rutili explains. “We built a lot of this music on accidents and chance occurrences. Some of the songs are really good; some of it sounds like an expedition that got lost in the woods. I was still playing with toy drum machines, cheap or borrowed synths and a cassette 4track, trying to make songs out of all these insane sounds.”\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Califone","offers":[{"title":"Double LP","offer_id":870804097,"sku":"","price":25.0,"currency_code":"USD","in_stock":true},{"title":"Digital - MP3","offer_id":870804101,"sku":"","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Digital - FLAC","offer_id":34815304391,"sku":"","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB100.jpeg?v=1429679726"},{"product_id":"kaia-1","title":"Two Adult Women In Love","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eSide A\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eCanopy\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/kaia-when-my-hair-was-long\/s-u4Fj0\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan style=\"line-height: 1.5;\"\u003eWhen My Hair Was Long\u003c\/span\u003e\u003c\/a\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eThe Rogue\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eA Clade Called Cetartiodactyla\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eField Guide\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eWe Once Were Dogs\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eLove Like Light\u003c\/span\u003e \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eSide B\u003c\/h3\u003e\n\u003col start=\"8\"\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eThe Night Was On To Me\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eAnts And Crickets\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eThe Children's Arboretum\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eIce Lake\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eRegeneration\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eThe Cabin\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eBeholden\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e5\/22\/2012\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003eDon't let the title throw you off. It's not meant to be funny, or even ironic, it is meant \"as is\", a frank statement of fact, though you can interpret it however you'd like of course. This is Kaia Wilson's 5th solo album, and it contains her most mature (adult) songwriting to date, along with some incredibly thoughtful production by Seth Lorinczi (The Corin Tucker Band\/Golden Bears) and Rob Jones (Jealous Butcher Records). There is nothing slick (and by slick read sterile\/perfected) in these recordings; they were done very much one at a time, over a very long period of time, and in different settings (kitchens, basements, bedrooms, studios). Each song was delicately handled as it's own unique creature, never straying from what the composition itself wants. On this album you will find that the songs sound very unique from one to the next, and yet there is still an intrinsic cohesion to them - the heart of the song being fed by the arteries of the engineering\/production. TAWIL features guest musicians Jody Bleyle \u0026amp; Marci Martinez (Team Dresch) on bass\/drums, Amanda Lawrence (Norfolk and Western) on viola\/cello, and Seth Lorinczi (Golden Bears\/The Corin Tucker Band) on organ and castanets (!).\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Kaia","offers":[{"title":"LP","offer_id":870810869,"sku":"","price":20.0,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":870810873,"sku":"","price":10.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":870810877,"sku":"","price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB101.jpeg?v=1429679974"},{"product_id":"the-builders-and-the-butchers","title":"The Builders And The Butchers","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eSide A\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eThe Night Pt. 1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eRed Hands\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eSpanish Death Song\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eBlack Dresses\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eBottom Of The Lake\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eThe Gallows\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eSide B\u003c\/h3\u003e\n\u003col start=\"7\"\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eBringin' Home The Rain\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eThe Coal Mine Fail\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eSlowed Down Trip To Hell\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eThe Night Pt. 2\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eTen Miles Wide\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eFind Me In The Air\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e11\/6\/2012\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ci\u003eNow available on limited edition \u003cspan mce-data-marked=\"1\" style=\"color: #ccc775;\"\u003eGOLD\u003c\/span\u003e vinyl!\u003c\/i\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“The original intention of the Builders and the Butchers was to make funeral music, but on the way to the cemetery something changed.” \u003cem\u003e- Portland Mercury \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“An album, like any piece of art, is an artifact of a time. In a world where the process of listening to and obtaining music has never been cheaper or easier, vinyl is a last hold out. You can tell when you're holding the weight of wax in your hand, that you're connected to what you are doing. The first Builders and Butchers record is also an artifact of a time. Recorded in the living room of a house on SE Division St. in Portland, Oregon in 2007. It was recorded with no expectation, just wanting to document the songs folks had been gathering to sing along to since our first shows in the fall of 2005. The songs having been played only on the street up to that time. At those shows anyone who showed up was handed an instrument and quickly made part of the band. During the recording we attempted to bring that organic singalong rowdiness of the live show into the recording. We brought in about 20 close friends for a Sunday morning booze soaked choir session. We made sure that every instrument of the recording was made of wood and powered by a musician, there are no electric instruments and hardly any effects on this record. If ever there was a record that should've been pressed to vinyl it is this one, and its a damn shame its taken us 6 years to get off our asses and do it.” \u003cem\u003e- Ryan Sollee, September 2012\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"The Builders And The Butchers","offers":[{"title":"LP","offer_id":870819617,"sku":"","price":25.0,"currency_code":"USD","in_stock":true},{"title":"LP1+LP2+LP3 Bundle","offer_id":26457069319,"sku":"","price":65.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/files\/JB105_vinyl_12in_GOLD_SQ.jpg?v=1700937990"},{"product_id":"perhapst","title":"Revise Your Maps","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eSide A\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eBirds Off A Wire\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eWillamette Valley Ballad\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eRamble\/Scramble\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eRevise Your Maps\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/perhaps-sorrow-shame\/s-Ogfcr\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan style=\"line-height: 1.5;\"\u003eSorrow \u0026amp; Shame\u003c\/span\u003e\u003c\/a\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eTrue Sparrow\u003c\/span\u003e \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eSide B\u003c\/h3\u003e\n\u003col start=\"7\"\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eFind Me\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eOffering The Blues\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eSill (Mt. Zero)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eThousand Words\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eQueen Mary\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eHighlife\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eLightlow Nightowl\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e6\/25\/2013\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003eJohn Moen - drummer and harmony right-hand for the Decemberists, Stephen Malkmus \u0026amp; the Jicks and Boston Spaceships, and former front man of Portland’s legendary Maroons - will be releasing his second album of gorgeously crafted pop-rock tunes \u003cem\u003eRevise Your Maps\u003c\/em\u003e under the name Perhapst on Jealous Butcher Records. Recorded and produced by Jonathan Drews, Revise Your Maps 12 songs are imbued with sweetness, sass and melancholy.\u003c\/p\u003e\n\u003cp\u003eThe record kicks off with \u003cem\u003eBirds off a Wire\u003c\/em\u003e, the perfect introduction to Moen’s impossibly keen melodic sense. A peerless falsetto coaxes through the verses while the choruses dissolve into saturated guitars. It’s pop music with satisfying, jangly corners, and this theme carries through \u003cem\u003eRevise Your Maps.\u003c\/em\u003e With \u003cem\u003eBirds off a Wire\u003c\/em\u003e one is reminded of The Notorious Byrd Brothers and then two songs later on \u003cem\u003eRamble\/Scramble\u003c\/em\u003e, you’re tapping along with a shuffling boogie that’s all Squeeze. The title song - perhaps the most wistful of the lot - tugs on the heart with a refrain that’s equal parts teary and hopeful. \u003cem\u003eSorrow \u0026amp; Shame’s\u003c\/em\u003e chorus may take you self-deprecatingly to despair, but it somehow stomps and struts like Freddie Mercury all the while. Songs call out to a bonnie-haired beloved, broadcast from a moored ship that used to go places, stay up late to bemoan an old sadness.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Perhapst","offers":[{"title":"LP","offer_id":870821821,"sku":"","price":15.0,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":870821825,"sku":"","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":870821829,"sku":"","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB106.jpeg?v=1429679630"},{"product_id":"1939-ensemble","title":"Howl \u0026 Bite","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eSide A\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eUnification\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eEsperer\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eSad French Song\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eBlossom Bell\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eWait!\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eBlades\u003c\/span\u003e \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eSide B\u003c\/h3\u003e\n\u003col start=\"7\"\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/sabotage\/s-pL0qs\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan style=\"line-height: 1.5;\"\u003eSabotage\u003c\/span\u003e\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eRoshambo\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eWildcard\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eBumps\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eThe First\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eBig Sleep\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e4\/16\/2013\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003e“Metal and wood. Drums and vibes. Beats and melody. Random precision through noise.” 1939 Ensemble is a instrumental duo made up of percussionists Jose Medeles (The Breeders) and David Coniglio in Portland, OR. When describing the kind of music of 1939 Ensemble, it’s best to either keep it simple, or talk about it as an analogy.Think about great cities like Chicago and New York, then daydream about what those cities sound like. The history.  The pavement.  The sounds that are ambient and the sounds you can’t avoid. Music is a disruption.  A moment when time is taken and folded in on itself to form what people call a measure, or a bar. Once you have a bar, you can live in it, you can cross over it, be behind it or in front of it. It is not the start of one line, or the end of another. It is a fully formed space that can be entered or exited according to a player’s desire. In this space music is not only a disruption, it becomes for the performer and the listener, freedom. Freedom though, has exacting standards. It’s about purposeful direction, not anarchy. The arch of 1939 Ensemble is an evolution towards those exacting standards that started in pure improvisation, and have shaped themselves at the hands of Jose and David. 1939 Ensemble doesn’t just cross genres, they both embrace and exploit them, inviting each listener in though the familiar, and then leaving them with something new to explore.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"1939 Ensemble","offers":[{"title":"LP","offer_id":870824477,"sku":"","price":18.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":870824481,"sku":"","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB107.jpeg?v=1429670573"},{"product_id":"loftus","title":"Loftus","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eSide A\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eRaisin\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eEmma’s Rubber Leg\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eHaywine\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eStolen From A Rifle Clean Brothel\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eKing Carp In A Dan Ryan Ditch\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eTheme From Loftus Nine\u003c\/span\u003e \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3 class=\"p1\"\u003eSide B\u003c\/h3\u003e\n\u003col start=\"7\"\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eNervous\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/loftus-bell-and-hammer\/s-sRKPU\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan style=\"line-height: 1.5;\"\u003eBell And Hammer\u003c\/span\u003e\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003ePenguin Boy’s Love Story\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eWhen The Electricity Goes Out In The Submarine\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eMarlon Perkins\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eCake\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eBlind\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e7\/9\/2013\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003eLoftus finds the members of two bands—Rex and Red Red Meat—collaborating with a dude from Tortoise. It is a wonderful record that tears various genres apart with glee. For the first time ever, this underknown classic of experimental 1990s indie-rock is being released on vinyl. “Red Red Meat had done a few tours with Rex and the Grifters; co-mingling during the shows led to the idea to record,” Massarella says. “We recorded this at Ben's truck stop—still the filthiest place I've ever been,” Rutili relates. “It was a real truck stop; people weighed trucks and cleaned the blood out of meat trucks right there. Ben's dad used to do a radio show in one of the office rooms.” The record was a real collaboration. “Bundy put all our names into a hat; he'd pick three names and we'd improvise,” Rutili says. “When he flicked the lights on and off it was time to stop. We built these pieces into songs.” It may be hard to wrap your head around now, but this gloriously weird thing was originally going to be issued by a major label. Massarella adds that “I don't know why we got signed, but we did. We made the Loftus record and the label immediately folded.” The jackets for this release are silkscreened, with a sandpaper jawbone affixed to the covers, replicating the orignal CD release.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Loftus","offers":[{"title":"LP","offer_id":870826841,"sku":"","price":25.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":870826845,"sku":"","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB108.jpeg?v=1429670446"},{"product_id":"fruit-bats-1","title":"Mouthfuls","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eSide A\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/fruit-bats-rainbow-sign\/s-Vfnex\" target=\"_blank\"\u003e\u003cspan style=\"line-height: 1.5;\"\u003eRainbow Sign\u003c\/span\u003e\u003c\/a\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eA Bit Of Wind\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eMagic Hour\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eThe Little Acorn\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eTrack Rabbits\u003c\/span\u003e \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eSide B\u003c\/h3\u003e\n\u003col start=\"6\"\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eUnion Blanket\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eLazy Eye\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eSlipping Through The Sensors\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eSeaweed\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eWhen U Love Somebody\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e10\/29\/2013\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003e\u003cstrong\u003e• Brand new pressing on limited edition opaque mint vinyl. \u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e• Updated artwork is a reproduction of one of the hand painted covers from the original 2013 pressing. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/files\/Hein_Line_480x480.jpg?v=1559799348\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"Around the making of the album, \u003cstrong\u003eFruit Bats\u003c\/strong\u003e had coalesced into a duo with \u003cstrong\u003eGillian Lisée\u003c\/strong\u003e and myself. Gillian was my girlfriend at the time and we had gone through kind of a tumultuous start to things and broke up for a time. In the interim I wrote a bunch of bummed-out love songs that ended up on the record. It was sort of like our own mini cocaine-free version of \u003cem\u003eRumors\u003c\/em\u003e. By the time we were making \u003cstrong\u003e\u003cem\u003eMouthfuls\u003c\/em\u003e\u003c\/strong\u003e in the summer of 2002, we were back on and all was good. She wrote the bridge to \u003cstrong\u003e\u003cem\u003eMagic Hour\u003c\/em\u003e\u003c\/strong\u003e, which is totally about her. We also co-wrote Track Rabbits together which is still one of my favorite things I've ever done and probably my favorite song on \u003cem\u003eMouthfuls\u003c\/em\u003e. I wrote\u003cem\u003e \u003cstrong\u003eWhen U Love Somebody\u003c\/strong\u003e\u003c\/em\u003e at the very last minute right before we started to record. It was kind of the throwaway track, which of course became by far the most popular song on the album and is still probably the most popular Fruit Bats song. But it took me about 3 minutes to write. I still didn’t have lyrics when we recorded it so I just repeated the one verse I’d written, which is how it stands today. Nowadays there are a lot of clappy-stompy cute songs like this that are not so much my bag, but back then I was just trying to make something that sounded like Ray Davies, or even more specifically The Beatles’ \u003cem\u003eTwo of Us\u003c\/em\u003e. Also, I spelled ‘you’ with a ‘U’ to reference Prince - this was a few years before I’d ever heard of text-speak. Just wanted to clear that up. People still like dancing to this one at our shows and I’m still cool with playing it. \u003cstrong\u003eBrian Deck \u003c\/strong\u003ewas the wizard on this one, plain and simple. I really just wanted to make something that sounded like Nilsson or Ray Davies or psychy-folky, but Brian had the concept for folding in electronics and weirdness. There’s a lot of headphone ear candy on this record, which at times sounds really small-sounding at first listen but is really pretty orchestrated. I am beyond stoked for folks to hear this thing on vinyl for the first time ever, and to play some duct-tape free shows.” \u003cem\u003e- Eric D. Johnson, September 2013\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Fruit Bats","offers":[{"title":"LP - Limited Edition Mint Vinyl","offer_id":870828409,"sku":"","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/files\/JB109_2024_SQ.jpg?v=1727052369"},{"product_id":"carcrashlander-1","title":"A Plan To Tell The Future","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eSide A\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eWalls Of The World\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eAll My Light Begins To Dissipate\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eCall In Sick To Work\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eWalls Of A Cave\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eOne Shot Charlie\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/carcrashlander-a-plan-to-tell\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan style=\"line-height: 1.5;\"\u003eA Plan To Tell The Future\u003c\/span\u003e\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eSide B\u003c\/h3\u003e\n\u003col start=\"7\"\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eInterstate Prelude\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eSpit Off The Bridge\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eWhen The New Line Finds You\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eLife-sized Head Of Yourself\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eBuild A View\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eNothing More Than Something\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eFollow The Trail\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e1\/13\/2014\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003eLimited pressing of 100 numbered copies on black vinyl.\u003c\/p\u003e\n\u003cp\u003eThis record was made during a residency in 2012 at a studio in SW Portland’s Goose Hollow called Scenic Burrows. (Literally, I rented out a flat above the studio that was an old dentist office.) These recordings were all started from seed in the studio, no rehearsals or demos, and features mostly friends that would happen to stop by. During this time I was producing records for Grand Hallway (Winter Creatures), and Raymond Byron and The White Freighter, and these songs were recorded on the off-days or nights after sessions. The studio, nestled next to the freeway, was below ground level but with floor to ceiling windows looking out into a little foliage perimeter frequented by homeless people, rats, and the occasional crack smoker. Next door was a high-rise apartment complex where you would often witness things such as multi-floor beer bongs, giant underwear drying on the line, and a naked korean guy lifting weights in the window. Studio breaks were spent either at a dive bar called The Commodore (rip) or at the underground egyptian-themed gem called Mummy’s. With this project I was trying to avoid conceptualizing any particular style, or entertaining thoughts about accessibility. I was mainly interested in experimenting with sounds and recording techniques, and embracing whatever natural tendencies both toward melody and dissonance. At the time i seemed to be listening to a lot of different stuff, including Sun Ra, Capt Beefheart, Ornette Coleman, William Onyeabor, Lee Hazelwood, Harry Nilsson, Gram Parsons and maybe even a little Nick Cave. \u003cem\u003e- Cory Gray, December 2013\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Carcrashlander","offers":[{"title":"LP","offer_id":870830813,"sku":"","price":15.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":870830817,"sku":"","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB110.jpeg?v=1429671250"},{"product_id":"shelley-short-the-sure-shots","title":"Wake The Dreamers","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eSide A\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/shelley-short-the-sure-shots\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan style=\"line-height: 1.5;\"\u003eWish Someone Would Care\u003c\/span\u003e\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eIn The Garden\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eThe Little White Cloud\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eI Am Free\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eWhat A Little Moonlight Can Do\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eLooking Out The Window\u003c\/span\u003e \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eSide B\u003c\/h3\u003e\n\u003col start=\"7\"\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eWorld So Full Of Love\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eDark In My Heart\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eThe Long Way Home\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eHonest I Do\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eYou Make Me\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e11\/5\/2013\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003eAs of 11\/5\/16 we've got 60 more copies of this lovely gem on vinyl! Surely they will not hang around long, so grab your now!\u003c\/p\u003e\n\u003cp\u003eThe one thing we knew from the outset was that we wanted it done fast and live, like the old days. I’ve recorded Shelley more than a few times over the years, and I have yet to hear anything but pure elegance and grace come through the studio monitors. I knew if we got a good band together, performing the songs live-in-the-studio was going to be a ficile endeavor, easily achieved in one or two takes of each song. Contrary to most records these days, this wasn’t going to be pieced together with endless takes, overdubs, punch-ins and editing. We corralled a group of amazing musician friends and even without rehearsing prior to entering the studio, Shelley and the band needed just a few run throughs to work out an arrangement before I was able to let the 2\" tape roll.\u003c\/p\u003e\n\u003cp\u003eWhen Shelley sings, it sounds like what she was born to do. She’s a musician with innate talent. As a youngster, she took piano lessons but faked her way through them by using her ear and keen sensibility. Growing up, there was a ceaseless stream of music filling the house (and in the car, often with family sing-alongs). Her dad, Joe, listened to everything - Nina Rota, Bobby Bare, Thelonious Monk, and of course, Bob Dylan. At age 19 Shelly set out on a cross country journey through the south that led her to the Jimmy Rogers museum and Hank Williams’ grave. Not your typical 19 year-old destination spots. It’s not that she was immune to modern music, in fact, she has an ongoing fascination with Ween. Still, Shelley has always been enthralled with the sounds of yesterday.\u003c\/p\u003e\n\u003cp\u003eWanting to make a record with these sounds in mind, Shelley asked her dad for help in compiling a list of songs. Joe thought of Oregon’s own Johnny Ray and his rendition of \u003cem\u003eThe Little White Cloud\u003c\/em\u003e. He was an outcast who cried when he sang and Joe thought Shelley could personify his spirit. Peggy Lee’s \u003cem\u003eI’m Looking Out the Window\u003c\/em\u003e is sophisticated and naive at the same time, a contrast Shelley exemplifies so well here. Shelley also enlisted suggestions from her longtime friend Eric Isaacson, founder of Misissippi Records. Eric made her a cassette tape of contenders including songs by Michael Hurly, Irma Thomas and Lee Hazelwood. \u003cem\u003eWake The Dreamers\u003c\/em\u003e is an eclectic collection for sure, but the band's unparalleled creativity and Shelley's captivating voice gives the album a cohesion that makes it sound as if the songs were always meant to be together, even if on two separate sides of a record.  \u003cem\u003e- Adam Selzer, 2013, Portland, Ore.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Shelley Short \u0026 The Sure Shots","offers":[{"title":"LP","offer_id":870875181,"sku":"","price":20.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":870876529,"sku":"","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB111.jpeg?v=1429680033"},{"product_id":"red-red-meat","title":"There's A Star Above The Manger Tonight","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eSide A\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eSulfur\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eThere’s A Star Above The Manger Tonight\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eChinese Balls\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/red-red-meat-second-hand-sea\/s-4qLya\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan style=\"line-height: 1.5;\"\u003eSecond Hand Sea\u003c\/span\u003e\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eAll Tied\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003ePaul Pachal\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eSide B\u003c\/h3\u003e\n\u003col start=\"7\"\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eBury Me\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eAirstream Driver\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eMechanix (From Cold Milk)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eQuarter Horses (B-slow)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eSide C\u003c\/h3\u003e\n\u003col start=\"11\"\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eJust Like An Egg On Stilts\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003ePachal Revisited\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eWelcome Christmas\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eSide D\u003c\/h3\u003e\n\u003col start=\"14\"\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eTin Hands \u0026amp; Lazy Motors\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eMilk For The Mechanics\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eSnow Shoe Waltz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eSteal Away\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e10\/21\/2014\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003eWith their final album, Chicago-based quartet Red Red Meat completed a journey started in the early ‘90s, concluding a study in evolution, moving from their shambolic blues rock roots into an experimental combo capable of synthesizing “a field recording with a Can aesthetic. Yet, \u003cem\u003eThere’s a Star Above the Manger Tonight\u003c\/em\u003e is the sound of a band blooming even as it folds in – finding Tim Rutilli, Brian Deck, Ben Massarella, and Tim Hurley incorporating samplers, loops, and computers, marrying disparate threads of hip-hop, Krautrock, and dub to “folk forms, stomp and blues business.”\u003c\/p\u003e\n\u003cp\u003e“As a single piece of music it was kind of a real demonstration of where Red Red Meat was at the time, crossed with everything that we were playing around with that would eventually become Califone,” Massarella says. Self-produced in DIY fashion in the back room of BJ’s Truck Stop, located located in the Bridgeport neighborhood of Chicago near the seedy stockyards, where the band’s members did double time washing out meat trucks, the record features moments of sublime beauty welded to abrasive noise. “A lot of times I remember being in that back room working on music, and when that bell rang we’d run out and work on a truck,” Rutili says. “We were covered in blood at that job. There was always blood. The dirtiness of the place definitely seeped into the music. That’s the dirtiest record we ever made.”\u003c\/p\u003e\n\u003cp\u003eBrian Deck – who would go on to helm records by the Fruit Bats, Iron and Wine, and Modest Mouse – crafted the record with borrowed gear and a DIY mentality, referring to two very different albums each morning – Stevie Wonder’s \u003cem\u003eSongs in the Key of Life\u003c\/em\u003e and Brian Eno’s \u003cem\u003eHere Come the Warm Jets\u003c\/em\u003e. “I personally was trying to do things that I heard on those two records,” Deck says. “The sophistication of the Steven Wonder record was all in the musicianship and musicality – the recordings were very present and raw. I loved that dichotomy, and I was going for that. Which is a good thing, because I didn’t have the facility to go for anything else.” Songs like opening salvo \u003cem\u003eSulfur\u003c\/em\u003e were built from the ground up, assembled piece-by-piece. “We were all doing different things; it wasn’t like everyone just picked up their instruments and we all played a song,” Hurley says. “Everyone was coming in with whatever struck them. What we were listening to at the time – Tricky, \u003cem\u003eBitches Brew\u003c\/em\u003e, Brian Eno -- all that stuff kind of has little strains of timelessness that we responded to.” Ultimately, the record closed the book on Red Red Meat, but it introduced ideas that Rutili, Deck, Masserella, and Hurley would explore collectively and separately on future releases.\u003c\/p\u003e\n\u003cp\u003eConceived loosely as a “Christmas record” the album ended up more “a record about all time occurring simultaneously,” Rutili says. And in the records grooves it does – referencing Red Red Meat’s roots and forecasting the future efforts records the band members would explore as Califone, Loftus, and Sin Ropas.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Red Red Meat","offers":[{"title":"LTD Colored Vinyl","offer_id":6849092609,"sku":"","price":25.0,"currency_code":"USD","in_stock":true},{"title":"Double LP","offer_id":870897233,"sku":"","price":22.0,"currency_code":"USD","in_stock":true},{"title":"Digital - WAV","offer_id":13909497806957,"sku":"","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB114_bandcamp_vinyl_12in_2x_Burst_SQ.jpg?v=1649545557"},{"product_id":"eyelids","title":"854","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eSide A\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eSeagulls Into Submission\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003e\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/eyelids-psych-1\/s-yamLG\" target=\"_blank\" rel=\"noopener noreferrer\"\u003ePsych #1\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eForget About Tomorrow\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eFrame We Filled\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003e854\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eMile To Wave\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eAbby’s Friends\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eSide B\u003c\/h3\u003e\n\u003col start=\"8\"\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eEverybody\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eInto The Sun\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eYou Are Your Own\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eFloating Underground\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eFrom A Distance\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e10\/14\/2014\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003e\u003cstrong\u003e \u003cem\u003eFor a limited time we're offering a specially priced bundle of Eyelids colored wax - 854 LP (red vinyl) - 12\" EP (blue vinyl) - Slow it Goes 7\" (green vinyl) - 20 songs in all - now just $30 for all 3!\u003c\/em\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEYELIDS have a collective history of creating music for some of the most legendary indie songwriters. These longtime Portland, Oregon collaborators were not only the principal instrumentalists for Robert Pollard's post Guided By Voices band Boston Spaceships for over eight releases, but they have also worked with Stephen Malkmus, The Decemberists, Elliott Smith, Sam Coomes of Quasi, Black Prairie, Jason Lytle of Grandaddy, Loch Lomond, Damien Jurado and Peter Buck (who is producing their upcoming EP this Fall).\u003c\/p\u003e\n\u003cp\u003ePrincipal songwriters John Moen and Chris Slusarenko have turned inwards to their loves of New Zealand\/Flying Nun guitar buzz, their teenage L.A. Paisley Underground obsessions, haunts of early Athens and all things beautiful, lopsided and rock. Along with members Jonathan Drews (guitar), Jim Talstra (bass) and Paulie Pulvirenti (drums) they push and pull against each other's songwriting, in a beautiful tension that just works. Their critically celebrated debut 7” SEAGULLS INTO SUBMISSION got airplay everywhere from BBC Radio to WFMU and was also included in MOJO Magazine's Editors Picks of The Month. This single, as well as the accompanying video, is just a hint of what EYELIDS are all about.\u003c\/p\u003e\n\u003cp\u003eWith 13 songs, most of them clocking in at less than 2 1\/2 minutes, their debut album ‘854’ is full of what EYELIDS describes as “sweet melodies and bummer vibes”. ‘854’ makes us remember when our favorite songs were both melancholy and buoyant—those same songs that could make you feel justifiably sad and later make you feel incredibly happy and empowered. That’s what these guys are onto. And, although they are on their own trip, they’ve been compared to Love, Dinosaur Jr., Big Star, and even early R.E.M. Good company. This is the spirit that comes alive in EYELIDS songs: the Beatles meets Television jangle of “Psych #1,” the wistful pleas of “Abby’s Friends,” the beat-your-head-on-the-dashboard croon of “Forget About Tomorrow” and the deserted desperate cries that propel “Say It's Alright”. And as you listen, you will soon find out that Eyelids’ music is seriously catchy, haunting and uniquely their own.\u003c\/p\u003e\n\u003cp\u003eProduced by Chris Slusarenko Engineered by Jonathan Drews Recorded with Adam Selzer (The Gossip, The Breeders, Red Fang) and mastered by Carl Saff (Merge, SubPop).\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Eyelids","offers":[{"title":"LP","offer_id":901480085,"sku":"","price":25.0,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":901481045,"sku":"","price":15.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":901481617,"sku":"","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB116.jpeg?v=1429665123"},{"product_id":"hook-anchor","title":"Hook \u0026 Anchor","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eSide A\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/hook-anchor-famously-easy\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan style=\"line-height: 1.5;\"\u003eFamously Easy\u003c\/span\u003e \u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eWild Wind \u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eConcerning Spectral Pinching\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eLight Of The Moon\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eNo, It’s Not\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eHammer\u003c\/span\u003e \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eSide B\u003c\/h3\u003e\n\u003col start=\"7\"\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eTomorrow Night\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eHard Times\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eHazel Dell\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eBlackbird\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eThe Fine Old Times\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e7\/22\/2014\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003eLP is limited to 259 coke bottle clear vinyl copies.\u003c\/p\u003e\n\u003cp\u003eHook \u0026amp; Anchor is a story of lost songs finding a home. After a busy five years of touring with Portland-based band Blind Pilot, Kati Claborn was sitting on a steadily growing pile of tunes. As chance would have it, long-time friend and collaborator Erik Clampitt was looking for material and musicians to play a handful of gigs culminating in a show at the San Francisco Old-time and Bluegrass Festival. Songs were dusted off, friends were gathered, and the music that emerged had a voice and cohesion that immediately resonated with audiences and demanded to be more than a mere one-off. The project quickly became a vessel for other member's back-pocket tunes, giving the music breadth and variety. The band consists of Claborn (banjo, guitar), Clampitt (electric guitar, pedal steel), old-time music veteran Gabrielle Macrae (fiddle, banjo, guitar), and fellow Blind Piloters Luke Ydstie (bass, piano), and Ryan Dobrowski (drums).\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Hook \u0026 Anchor","offers":[{"title":"LP","offer_id":901480821,"sku":"","price":20.0,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":901481569,"sku":"","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":901481577,"sku":"","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB115.jpeg?v=1429670594"},{"product_id":"ep","title":"EP","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eSide A\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/01-bound-to-let-you-down\/s-f5fLk?in=jbrecords\/sets\/eyelids\/s-v8Vqq\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eBound To Let You Down\u003c\/a\u003e \u003c\/li\u003e\n\u003cli\u003eBroken Continue \u003c\/li\u003e\n\u003cli\u003eOnly Time Will Tell \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eSide B\u003c\/h3\u003e\n\u003col start=\"4\"\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 14px; line-height: 16px;\"\u003eHalloween\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e06\/23\/2015\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003eThe EP features two new songs, the hyperactively beautiful \u003cem\u003eBound to Let You Down\u003c\/em\u003e and \u003cem\u003eBroken Continue\u003c\/em\u003e. The originals are paired with two songs the band has been performing live: \u003cem\u003eOnly Time Will Tell\u003c\/em\u003e, originally from the John Cale album \u003cem\u003eSabotage Live\u003c\/em\u003e, and \u003cem\u003eHalloween\u003c\/em\u003e, from legendary paisley underground band Dream Syndicate’s Debut EP. \u003cem\u003eHalloween\u003c\/em\u003e takes a whole album side and comes with a crazy surprise at the end for listeners (and vinyl collectors). Peter Buck stepped in on guitar on this track as well to create what turned into a four guitar attack.\u003c\/p\u003e\n\u003cp\u003e“John and I wrote a bunch of songs quite feverishly after our last tour and we wanted to get into the studio right away,” says Chris, joined by members Jonathan Drews (guitar), Jim Talstra (bass), Paulie Pulvirenti (drums) and guitarist John Moen.\u003c\/p\u003e\n\u003cp\u003e\"Working with Peter on the Eyelids songs is such a dream come true,” says Moen. “His guitar playing undoubtedly influenced me more than any other single guitarist. Through the years he always seemed to know where the best meeting point between 'unusual' and 'just-plain-catchy' was, and then play it incredibly well. He thinks a lot about music without over-analyzing it - things stay informed, yet fresh.\"\u003c\/p\u003e\n\u003cp\u003eLimited edition of 500 on blue vinyl • Download card that includes all songs from the EP as well as 3 live videos (including a version of \u003cem\u003eHey Joe\u003c\/em\u003e with Stephen Malkmus joining in the slop) • Digital booklet, bragging rights and instant karma. • Produced by Mr. Peter Buck of R.E.M.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Eyelids","offers":[{"title":"CD","offer_id":6553515713,"sku":"","price":5.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":1112823989,"sku":"","price":5.0,"currency_code":"USD","in_stock":true},{"title":"12\" EP","offer_id":1112823977,"sku":"","price":12.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB123.jpeg?v=1473693394"},{"product_id":"bunny-gets-paid-1","title":"Bunny Gets Paid","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eSide A\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eCarpet Of Horses\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eChain Chain Chain\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003eRosewood, Wax, Voltz + Glitter\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eButtered\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/red-red-meat-gauze\/s-ZNpqd\" target=\"_blank\"\u003e\u003cspan style=\"line-height: 1.5;\"\u003eGauze\u003c\/span\u003e\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eSide B\u003c\/h3\u003e\n\u003col start=\"6\"\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eIdiot Son\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eVariations On Nadia's Theme\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eOxtail\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eSad Cadillac\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eSide C\u003c\/h3\u003e\n\u003col start=\"10\"\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eTaxidermy Blues In Reverse\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eThere's Always Tomorrow\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eMouse-ish (Dub Mix)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eGun\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eWords\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eSide D\u003c\/h3\u003e\n\u003col start=\"15\"\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eChain Chain Chain (4-track Demo)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eIdiot Son (Cleversley Version)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eCarpet Of Horses (Cleversley Version)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eSaint Anthony's Jawbone\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eWishing (If I Had A Photograph Of You)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e05\/26\/2015\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff00ff;\" mce-data-marked=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e** PRE-ORDER ** 2023 REPRESS ON VIOLET \u0026amp; ORANGE VINYL, LIMITED TO 500 COPIES.  ** SHIPPING ON\/AROUND NOV. 1, 2023 RELEASE DATE **\u003cbr\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003eChicago rock ensemble Red Red Meat hit hard with 1995’s Bunny Gets Paid. Arguably the band’s most complete album, the record pairs Stones-indebted blues-rock roots with beautiful songs, sounding miles removed from the era’s grunge and radio-friendly alternative rock tropes.\u003c\/p\u003e\n\u003cp\u003eRecorded at Idful Studios in Chicago’s Wicker Park by producer Brad Wood (Smashing Pumpkins, Liz Phair, Tortoise), Bunny Gets Paid finds Red Red Meat’s core members, Tim Rutilli, Brian Deck, Ben Massarella, and Tim Hurley, straddling the line between their most accessible set of songs and a desire to explore a kind of “alternate fidelity,” employing layers of distortion, natural reverb, and room ambience.\u003c\/p\u003e\n\u003cp\u003e“At the time, I felt like we’d made a classic rock record,” Rutilli says. “I was like, ‘This is our Astral Weeks.’” But listening back 20 years later, Rutilli recognizes the band’s ambition, a desire to break songs down to their barest, most primitive elements to “see what survives.”\u003c\/p\u003e\n\u003cp\u003e“I think it was about testing the melody, how strong a melody was,” Rutilli says. “It was loving pop music and classic rock songs, but also loving noise…the slow burn of actual sound.”\u003c\/p\u003e\n\u003cp\u003eDrummer Brian Deck, who’d go on to work on records by Modest Mouse, The Fruit Bats, Iron and Wine, and others, recalls the band’s 1995 Sub Pop debut, Jimmywine Majestic, making “this promise of a rock revivalist band.” With Bunny Gets Paid, the band “went in a different direction from that.”\u003c\/p\u003e\n\u003cp\u003e“To a certain extent we were just punk asses,” Deck says. “We wanted to do what wasn’t expected of us. We wanted to do something new.”\u003c\/p\u003e\n\u003cp\u003eThe record features some of Red Red Meat’s best-loved songs. Opener “Carpet of Horses” pulses with restrained energy under a pastoral shuffle, while “Chain Chain Chain” imagines RRM as a pop act, with crashing drum fills and a surging chorus. “Gauze” sits in the middle of the record, a gorgeous droning ballad with languid guitars that give way to the band’s most anthemic chorus. The record closes with a reading of “There’s Always Tomorrow,” as featured in the Rankin\/Bass Christmas special Rudolph the Red-Nosed Reindeer, and the song fits magically and without irony, a downcast but hopeful sentiment.\u003c\/p\u003e\n\u003cp\u003e“They were ahead of the time,” producer Brad Wood says. “People say that about bands all the time, but it certainly felt that way to me with this particular band.”\u003c\/p\u003e\n\u003cp\u003e“As Red Red Meat progressed you see them abandoning traditional song forms, experimenting with the sounds of things -- basing songs on sounds and grooves,” Wood says. “More than just about any band I ever worked with, Red Red Meat digested their influences.” On Bunny Gets Paid, blues and classic rock and roll sounds are transmuted; the record is the sound Red Red Meat finding unique creative footing.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Red Red Meat","offers":[{"title":"LTD Colored Vinyl","offer_id":6787906241,"sku":"","price":30.0,"currency_code":"USD","in_stock":true},{"title":"Digital - WAV","offer_id":13909498200173,"sku":"","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/files\/JB117_bandcamp_vinyl_12in_2x_2023_SQ.jpg?v=1696279015"},{"product_id":"the-number-9","title":"The Number 8","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eSide A\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/annalisa-tornfelt-scared-your\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan style=\"line-height: 1.5;\"\u003eScared You’re Gonna Leave\u003c\/span\u003e\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eAfterlife\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003ePlay A Game\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eTake Care Of You\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eFound A Song\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eNothingness To Me\u0026lt;\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eStarlighting\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eSide B\u003c\/h3\u003e\n\u003col start=\"8\"\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eOne Heart At A Time\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eKnow The Answer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eJust For A Day\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eTired Of Saying Sorry\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eRiddle Me This\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eRules Of My Heart\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eLove Song To Myself\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eJune, June, Hot Air Balloon\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e3\/10\/2015\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003eAnnalisa Tornfelt, the Alaska-raised musician best known as the singer and fiddle player for Black Prairie, grabbed her “Black Beauty” Arch Kraft guitar and an analog 8-track to record her unadorned, front porch solo album, The Number 8 (March 10 \/ Woodphone Records \u0026amp; Jealous Butcher Records).\u003c\/p\u003e\n\u003cp\u003e“I asked Annalisa to play a few fiddle tunes with me, which soon flipped to her picking up a guitar and singing Hank Williams,” says her Black Prairie bandmate, Chris Funk. “It was simple, but it was stunning. It's those moments when she grabs the all to familiar guitar and sings a song that you realize your bandmate and friend has the unique gift and power to make the weight of the world lift for three minutes.”\u003c\/p\u003e\n\u003cp\u003e“In Alaska, I was raised on classical music, Disney, and Chuck Mangione's Children of Sanchez,” says Annalisa, who began playing bluegrass decades ago. She recently discovered rock and roll, when Black Prairie asked her to sing “The Song Remains the Same” (for Laura Veirs’ New Year’s Eve show, “Two Beers Veirs.”) Some of the songs on The Number 8 go back 10 years, and the mysterious third instrument on there is the nyckelharpa, a Swedish harp formerly owned by Peter Buck. He gave it to Annalisa after hearing her play. “The sounds she coaxed from the wood and strings seemed to put her in a trance,” adds Scott McCaughey of the Minus 5. “She even taught us how to spell it.”\u003c\/p\u003e\n\u003cp\u003e“Don't be fooled by this angel you see, lest you miss out on the compelling darkness just beneath the surface of her music,” adds Nate Query (Black Prairie).\u003c\/p\u003e\n\u003cp\u003eIn addition to the regular channels, The Number 8 will be distributed through Annalisa’s original plan: mail a letter and check to her PO Box and she’ll respond with a postcard, vinyl or CD and, inspired by a framed Patsy Cline promo pic in the violin studio that smiles down on her, a signed, glossy 8x10.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Annalisa Tornfelt","offers":[{"title":"LP","offer_id":3086693569,"sku":"","price":25.0,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":3086816705,"sku":"","price":15.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":3086693633,"sku":"","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB120_72eb88e0-1890-4121-9d74-6ebc8c1bbf28.jpeg?v=1432852889"},{"product_id":"what-you-have-come-for-is-death","title":"What You Have Come For Is Death","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eSide A\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003e\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/hired-hand-vol-2-nevada-boys\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eNevada Boys\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eSummer Of '74\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eLeviathan\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eBattle Mountain\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eSide B\u003c\/h3\u003e\n\u003col start=\"5\"\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eNoth Idaho\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eUnsettling Dreams\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eRick's Theme\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eHeavy Snow\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eThe Book Of The Dead\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eDigital download includes\u003c\/h3\u003e\n\u003col start=\"11\"\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eThe Breech\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eGrace \u0026amp; Jude\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eLander County\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003e\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/hired-hand-vol-2-golden\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eGolden Unknowable Futures\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eVan Halen (Between Trailers)\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003e\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/hired-hand-vol-2-when-morning\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eWhen Morning Came\u003c\/a\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e3\/24\/2015\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003e\u003cspan\u003eLimited pressing of 260 numbered copies on black vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAs a musician, Christian Kiefer has always been interested in narrative as a vehicle for sonic material. Whether working with songs—as evidenced by Dogs \u0026amp; Donkeys and Of Great and Mortal Men—or with instrumentals—such as Czar Nicholas Is Dead and The Darkened Mirror—Kiefer has used narrative as a vehicle to propel the idea of sound into new territories.\u003c\/p\u003e\n\u003cp\u003eAs a novelist, Kiefer presents quietly contemplative narratives filled with sweeping landscapes and introspective characters. It is work resonant of the films of Andrei Tarkovsky and Ingmar Bergman, filmmakers Kiefer adores, and so is perfectly in tune with his musical output.\u003c\/p\u003e\n\u003cp\u003eWhat You Have Come for Is Death is the first sentence of Kiefer’s new novel, The Animals (Liveright). The novel is about, in broad strokes, wildlife rehabilitator Bill Reed, a man who lives a quiet life in rural North Idaho. He hopes to marry the local veterinarian and build a future with her and her young son. However, Bill has a dangerous, criminal past that he has kept hidden and when it resurfaces it threatens to destroy everything he has built in the Idaho forests.\u003c\/p\u003e\n\u003cp\u003eThe idea to make a soundtrack album for the book arose soon after the final draft had been completed. Kiefer produced a lengthy visual “score” for the book—mostly a collection of texts and images that he hoped would inspire the musicians involved, (a score available as a digital download with this release). This material was uploaded to the cloud along with sound samples, instructions, and ideas. He then invited various musicians to look through those materials. Tracks were flown into and out of the cloud and Kiefer set to assembling the project in his home studio in Northern California, recording more material, overdubbing, mixing, and mastering.\u003c\/p\u003e\n\u003cp\u003eKiefer’s projects often include collaborators, some of them quite well known. He has worked with Alan Sparhawk and Mimi Parker of Low, Wilco’s Nels Cline, The Band’s Garth Hudson, Smog’s Bill Callahan, Califone, Rosie Thomas, Mark Kozelek of Red House Painters and Sun Kil Moon, Will Johnson of Centro-Matic, and many others.\u003c\/p\u003e\n\u003cp\u003eThe musicians who stepped forward to work with Kiefer on What You Have Come for Is Death are some of the greatest working today. Kiefer’s longtime collaborator, experimental guitarist and songwriter Jefferson Pitcher, is present here, as are Tetuzi Akiyama, Tom Carter (of Charalambides), and Kevin Corcoran, all of whom have worked with Kiefer on previous instrumental projects. Scott Leftridge and Jason Roberts, long members of Kiefer’s live band, contribute parts as well. Newcomers to Kiefer’s work here include violinist Caridwen Irvine-Spatz, novelist and guitarist Louis B. Jones, and guitarists Patrick Hargon and Ross Hammond. A longtime fan of instrumental masters Boxhead Ensemble, Kiefer also enlisted Boxhead’s Michael Krassner and frequent Boxhead collaborator Fred Lonberg-Holm.\u003c\/p\u003e\n\u003cp\u003eThe result is a finely textured sonic experience, moving from thick drone-based pieces to country-tinged melodies rooted in rhythm. The project is divided into two landscapes, that of North Idaho, where Bill Reed is trying to build his new life, and Northern Nevada, where his dangerous past resides. The listening experience is meant to resonate with the text itself, to be listened to separately or alongside.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Christian Kiefer","offers":[{"title":"LP","offer_id":3168346689,"sku":"","price":20.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":3168346753,"sku":"","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/HH002.jpeg?v=1433032456"},{"product_id":"the-unseen-hand-music-for-documentary-film","title":"The Unseen Hand: Music For Documentary Film","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eSide A\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eWestern Wishes Intro\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eJustin’s Theme\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eThe Strip\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eThe Arena\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eMike’s Theme\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eGone Too Far\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eSide B\u003c\/h3\u003e\n\u003col start=\"7\"\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eA Simple Prayer\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eEight Seconds\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eAdriano's Theme\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003e\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/hired-hand-vol-1-rank\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eRank\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eWestern Wishes Outro\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eDigital download includes\u003c\/h3\u003e\n\u003col start=\"12\"\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eRanch Life\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eBleeder\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eOrgan Piece\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e9\/9\/2014\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003eLimited pressing of 330 numbered copies on black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSESSION 1: THE WAREHOUSE - LONG BEACH\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThere wasn't much of movie to speak of at that point so Wil, Tim and I headed into Hollywood to John’s apartment and watched some raw footage of cowboys getting tossed around by bulls. We didn't get much direction on what to do, only what not to do. Our first job was to give John some music to cut to. So we started on what would be the first of three sessions.\u003c\/p\u003e\n\u003cp\u003eMy friend John Haskell's dad had a warehouse down at the docks in Long Beach to house his boats and ancient cars. It was a big open space with high ceilings and wooden beams hanging above us. We also made records in there. There where a few pianos, a hammond b3, a bunch of guitar amps and a coffee maker. The office became the control room. I remember a couple of fax machines.\u003c\/p\u003e\n\u003cp\u003eThe very first thing we did was check the levels on the piano. I sent Wil to play something on the baby grand and he proceeded to perform what would become the basic theme for the entire movie. I'm still not sure where that came from. We where off to a good start. After a while Tim threw a microphone inside the piano and set up his pedal board and connected it to one of the amplifiers. Tim's natural inclination is to continually turn things inside out and destroy. That was a long time ago but I remember recording a lot of good stuff those couple of days. The last thing we did was an organ duo. I remember playing a couple of chords over and over while Wil sat next me and voiced the chords higher and higher on the keyboard. That piece would eventually become the intro piece to the movie.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSESSION 2: EAGLE ROCK\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAs the film progressed, I knew we where going to need something a little more traditional for certain parts of the film. The Wild expansive music we made in Long Beach would lose its impact if we didn't have something to ground it. I remember seeing a photograph somewhere of Neil Young recording some acoustic instruments with the musicians sitting in a circle around a few mics. I was inspired to try that approach.\u003c\/p\u003e\n\u003cp\u003eMy friend Eric Heywood had a beautiful little house on top of hill overlooking Eagle Rock California. Lots of light and beautiful white washed wood floors. We set up in the circle, this time with Eric on his pedal steel and a bunch of guitars. I always loved the sound of multiple guitars intertwining. We went around the circle with each of us starting a little idea while letting the piece slowly develop into whatever it would become. We went around a couple of times and that was it. I have a lot of fond memories of that neighborhood and those days. I was engineering for producer David Trumfio back then and when things where slow we'd hit this Mexican food place at the base of the hill and sit there for hours drinking margaritas getting nothing done.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSESSION 3: THE ICE HOUSE - PHOENIX, ARIZONA\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWe now had the completed film and needed one last session to fill some of the gaps. We needed something with a big space to fill the expansive feel of the bull riding ring. John had to recreate the sound from scratch during the competition scenes.\u003c\/p\u003e\n\u003cp\u003eThere is this great building in Phoenix called the Ice House. Back before refrigeration the ice would be delivered via train and stored in one central location. The room we recorded basically looked like an airplane hanger with elevated arched ceilings. Since we had a finished cut I was able to project the film onto one of the walls There is this great building in Phoenix called the Ice House. Back before refrigeration the ice would be delivered via train and stored in one central location. The room we recorded basically looked like an airplane hanger with elevated arched ceilings. Since we had a finished cut I was able to project the film onto one of the walls creating a very cinematic atmosphere. We added percussion and relied on our electric guitars for the last session. At one point we started the film and had the drummer Rob Moore improvise over its entirety. I don't think any of that ended up in the film but i wish it did, it was probably the best stuff.\u003c\/p\u003e\n\u003cp\u003eJohn and his editors came out for the sessions and I'm not sure what happened the night before but they basically slept on the concrete floor most of the session. I think they just wanted to to get out of LA for a few days. \u003cem\u003e- Michael Krassner, Spring 2014\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eTHE PLAYERS:\u003cbr\u003eWIL HENDRICKS\u003cbr\u003eERIC HEYWOOD\u003cbr\u003eMICHAEL KRASSNER\u003cbr\u003eBRUCE LICHER\u003cbr\u003eROB MOORE\u003cbr\u003eTIM RUTILI\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Boxhead Ensemble","offers":[{"title":"LP","offer_id":3168702337,"sku":"","price":20.0,"currency_code":"USD","in_stock":true},{"title":"Digital - MP3","offer_id":3168702401,"sku":"","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Digital - FLAC","offer_id":34814637639,"sku":"","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/HH001.jpeg?v=1433033161"},{"product_id":"swallow-the-sea-the-songs-of-the-crabs","title":"Swallow The Sea: The Songs of The Crabs","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eSide A\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003e\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/the-valiant-arms-swallow-the\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eSwallow The Sea\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eIron Curtain\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eSore\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eRiptide\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eSide B\u003c\/h3\u003e\n\u003col start=\"5\"\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eAngeline\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eConfess\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eDebutant\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eShe Is A Titan\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003eSpring 2007\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003eLathe cut 10\" - Limited to 51 numbered copies.\u003c\/p\u003e\n\u003cp\u003eThese are 8 \u003cstrong\u003eCrabs\u003c\/strong\u003e covers recorded by a bunch of pals that somehow turned into an actual band. Thanks to Jonn and Lisa for their approval and their awesome songs! The lathe cut 10\" is limited to 51 copies, the CD to 100 or so, your call. Perfect pop songs broken down and rebuilt with a vast aray of instrumentation. From twee pop to country balladrey, indie rock to classic punk. This record is at once all over the place and a straight narrative all told by the voices of Diane, Rob \u0026amp; Rachel.\u003c\/p\u003e\n\u003cp\u003eRecorded by Adam, Rob and Chad at the Library, Diane's house, Tony's house, Rob's house and Typefoundry.\u003c\/p\u003e\n\u003cp\u003ePerformed by:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDiane Rios\u003c\/strong\u003e - Vocals, Bass \/ \u003cstrong\u003eRob Jones\u003c\/strong\u003e - Vocals, Guitars, Mandolin \/ \u003cstrong\u003eRachel Blumberg\u003c\/strong\u003e - Vocals, Drums, Piano, Synth Strings \/ \u003cstrong\u003eKevin Walters\u003c\/strong\u003e - Guitars \/ \u003cstrong\u003eTony Moreno\u003c\/strong\u003e - Bass, Banjo \/ \u003cstrong\u003eDerek Trost\u003c\/strong\u003e - Drums, Accordian \/ \u003cstrong\u003eCora Rios\u003c\/strong\u003e - Hand claps \/ \u003cstrong\u003eCassidy Rios Kane\u003c\/strong\u003e - Hand claps \/ \u003cstrong\u003eCory Gray\u003c\/strong\u003e - Trumpets \/ \u003cstrong\u003eEric Clampitt\u003c\/strong\u003e - Pedal Steel \/ \u003cstrong\u003eAdam Selzer\u003c\/strong\u003e - Mandolin\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"The Valiant Arms","offers":[{"title":"Lathe Cut 10\"","offer_id":3176124353,"sku":"","price":15.0,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":3176138241,"sku":"","price":5.0,"currency_code":"USD","in_stock":false},{"title":"Digital","offer_id":3176138305,"sku":"","price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB060.jpeg?v=1433056658"},{"product_id":"jb126","title":"French Kayaking Music","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eSide A\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003e\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/01-french-echo-accordion\/s-sRCNj\" target=\"_blank\"\u003eFrench Echo (Accordion)\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eArrivals\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eTraveling\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eHappy Stars\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eThe Sign\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eThe Rag\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eThe Canyon\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003e\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/08-lake-powell\/s-LtivU\" target=\"_blank\"\u003eLake Powell\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eFrench Echo (Piano)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eSide B\u003c\/h3\u003e\n\u003col start=\"8\"\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eNostalgia (Accordion)\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eRapids\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eAdventure\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eMelon Stand\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eSong For Bernard (Traveling)\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eGenevieve’s Theme\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eBack In France\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eNostalgia (Piano)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e11\/03\/2015\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003eThe set of instrumental pieces entitled \u003cem\u003e\u003cstrong\u003eFrench Kayaking Music\u003c\/strong\u003e\u003c\/em\u003e was written for and inspired by the film \u003cstrong\u003e\u003cem\u003eVoyagers Without Trace\u003c\/em\u003e\u003c\/strong\u003e; a documentary about a French trio who kayaked the Green and Colorado rivers in 1938. When Conlee heard that the film’s director\u003cstrong\u003e Ian McCluskey\u003c\/strong\u003e was looking for original music with a French flavor, a creative relationship was begun. Conlee, currently a member of bands \u003cstrong\u003eThe Decemberists\u003c\/strong\u003e and \u003cstrong\u003eBlack Prairie\u003c\/strong\u003e, was at this time delving deep into French accordion music. She was listening to old recordings and learning the style from books of French Musettes. French Musette music evolved in Paris in the mid-1800’s as melting pot of styles played on the accordion that was popular for dancing in the café’s. Conlee was quickly falling in love with this romantic music. The “\u003cem\u003eVoyagers…\u003c\/em\u003e” soundtrack project was the perfect opportunity for Jenny to put to paper some original pieces inspired by the genre. \u003cstrong\u003eSteve Drizos\u003c\/strong\u003e, drummer for \u003cstrong\u003eJerry Joseph and the Jackmormons\u003c\/strong\u003e and Conlee’s husband and musical collaborator, was brought in as recording engineer and then as producer and composer as well.\u003c\/p\u003e\n\u003cp\u003eWhile McCluskey was sending over scenes to be composed to, the pair realized the need to expand the musical palette. On top of the collection of Musette inspired waltzes there was a need to express the feeling of the old west and the river itself. Conlee added piano pieces that are both somber and whimsical. Drizos then layered drum and percussion tracks and the addition of \u003cstrong\u003eJill Coykendall\u003c\/strong\u003e on clarinet adds to the feeling of loneliness and space. Other musicians on the album are \u003cstrong\u003eJesse Emerson\u003c\/strong\u003e on upright bass and \u003cstrong\u003eKyleen King\u003c\/strong\u003e on viola and violin, fleshing out the main musical theme of the film, the track \u003cem\u003eTraveling\u003c\/em\u003e. Drizos also composed two ambient guitar pieces that beautifully reflect the splendor of the canyon to round out the collection.\u003c\/p\u003e\n\u003cp\u003eConlee and Drizos have also collaborated on a soundtrack for the short film\u003cem\u003e\u003cstrong\u003e The Kid\u003c\/strong\u003e\u003c\/em\u003e, directed by \u003cstrong\u003eJeff Winograd\u003c\/strong\u003e, which premiered at the Portland International Film Festival in 2014.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Jenny Conlee with Steve Drizos","offers":[{"title":"LP","offer_id":6010669569,"sku":"","price":25.0,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":6010669633,"sku":"","price":15.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":6010669697,"sku":"","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB126_12in_SQ.jpg?v=1672529274"},{"product_id":"collected-essential-works","title":"Collected Essential Works","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eSide A\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eInto The River\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eWorking On The Lines\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eTiny Fire\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003e\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/luke-ydstie-odd-one-out\/s-QyAex\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eOdd One Out\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eI Told You\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eSide B\u003c\/h3\u003e\n\u003col start=\"6\"\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eA Bigger Mark\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eShine\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eDeer Stranglers\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eAlways Looking\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eJamie\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e10\/09\/15\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eVinyl edition is a Series 33 release, limited to 33 copies.\u003c\/em\u003e\u003c\/strong\u003e  \u003cstrong\u003e*VINYL SOLD OUT*\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIt doesn’t happen often, but every once in awhile I run into a musician in the studio who is equally skilled as a session player and a songwriter. When I first met \u003cstrong\u003eLuke Ydstie\u003c\/strong\u003e in 2011, he was the upright bass player for \u003cstrong\u003eBlind Pilot\u003c\/strong\u003e when we were recording \u003cem\u003e\u003cstrong\u003eWe Are The Tide\u003c\/strong\u003e\u003c\/em\u003e. Two years later, we were back in the studio with his other band, \u003cstrong\u003eHook \u0026amp; Anchor\u003c\/strong\u003e, anchored by his longtime collaborator and muse \u003cstrong\u003eKati Claborn\u003c\/strong\u003e. With this band, I saw Luke’s talents brought more to the forefront, taking a more integral role with arranging and singing as well as penning his own song, \u003cem\u003eWild Wind\u003c\/em\u003e. Another two years later, he was back in the studio, this time as the sole songwriter for an unnamed project with no aspirations other than documenting a group of songs that left me flabbergasted. After recording artists for almost 20 years, I can’t stress how rare it is to find someone so gifted as both a player and a songwriter. I could name names here but that’s not necessary. What is necessary is to understand Luke’s ability to come across as such a consummate songwriter, all the while humbly showing his understanding and mastery of melody and restraint. His vocal delivery is something to behold; he somehow manages to deliver in a style that is simultaneously delicate and boastful, a gift that will draw you in even if you enter a room unaware of what is on the hi-fi.\u003c\/p\u003e\n\u003cp\u003eAs we all know, talking about music is truly a difficult task, an impossible task you could say, but we still try. And I attempt to convince you that these songs are beautiful in their simplicity and their honesty. \u003cstrong\u003e\u003cem\u003eCollected Essential Works\u003c\/em\u003e\u003c\/strong\u003e is an heartfelt record - even to the point where Luke \u0026amp; Kati’s newborn appears, crying out for who-knows-what, straped to Luke’s chest while tracking bass. She needed to be held, that’s what happened while he was tracking, so that’s what’s there. That is the spirit of this record, it’s purity and elegance. \u003cstrong\u003eKati Claborn\u003c\/strong\u003e provides beguiling harmonies and banjo (to see them play live as a duo is a true treat and her harmonies can be powerful and delicate from one line to the next) and \u003cstrong\u003eRyan Dobrowski\u003c\/strong\u003e plays drums in a manner that take the songs away from your typical singer-songwriter arrangements. He doesn’t go for the obvious beats, he views the drum set as an instrument of melodic expression and accompaniment, not simply as a rhythmic tool to ground the songs. With this approach, the songs soar into more grandiose territory. Luke does not overload these songs with all the talents he possesses in his quiver. He lets the vocal melodies, harmonies, and rhythms take center stage and doesn’t muck around with complicated arrangements that could easily take the songs into ill-fated territory. These songs are infectious. They give more and more with each listen; there’s a mood captured here that is special and rare. We’re lucky to have Luke as an accomplished session player, and even luckier as a songwriter and a singer.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Luke Ydstie","offers":[{"title":"CD","offer_id":6010803457,"sku":"","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":6010803521,"sku":"","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB128.jpeg?v=1440481273"},{"product_id":"jimmywine-majestic","title":"Jimmywine Majestic","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eSide A\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eflank\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003estained \u0026amp; lit\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003ebraindead\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003esmokey mtn dbl dip\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eSide B\u003c\/h3\u003e\n\u003col start=\"5\"\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003ecillamange\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eball\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/08-lather\/s-YOqVX?in=jbrecords\/sets\/red-red-meat-jimmywine-majestic\/s-NtQqe\"\u003e\u003cspan style=\"line-height: 1.5;\"\u003elather\u003c\/span\u003e\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003erusted water\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eSide C\u003c\/h3\u003e\n\u003col start=\"10\"\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003egorshin\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003edowser\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003ecomes\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eroses\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eSide D\u003c\/h3\u003e\n\u003col start=\"14\"\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003emake you gone\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003epity\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003elather (acme sessions)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eintro (single version)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e11\/06\/2015\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003eIn 1993 \u003cstrong\u003eRed Red Meat\u003c\/strong\u003e released its first record for legendary Seattle label \u003cstrong\u003eSub Pop\u003c\/strong\u003e, \u003cstrong\u003e\u003cem\u003eJimmywine Majestic\u003c\/em\u003e\u003c\/strong\u003e. Building on the grungy roots of the band’s self-titled debut, the second album was more confident and refined, with songwriter Tim Rutili’s impressionistic lyrics hovering over twangy steel guitars, thick fuzzbox riffs, and barroom drums.\u003c\/p\u003e\n\u003cp\u003eProduced by \u003cstrong\u003eBrad Wood\u003c\/strong\u003e (Liz Phair, That Dog, Sunny Day Real Estate), the record finds the band (Rutili, Brian Deck, Glenn Girard, and Tim Hurley) moving away from the thrashing noise of the first record into more nuanced territory, maintaining its menacing swagger but injecting more space into songs like \u003cem\u003eMoon Calf Tripe\u003c\/em\u003e and \u003cem\u003eLather\u003c\/em\u003e, swinging harder on opener \u003cem\u003eFlank\u003c\/em\u003e and the anthemic \u003cem\u003eBall\u003c\/em\u003e, and pushing into blues and reconfigured roots rock with \u003cem\u003eDowser\u003c\/em\u003e and \u003cem\u003eComes\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eMuch of the album’s classic feel was informed by bands like the Rolling Stones and the Faces, a “favorite kind of music for Tim Rutilli,” says drummer and organist Brian Deck. “It was his writing that pulled things in that direction, and it was probably his writing and ambition to be different from that that ultimately drove [the band] toward being esoteric and experimental,” eventually morphing into \u003cstrong\u003eCalifone\u003c\/strong\u003e in the late ‘90s.\u003c\/p\u003e\n\u003cp\u003eInformed by classic rock and blues, the album also benefits from Deck’s musical training and approach. While Red Red Meat’s other efforts, their self-titled debut in 1992, 1995’s \u003cem\u003eBunny Gets Paid\u003c\/em\u003e, and 1996’s \u003cem\u003eThere’s A Star Above the Manager Tonight\u003c\/em\u003e found Deck splitting his focus between production and performance, the drummer focused on \u003cem\u003eJimmywine Majestic\u003c\/em\u003e from a player’s perspective. The record was the work of an invigorated, young, and hungry band.\u003c\/p\u003e\n\u003cp\u003e“I remember [the album] mattering more to me than anything else in the world when we were doing it,” Deck says. “It’s a sensation that you have as a young artist. You tend to not have that the older you get. But it was the most important thing that had ever happened to me in my life when we were working on it. That was an awesome thing.”\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Red Red Meat","offers":[{"title":"Double LP","offer_id":6010881089,"sku":"","price":25.0,"currency_code":"USD","in_stock":true},{"title":"Digital - MP3","offer_id":12098606497901,"sku":"","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Digital - WAV","offer_id":13909497708653,"sku":"","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB125.jpeg?v=1440481997"},{"product_id":"days-full-of-rain","title":"Days Full Of Rain","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eSide A\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003e\u003cstrong\u003eBlitzen Trapper\u003c\/strong\u003e \/ Flyin’ Shoes\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003e\u003cstrong\u003eSallie Ford\u003c\/strong\u003e \/ Loretta\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003e\u003cstrong\u003eHook \u0026amp; 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Coal\u003c\/strong\u003e \/ Be Here To Love Me\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003e\u003cstrong\u003eQuiet Life\u003c\/strong\u003e \/ Waitin' Around To Die\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003e\u003cstrong\u003eM Billy\u003c\/strong\u003e \/ Two Girls\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003e\u003cstrong\u003ePortland Country Underground\u003c\/strong\u003e \/ Marie\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003e\u003cstrong\u003eCarcrashlander\u003c\/strong\u003e \/ Lungs\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003e\u003cstrong\u003eMichael Hurley\u003c\/strong\u003e \/ Pancho and Lefty\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e03\/25\/16\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eAll proceeds from the sales of this album will be shared between the Jeremy Wilson Foundation and The Americana Project please see below for further details on these amazing organizations.\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe love of Townes runs deep amongst music folk. You ever wonder how great it would sound if your favorite bands played their favorite Townes Van Zandt songs?\u003c\/p\u003e\n\u003cp\u003eIt could’ve dried up like so many one ‘what ifs’ but a plan was hatched, time and talent was donated and a record was made. Everyone was stoked, nobody got paid… they all did it for the sake of the song. Hope you dig it.\u003c\/p\u003e\n\u003cp\u003e21 artists with strong ties to the Pacific Northwest pay tribute to Townes Van Zandt. Featuring Blitzen Trapper, Sallie Ford, Jolie Holland, Michael Hurley, Blind Pilot, The Minus 5 and many others!\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/thejwf.org\/%E2%80%8B\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cstrong\u003eTHE JEREMY WILSON FOUNDATION​\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eThe Jeremy Wilson Foundation is a 501(c)(3) nonprofit musicians’ service organization dedicated to providing emergency financial assistance in times of medical crisis and to improving the overall well-being of individual musicians and their families. This unique service provides a safety net for musicians in times of medical crisis. Musicians are independent contractors and are either self-employed or rarely offered health insurance through the record company that employs them.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.sistersfolkfestival.org\/festival-info\/americana-project\/%20%E2%80%8B\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cstrong\u003eTHE AMERICANA PROJECT\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eAt its core, The Americana Project is a public school curriculum that was developed to inspire the creativity of young people, and to demonstrate the cultural and historical significance of American roots music and cultural expression. Now in its 1​2​th year, the Americana Project has had a positive impact on the lives of hundreds of students who have participated in learning to play guitar, write songs, record and perform in the daily classes.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Various","offers":[{"title":"LP","offer_id":6010928193,"sku":"","price":20.0,"currency_code":"USD","in_stock":false},{"title":"Digital","offer_id":6010928129,"sku":"","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB124.jpeg?v=1440482707"},{"product_id":"pre-order-red-red-meat","title":"Red Red Meat","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eSide A\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/01-robo-sleep\/s-4GqD0?in=jbrecords\/sets\/red-red-meat-red-red-meat\/s-IQ98r\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan style=\"line-height: 1.5;\"\u003eRobo Sleep\u003c\/span\u003e\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eSnowball\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eMolly’s On The Rag\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eFlossy\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eIdaho Durt\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eSide B\u003c\/h3\u003e\n\u003col start=\"6\"\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eCellophane\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eGrief Giver\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eRabit Eyed\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eHot Nickety Trunk Monkey\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eNice Round Numbers\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eSide C\u003c\/h3\u003e\n\u003col start=\"11\"\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eX-Diamond Cutter Blues\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eStare Box\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eP.C.L.M.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eRubbing Mirrors\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eSand Box\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eSide D\u003c\/h3\u003e\n\u003col start=\"16\"\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eDisco Heathen (Alt Mix)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eK-Head\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eGrief Giver (w\/ Brian)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eI'm Not In Love\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e11\/06\/2015\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003eIn Chicago in the early ‘90s, combustable rock outfit \u003cstrong\u003eFriends of Betty\u003c\/strong\u003e, led by songwriter Tim Rutili, collapsed and reconfigured itself as \u003cstrong\u003eRed Red Meat\u003c\/strong\u003e. In 1992, the band released its self-titled debut on its own \u003cstrong\u003ePerishable Records\u003c\/strong\u003e imprint. Over the course of its career, Red Red Meat would twist and expand its sound on a series of records for \u003cstrong\u003eSub Pop\u003c\/strong\u003e, eventually morphing into experimental outfit \u003cstrong\u003eCalifone\u003c\/strong\u003e, but Red Red Meat finds core members Rutili, Brian Deck, Ben Massarella, and Glenn Girard (along with Jimmy Chamberlin of the \u003cstrong\u003eSmashing Pumpkins\u003c\/strong\u003e and Friends of Betty bassist Glynis Johnson) playing strutting, feedback-drenched rock \u0026amp; roll.\u003c\/p\u003e\n\u003cp\u003eProduced by \u003cstrong\u003eBrad Wood\u003c\/strong\u003e (Liz Phair, Sunny Day Real Estate, The Sea and Cake) and Deck, who’d go on to work with Modest Mouse, Iron and Wine, Josh Ritter, the Fruit Bats and more, the songs of \u003cstrong\u003e\u003cem\u003eRed Red Meat\u003c\/em\u003e\u003c\/strong\u003e are brash and aggressive, but represent the band’s first steps into a sonic realm where rhythm, restraint, and open space was as important as punk-influenced noise jams. With \u003cem\u003eRed Red Meat\u003c\/em\u003e, the band moved into “less bombastic, more groove oriented” sounds, says Ben Massarella, who along with Brian Deck and Chamberlin plays drums on the record. The band found itself drawn to bands like the Velvet Underground and Rolling Stones, toward bands “that had a real good solid groove, and an identity because of it,” Massarella says.\u003c\/p\u003e\n\u003cp\u003eSongs like \u003cem\u003eRobo Sleep, Snowball\u003c\/em\u003e and early single \u003cem\u003eHot Nikketty Trunk Monkey\u003c\/em\u003e trash with barraging riffs and funk rhythms, while \u003cem\u003eMolly’s On The Rag\u003c\/em\u003e and \u003cem\u003eNice Round Numbers\u003c\/em\u003e introduce folk and country elements. \u003cem\u003eCellophane Man\u003c\/em\u003e, with its lurching Crazy Horse stomp and \u003cem\u003eSand Box\u003c\/em\u003e (with a haunting vocal by Johnson) indicate the direction the band would follow on \u003cem\u003eJimmywine Majestic, Bunny Gets Paid\u003c\/em\u003e, and thier swan song, \u003cem\u003eThere’s a Star Above the Manger Tonight\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eThe record features beautiful, hilarious, and cryptic lyrics from Rutili. “I get a hard on driving past your house,” he spits over the jittery punk funk of \u003cem\u003eP.C.L.M.\u003c\/em\u003e “Rabbit eyed, love you and numbness,” he screams mournfully on \u003cem\u003eRabit Eyed\u003c\/em\u003e. Rutili’s songs paint alien visuals, owing to his emergence as a filmmaker. His films would play heavily into the identify of Red Red Meat, Massarella says. ‘In my mind, he’s got a complete artistic sense about it.”\u003c\/p\u003e\n\u003cp\u003eThis deluxe reissue of the album features alternate takes and rarities, notably the band’s cover of \u003cstrong\u003e10cc’s\u003c\/strong\u003e soft rock hit \u003cem\u003eI’m Not In Love\u003c\/em\u003e, which demonstrates Rutili and the band’s ability to take a song apart, to push it to the point of breaking, employing the song’s familiar melody and pop template before overdriven guitars briefly render the song unrecognizable.\u003c\/p\u003e\n\u003cp\u003eLong out of print and never before available on vinyl, \u003cem\u003eRed Red Meat\u003c\/em\u003e is unhinged and damaged, introducing elements the band would continue to refine and experiment on, a cocky, unwashed opening salvo from one of ‘90s indie rock’s most influential bands.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Red Red Meat","offers":[{"title":"Double LP","offer_id":6552714177,"sku":"","price":25.0,"currency_code":"USD","in_stock":false},{"title":"Digital - MP3","offer_id":34814411463,"sku":"","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Digital - FLAC","offer_id":34814418311,"sku":"","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB127.jpeg?v=1442161746"},{"product_id":"search-zero","title":"Search Zero","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eSide A\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eAdore\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eA Soft Place To Land\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eHomeward Bound\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eJackson\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003ePale Blue Eyes\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eSide B\u003c\/h3\u003e\n\u003col start=\"6\"\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eSomeday Soon\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eSara Smile\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003e\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/08-the-back-of-your-hand-dwight-yoakam\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eBack Of Your Hand\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eCold Pillows, Dark Nights\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eDenali\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eThe Rose\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e10\/23\/15\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eVinyl edition is a Series 33 release, limited to 33 copies.\u003c\/em\u003e\u003c\/strong\u003e  \u003cstrong\u003e*VINYL SOLD OUT*\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAnnalisa Tornfelt, the Portland musician best known as the singer and fiddle player for \u003cstrong\u003eBlack Prairie\u003c\/strong\u003e, offered “A Cover Song of Your Choice” as an incentive to be a part of her fundraising campaign for the release of her solo album The Number 8 in March of 2015. Eleven songs were requested by family, friends and fans to make her second release a covers album \u003cem\u003e\u003cstrong\u003eSEARCH ZERO\u003c\/strong\u003e\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003e“Mike played the drums downstairs while I tracked my vocals \u0026amp; guitar in the attic. I ran the tape machine so he could stay at the drums. You push the “SEARCH ZERO” button to rewind back to the beginning and when you’re listening to the tape rewind, there is this long moment to decide if you’re going to record over what you did - or give it a listen.”\u003c\/p\u003e\n\u003cp\u003eRequests include covers by Hall \u0026amp; Oates, Velvet Underground, Johnny Cash \u0026amp; June Carter, Ian \u0026amp; Sylvia, as well as Annalisa’s childhood friend from Alaska, Matt Hopper.\u003c\/p\u003e\n\u003cp\u003eIn line with Annalisa’s initial idea to release \u003cstrong\u003e\u003cem\u003eThe Number 8\u003c\/em\u003e\u003c\/strong\u003e via her P.O. Box, she will be releasing \u003cem\u003eSearch Zero\u003c\/em\u003e as digital download codes stickered on the back of polaroid pictures she has taken. “Each picture is different, and there isn’t another one in the world like yours. I think that’s really special.”\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Annalisa Tornfelt","offers":[{"title":"Digital","offer_id":7545508993,"sku":"","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Polaroid w\/ DL","offer_id":7545508929,"sku":"","price":20.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB129.jpeg?v=1445519544"},{"product_id":"charity-binge","title":"Charity Binge","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eSide A\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eRun, Run Away\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eSinging to the Deaf\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eOf Another\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eLily, I can See\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eFever Dream\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eSide B\u003c\/h3\u003e\n\u003col start=\"6\"\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003e\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/slow-moses-oh-bembaya\" target=\"_blank\" title=\"Oh, Bembeya\" rel=\"noopener noreferrer\"\u003eOh, Bembeya\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003e\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/slow-moses-teenage-sun-part-2\" target=\"_blank\" title=\"Teenage Sun (part 2)\" rel=\"noopener noreferrer\"\u003eTeenage Sun (part 2)\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eSavage Grass\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eAmen\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eCupped Palm\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eDigital download includes\u003c\/h3\u003e\n\u003col start=\"12\"\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eTeenage Sun (part 1)\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eThe Glories and the Follies of all the Melancholies\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eI Know Your Trick\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e09\/30\/2016\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003e**This pressing comes on dark blue vinyl!**\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp style=\"text-align: left;\"\u003e“Any suckers for eclectic musical unions will have no trouble sinking their teeth into \u003cstrong\u003eSlow Moses’\u003c\/strong\u003e newest release, \u003cstrong\u003eCharity Binge\u003c\/strong\u003e. The Phoenix-based quintet have somehow fused the convoluted melodic structures of psychedelic rock with the driving polyrhythms of West African highlife; add to this the sober judgement of pop sensibility, and the end result proves an original and surprisingly coherent sound.” - Jonathan Duffey, 2016\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eDowntown Phoenix can be a strange and dark place. The heat, sucked in and stored by the asphalt, emanates upward from the streets, mostly empty save the few dazed and bruised strangers who wander them. Even in the middle of the night, long after the sun has set to the distant west, the heat remains. Downtown Phoenix is the site of the \u003cstrong\u003eDressing Room\u003c\/strong\u003e, the DIY performance space\/studio where \u003cstrong\u003eSlow Moses\u003c\/strong\u003e, an eclectic collective of four or five (give or take) musicians led by \u003cstrong\u003eWally Boudway\u003c\/strong\u003e and \u003cstrong\u003eRoss Andrews\u003c\/strong\u003e, recorded their Jealous Butcher Records debut \u003cstrong\u003e\u003cem\u003eCharity Binge\u003c\/em\u003e\u003c\/strong\u003e. Now decommissioned, it was a permeable space, with frequent comers and goers, folks wandering in from the nearby mental ward to listen to the strange sounds bouncing out onto Roosevelt St.\u003c\/p\u003e\n\u003cp\u003e“It was an open door policy,” Boudway explains. Things quickly went south. Gear got busted and stolen, people got confused, and the experiment in maximal egalitarianism was subject to gritty, even deranged, factors. Things broke down — “demolition in motion,” Boudway says — and \u003cem\u003eCharity Binge\u003c\/em\u003e manages to reflect some of that process, gloriously beat up and curiously joyful at its state.\u003c\/p\u003e\n\u003cp\u003eThe hot, woozy quality of the record is rooted in those Sonoran surroundings — “All the billboards keep one eye, on the teenage sun in the Phoenix sky,” the lyrics of the two-part epic “Teenage Sun” goes — but Slow Moses’ sound is borderless by nature, incorporating the sounds of African highlife (see the polyrhythmic and impressionistic “Oh Bembaya,” an ode to the late Demba Camara, leader of Bembeya Jazz National), creeping psychedelia (hear “Fever Dream,” its slide guitars swaying like thin reeds in the monsoon breeze) and dismantled rock \u0026amp; roll swagger (try “Run, Run Away”). There are moments of delirious pop, like “Amen,” with its pulsing, motorik drums and the strutting “Of Another,” but the songs sound elastic, capable of withstanding vigorous tugging at both edges, stretched out like silly putty.\u003c\/p\u003e\n\u003cp\u003e“Songs want to speed up and slow down,” Boudway says. “Songs want to have a temporality to them.”\u003c\/p\u003e\n\u003cp\u003eLike \u003cstrong\u003eCalifone\u003c\/strong\u003e, which counts Boudway and guitarist Ross Andrews among its amorphous roster, Charity Binge is the result of thorough deconstruction and assemblage: guitars and vocals smooshed and pulled, rhythm sections twisted, manipulated, looped, the makeshift recording studio serving as an instrument, the raw recordings subject to transformative demands by Boudway and Andrews, who fixate on and accentuate each stray note or slippery guitar line, always looking to build the foundations of the record’s songs on distinctly organic and human moments.\u003c\/p\u003e\n\u003cp\u003e“Often, we’re playing with song ideas and recording before we know where they’re going,” Boudway says.\u003c\/p\u003e\n\u003cp\u003eUtilizing surprise tactics, like recording performers unaware they’re being recorded, Boudway listens for elements which have an “offness” to them, a shaky humanity to the grooves that will be built into songs. It’s not the easiest approach, but it yields results far removed from the antiseptic sheen of most modern indie rock. And so \u003cem\u003eCharity Binge\u003c\/em\u003e becomes something of a mirror to those sweaty Dressing Room nights: filled with transient characters, blurry images, and constant, fitful creativity.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Slow Moses","offers":[{"title":"Vinyl","offer_id":29075519559,"sku":"","price":18.0,"currency_code":"USD","in_stock":true},{"title":"Digital - MP3","offer_id":13282553095,"sku":"","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Digital - FLAC","offer_id":34814272775,"sku":"","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB134a.jpg?v=1473693049"},{"product_id":"walk-to-the-moon","title":"Walk To The Moon","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eSide A\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eTake It All In\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eOde To A Fine Pair Of Gloves\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eSide B\u003c\/h3\u003e\n\u003col start=\"3\"\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003e\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/scirocco-i-want-my-records-back\" target=\"_blank\" title=\"I Want My Records Back\" rel=\"noopener noreferrer\"\u003eI Want My Records Back\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eWe Still Can't Find The Sound\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e02\/19\/2016\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eVinyl edition is a Series 33 release, limited to 33 copies.\u003c\/em\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003esi·roc·co\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\/səˈräkō\/\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003enoun\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003enoun: sirocco; plural noun: siroccos; noun: scirocco; plural noun: sciroccos\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ea hot wind, often dusty or rainy, blowing from North Africa across the Mediterranean to southern Europe.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eI like to think of it as spontaneous composition.\u003c\/p\u003e\n\u003cp\u003e40 minutes of musical exploration culled from hours of recordings by Kelso (vox), Heuer (bass), Trost (drums), Amato (guitar, stuff) \u0026amp; Jones (guitar, things) of the readsetgo variety. Some tracks expansive and subtle (\u003cem\u003eTake It All In\u003c\/em\u003e) others driving and anthemic (\u003cem\u003eI Want My Records Back\u003c\/em\u003e), all containing a lyrical narrative not often found when heading down this particular musical route.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Scirocco","offers":[{"title":"Series 33 LP","offer_id":13282560391,"sku":"","price":15.0,"currency_code":"USD","in_stock":true},{"title":"Digital","offer_id":13282560455,"sku":"","price":4.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB132.jpeg?v=1451862670"},{"product_id":"mirror-bride","title":"Mirror Bride","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eSide A\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eSave me a place\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eCrows\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eBrush for this\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eSilver brow\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eSide B\u003c\/h3\u003e\n\u003col start=\"5\"\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eSummer bug\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003e\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/broken-beaches\" target=\"_blank\" title=\"Broken Beaches\" rel=\"noopener noreferrer\"\u003eBroken beaches\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eMirror bride\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eTourniquet\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e02\/19\/2016\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003e\u003cstrong\u003eOrder the new Sin Ropas LP \u003cem\u003eMirror Bride\u003c\/em\u003e on limited edition clear vinyl, along with drummer and multi instrumentalist \u003cem\u003eDanni Iosello's debut collection of short stories\u003c\/em\u003e of the same name as a special bundle right now!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSin Ropas\u003c\/strong\u003e has always made the familiar strange, creating postpartum pop that unravels and spins out in a shatter of rusty beats, scratchy vocal harmonies, raw guitar, found sounds, made-up instruments, and electronic experimentation. It has the timbre of lost love and the redemption that follows it. If this all sounds a bit uncomfortable, that's because it is–their music is at once longing and revelatory while also unnerving and confounding.\u003c\/p\u003e\n\u003cp\u003eOn \u003cstrong\u003e\u003cem\u003eMirror Bride\u003c\/em\u003e\u003c\/strong\u003e, Sin Ropas’ fuzz and blur is tightened into something more sparse and rangy thanks to mixing by \u003cstrong\u003eBrian Deck\u003c\/strong\u003e (Red Red Meat, Califone, Modest Mouse). These are bright, searing, imperfect songs that, as the title suggests, may seep into those places that you've been trying to forget or to hide. There’s a catharsis in its splattered slow party of music, in its untethered rhythms and evaporating melodies, music that suggests that there’s more than what we’ve seen or will ever see. Mirror Bride's beauty reveals itself slowly and evokes the kind of experience you didn't even know you were missing.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Sin Ropas","offers":[{"title":"LP + Book","offer_id":14694649031,"sku":"","price":30.0,"currency_code":"USD","in_stock":false},{"title":"LP","offer_id":13282567367,"sku":"","price":18.0,"currency_code":"USD","in_stock":true},{"title":"CD + Book","offer_id":14694725831,"sku":"","price":25.0,"currency_code":"USD","in_stock":false},{"title":"CD","offer_id":13294254407,"sku":"","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Digital - MP3","offer_id":13282567431,"sku":"","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Digital - FLAC","offer_id":34814128327,"sku":"","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0383\/4805\/products\/JB130.jpeg?v=1451862459"},{"product_id":"perhapst-1","title":"Perhapst","description":"\u003cdiv class=\"wlcr-description-wrapper\"\u003e\n\u003cdiv class=\"wlcr-left-description\"\u003e\n\u003ch2\u003eTRACKS\u003c\/h2\u003e\n\u003ch3\u003eSide A\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003e\"Quote\"\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eMaryanne\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003e\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/03-blue-year\" target=\"_blank\" title=\"Blue Year\" rel=\"noopener noreferrer\"\u003eBlue Year\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eHyper Planets\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eCruel Whisk\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eCaution\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch3\u003eSide B\u003c\/h3\u003e\n\u003col start=\"7\"\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eIncense Cone\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eHarbour\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eAlamand\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003e\u003ca href=\"https:\/\/soundcloud.com\/jbrecords\/10-bornless-one\" target=\"_blank\" title=\"Bornless One\" rel=\"noopener noreferrer\"\u003eBornless One\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"line-height: 1.5;\"\u003e\u003c\/span\u003eAren¹t You Glowing\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eRELEASE DATE\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e02\/19\/2016\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wlcr-right-description\"\u003e\n\u003cp\u003eThe inaugural voyage for the ship hailed as \u003cstrong\u003ePerhapst\u003c\/strong\u003e!\u003c\/p\u003e\n\u003cp\u003eConcocted during the down time between tours soon after he joined \u003cstrong\u003ethe Decemberists\u003c\/strong\u003e,\u003cstrong\u003e John Moen\u003c\/strong\u003e (former Elliott Smith\/Stephen Malkmus \u0026amp; The Jicks drummer), plays the majority of the instruments on this record. He is joined briefly by fellow \u003cstrong\u003eDharma Bums\u003c\/strong\u003e alum \u003cstrong\u003eEric \u003cspan\u003eLovre\u003c\/span\u003e\u003c\/strong\u003e as well as \u003cstrong\u003eStephen Malkmus\u003c\/strong\u003e, the later of whom assisted with the recording and played some guitars.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003ePerhapst\u003c\/em\u003e\u003c\/strong\u003e is filled with quirky, catchy, hook-laden indie-pop, experimental folk-rock, and even some twang for flavor, all delivered with a smirk and a smile.\u003c\/p\u003e\n\u003cp\u003eSome may remember John Moen as the front man for NW favorites \u003cstrong\u003eThe Maroons\u003c\/strong\u003e, or drummer for the widely popular early 90s indie-rock outfit Dharma Bums (Frontier Records). 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Limited quantity available!\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBefore \u003cstrong\u003eKind of Like Spitting\u003c\/strong\u003e was a band, it was Ben. In 1996, Ben would come visit me in Eugene and we’d hang out and record songs on my 8 track. Usually off the cuff, first or second takes, lyrics and parts changing as the songs were played. Sometimes he’d bring his friend Mark with to play drums. He’d been recording with his friend Eric up in Portland too, on his 4 track. Between the 3 of us we recorded a lot of songs.\u003c\/p\u003e\n\u003cp\u003eBen and I had already put out one tape together and a few songs on a compilation LP. Once we got enough songs recorded we got it in our heads that it would be fun to put out another tape. Eric had a cassette label as well, \u003cstrong\u003eAudio Dregs\u003c\/strong\u003e, and the 3 of us thought it’d be fun to work together on it, so we did. This was before CD’s were really a thing for either of our labels, and putting it on vinyl seemed like a pretty big step for something we all saw as low key at the time.\u003c\/p\u003e\n\u003cp\u003eWe made a lot of copies of this tape, and then we met our friend Chad (\u003cstrong\u003eHush Records\u003c\/strong\u003e) and we burned a lot of copies of this CDR, and then we finally manufactured some CDs, and Kind of Like Spitting became a band. And Jealous Butcher and Audio Dregs and Hush made a lot more records by a lot more bands (and we all still do).\u003c\/p\u003e\n\u003cp\u003eBut for me it all started with Ben. He likes to say that if it wasn’t for Jealous Butcher, he wouldn’t have gotten to where he is. I like to counter with if it wasn’t for him, Jealous Butcher wouldn’t be what it is, and my life certainly wouldn’t have been nearly as interesting. 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Nothing gives that sensation of modernity, control and comfort more than the ability to turn our swamps and deserts into meat lockers.\u003c\/p\u003e\n\u003cp\u003eThe machinery was always fascinating; massive coils of copper tubing, large noisy compressors, fans, silvery ducts etc., all complex instruments that, given the right conditions, can seep into the fever dreams of humid summer nights and slow the attack of the Culex mosquito which terrorizes the sleeping residents of the Texas gulf coast. 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Leaving between 4 and 4.5 degrees for inevitable human error, Rutili would then cool the room to 66°F.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eSIDE A: PILLOWS BREAK IN FROZEN LAKE\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis was the colder of two temperature settings. If you listen carefully, you will hear a faint metallic scrape at 9:32. These were the first notes of alloy declaring its independence from base metals. As the copper cooled, it would resonate at even-tempered intervals as prime numbers 51 and 51a were looped into the overlapping magnetic layering converter h22 over a period of 16, and 14 minutes.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eSIDE B: SPRING SPECIAL APE\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eJust as the description, a warmer setting. Ross disengaged the cooling cycle and humidity returned to the atmosphere. 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